THE VISUALIZATION OF SEVEN DEADLY SINS USING SYMBOLS PDF

The Seven Deadly Sins of Hieronymus Bosch

Apr 20 1996 Frogs and toads have traditionally been symbols of evil and death. For instance

The Seven Deadly Sins in Great Expectations

mind the pageant of the seven sins - Envy and Pickthank test. Hategood that Unlike gluttony the deadly sin of pride damages Pip on his manhood. Bentley ...

Seven Deadly Sins of the Red Death

In this classic Edgar Allan Poe tale the seven deadly sins are prominent in symbolism

ENVY AND THE OTHER VICES IN MICHELANGELOS LAST

resented each of the seven deadly sins amid the group of what Loren Envy's sin. Both male and pallid as Lucian relates—for the man has a pale face—his.

iii.-chaucer and the seven deadly sins

symbolism of the Sins in The Assembly of the Gods. Page 5. CHAUCER AND THE SEVEN of the Deadly Sins-Pride Lechery

The Seven Deadly Sins The Seven Holy Virtues

Envy (spiritual sin). 3. Wrath (spiritual sin affected by body). Four Corporal good works in the catechism as cures to the seven deadly sins: these included ...

Vices of Life: A Survey of Genre in Bruegels Seven Deadly Sins

May 1 2015 7) Pieter van der Heyden after Pieter Bruegel the Elder

The seven deadly sins in La vida de Lazarillo de Tormes y de sus

seven deadly sins: wrath gluttony

The Good The Bad

https://docs.rwu.edu/cgi/viewcontent.cgi?article=1007&context=nyscaproceedings

THE VISUALIZATION OF SEVEN DEADLY SINS USING SYMBOLS

In the sixth century Pope Gregory the Great introduced seven deadly sins which comprised of pride

The Seven Deadly Sins of Hieronymus Bosch

20 ???. 1996 ?. Frogs and toads have traditionally been symbols of evil and death. For instance. Spenser described Envy as riding on a wolf and chewing a toad

The Seven Deadly Sins in Great Expectations

Faerie Queene I

The Seven Deadly Sins The Seven Holy Virtues

The most popular one lists seven sins and subdivides them into three. "spiritual" sins and four "corporal" (bodily) sins. All seven of the sins were deadly

Haunting Pieties: Malorys Use of Chivalric Christian Exempla after

of Sir Urry' (3:1145-54; XIX.10-13): Urry's seven wounds recall a fifteenth century poem in which the seven deadly sins appear as wounds that will not.

ENVY AND THE OTHER VICES IN MICHELANGELOS LAST

Renaissance renditions of Envy (Invidia) resented each of the seven deadly sins amid ... guised Symbols in Renaissance Art (Boston: Brill. 2008)

Grooving a Symbol: Turkish Delight in Narnia

seven deadly sins perhaps in The Vision of Piers Plowman

Seven Deadly Sins

Gluttony. Envy. Sloth. Seven Deadly Sins. A new look at society through an old lens symbols are part of a wider nationalist or anti-Union project'.

Tolkiens Linguistic Application of the Seventh Deadly Sin: Lust

2 The Seven Deadly Sins are superbia (pride) invidia (envy)

Welcome to our Bible study on the Seven Deadly Sins We recognize that every sin is deadly because every sin we commit is a violation of God?s law With every sin we become lawbreakers thus falling short of the glory of God But throughout the history of the Christian Church these sins have been recognized as being especially insidious They are

The Seven Deadly Sins The Seven Holy Virtues - C-N

The Seven Deadly Sins Three Spiritual Sins 1 Pride (spiritual sin) 2 Envy (spiritual sin) 3 Wrath (spiritual sin affected by body) Four Corporal Sins 4 Accidia or Sloth (corporal sin) 5 Avaricia/Cupiditas or Greed (corporal sin) 6 Gluttony (corporal sin) 7 Lust (corporal sin) The Seven Holy Virtues Three Spiritual (or Theological) Virtues 1

What is the punishment for envy? - treehozzcom

looking at what are called The Seven Deadly Sins So one last time here is the list It’s been around for 1500 years and is still basically unchallenged as the major sins Christians still struggle with today PRIDE LUST GREED ENVY SLOTH (or Apathy) WRATH (ANGER) & GLUTTONY The final deadly sin we’re going to look at today is the sin

Theme: The Seven Deadly Sins Envy - summitdurangoorg

On the video screens you will see a list of those seven deadly sins SLIDE Lust Gluttony Greed Sloth Wrath Envy Pride Let's remember that these sins were developed in the fourth century by a group of monks who struggled with these and recognize that all of us as humans seem to have these core places of brokenness that we struggle with

the seven deadly sins the seven holies gifts of the spirit

seven deadly sins introduction Pope Gregory the Great at the end of the sixth century divided all sins under seven heads He said that every sin that a man commits can be classi?ed by seven words He named the sins: pride anger envy impurity (lust) gluttony sloth and greed They have been called down

Searches related to seven deadly sins envy symbol filetype:pdf

In the sixth century Pope Gregory the Great introduced seven deadly sins which comprised of pride greed envy wrath lust gluttony and sloth Animal symbols will be used to visualize each of the seven deadly sins The meaning of the seven deadly sins will be further emphasized by colours and lines

What is the punishment for envy?

Envy punishment. put in freezing water. Gluttony punishment. force fed rats, toads and snakes. Lust punishment. smothered in fire and brimstone. Furthermore, which deadly sin is envy? Envy is one of the Seven deadly sins in Roman Catholicism. In the Book of Genesis envy is said to be the motivation behind Cain murdering his brother, Abel, as ...

What are the Seven Deadly Sins and their meanings?

What Are The Seven Deadly Sins And Their Meanings? Pride. Pride or haughty eyes is when a person looks down upon others and it is in fact considered as the root of all sins as this sin gives way to the ... Envy. Next is the sin of envy in which a person is jealous of the things others have and want ...

What are the 8 Deadly Sins?

The number of deadly sins is not fixed. A s a young man, I remember reading that before there were Seven Deadly Sins, there were Eight. In addition to the enemies of the soul called Envy, Wrath, Lust, Greed, Gluttony, Sloth, and Pride, an eighth was considered an equal danger: Despond.

THE VISUALIZATION OF SEVEN DEADLY SINS USING SYMBOLS

IN PAINTING

Goh Yuan Yuan

ljazah Sarjana Muda Seni Gunaan dengan Kepujian (Seni Halus) 2017

THE VISUALIZATION OF SEVEN DEADLY SINS

USING

SYMBOLS IN PAINTING

GOH YUAN YUAN

Projek ini merupakan salah satu keperluan un(uk

Ijazah

Sarjana Muda Seni Gunaan dengan Kepujian

(Seni Halus)

Fakulti

Seni Gunaan dan Kreati f

UN1VERSJTI MALAYSIA SARAWAK

2017

UNIVERSITI MALAYSIA SARA W AK

Grade: ______

Please tick (",")

FL'1al Year Project RE" yorr D

Pill D

DECLARATION OF ORIGINAL WORK

This declaration is made on the 19"

h of June 2017.

Student's Declaration:

I GOH YUAN YUAN (46900) from FACULTY OF APPLIED AND CREATIVE ARTS hereby declare that the work entitled THE VISUAllZATION OFSEVENDEADLYSINS USING SYkfBOLSINPAINTINGis my original work. I have not copled from any other students' work or from any other sources except \vhere due reference or acknowledgement is made explicitly in the text, nor has any part heen written for me by another person.

GOH YUAN YUAN (46900) Date Submitted

Supervisor's Declaration:

I ASSOCIATE MOHAMAD FAIZUAN BIN MAT hereby certifies that the work entitled THE VISUALIZATION OFSEVENDEADLYSINS USING SYkfBOLSINPAINTING prepared by the above named student, and was submitted to the "FACULTY" as a * partw lifull fulfillment for the and theconferment of BACHELOR OF APPLIED WITH (FINE ARTS), aforementioned work, to the best of my knnwlprl Date:

Received for examination by: ?1J

I jrr I declare that Project/Thesis is classified as (Please tick (../) : D CONFIDENTIAL (Contains confidential information under the Official Secret Act

1972)'

RESTRICTED (Contains restricted information as specified by the organization where D research \\'3S done)*

OPEN ACCESS

Validation ofProject1Tbesis

I therefore duly affirm with free consent and willingly declare that this said Project/Thesis shall be

placed offlcially in the Centre for Academic Information Services with the abiding interest and rights as [ol1o"l.'s: • This Project/Thesis is the sole legal property of University Malaysia Sarawak (UNIMAS), The Centre for Academic Information Services has the lawful right to make copies for the purpose of academic and research only and not for other purpose. The Centre for Academic Information Services has the lawful right to digitalise the content for the Local Content Database. • �The Centre for Academic Information Services has the lawful right to make copies of the

Project/Thesis f

or academic exchange between Higher Learning Institute. • �No dis pute or any claim shall arise from the student itself neither tbird party on this

Project/Thesis once

it becomes the sole property of UN1M AS.

This Project/Thesis or

any material, data and information related to it sha ll not be distribu ted, published or disclosed to any pa rty by the student except with UNIMAS permISSIOn .

Student signature =---------c

(Date ],utC!I, )

Current Address:

42, JALAN

PEDANA. 4/5 PUCHONC'Uf,RDA!'!A. 47150 PUCHONG, SELANGOR Notes: ' Ifthe Project/Thesis is CONFIDENTIAL or RESTRICTED, please attach together as

annexure a letter from the organisation with the period and reasons of confidentiality and restrict.ion.

[The instrument is duly prepared by The Centre for AcademiC Information Services) I

PENGAKUAN

Projek bertajuk THE VISUALIZATION OF SEVEN DEADLY SINS USING SYMBOLS IN

PAINTING

telah disediakan oleh GOH YUAN YUAN dan telah diserahkan kepada fakulti Se ni Gunaan dan Kreatif sebagai memenuhi syarat untuk Ijazah Sarjana Muda Seni Gunaan dengan Kepujian (Sen; Halus). sa oleh: (MOHAMAD FAIZUAN BrN MAT)

Tarikh ?i(r1f

iii

PENGESAHAN

Adalab ini diakui bahawa saya, GOH YUAN YUAN disertai penulisan yang bertajuk THE VISUALIZATION OF SEVEN DEADLY SINS USING SYMBOLS IN PAINTING sebagai seba bagian daripada keperluan untuk Jjazab Sarjana Muda Seni Gunaan dan Kreatif dalam

Program

Seni Halus diterima.

Disabkan ok

rcat\vC' Arb

Sarawsk

(MOHAMAD FAIZU N BIN MAT)

Penyeli a

ACKNOWLEDGEMENT

J would like to express my deepest appreciation to all those who provided me the possibility to complete this research. The completion of this project would not have been possible without them.

A special gratitude I give to my

supervisor, Mr Mohamad Faizuan bin Mat who has provjded me a lot of guidance and constant supervision in completing the research. Moreover, I would like to express my special thanks to my course mates and friends who have given me the useful advice and support regarding this research.

Last but not least,

J would like to express my gratitude to my parents who had suppOIied me financially, spiritually a nd morally in this research. v

TABLE OF CONTENT

Borang Pengesahan Status Laporan I-II

Borang Pengakuan 111 �

Table of Content VI-X �

Abstrak X ll

Pengesahan dan Tandatangan Penye lia IV �

Acknowledgement V

Abstract XI �

CHAPTER 1: INTRODUCTION

1.0 Intro du ction 1-2

1.1 Research Pro blem 2-3 �

1.2 Research Question 3 �

J Research Objectives 3 �

1.4 Signifi cance of Research 3 �

1. 5 Scope of the Research 4 �

1.6 Expected Result 4 �

1.7 Conclusion 4 �

CHAPTER 2: LITERATURE REVIEW

2. 0 Introduction 5 �

2.1 Seven Deadly Sins 5-6 �

2. 1.1 Pride 6 �

2.1.2 Greed 7 �

2.1.3 Envy 7 �

2. 1.4 Wrath 8 �

2. 1.5 Lust 8 �

2. J.6 Gluttony 8 �

2. 1.7 Sloth 9 �

2.2 Symbol

2.2.1 Symbol and Art

2.2.2 Symbol and Christianity

2.2.3

Animal Symbol and Christianity

2.2.3. 1

Symbol of Pride

2.23.2 Symbol of Greed

2.23.3 Symbol of Envy

2.23.4 Symbol of Wrath

2.2.3.5

Symbol

of Lust

2.2.3.6

Symbol of Gluttony

2.23.7 Symbol of Sloth

2.3

Anthropomorphism and Zoomorphism

2.4

Artist and

Artwork References

2.4.1 Le grant kalendrier d

es Bergiers 2.4.2 Se7n

2.43 Bestiario

2.4.4

We Were Living in

the Woods 2.4 .5 We are the World

2.4.6 Liquid Mirror Painting

2.5

Conclusion

CHAPTER 3: RESEARCH METHDOLOGY

3.0 Introduction

3. 1 Qualitative Research

3.2 Collection of Primary Data

3.2.1 Intervi

3.2.2 Experiment

3.23 Content Analysis

3.3

Collection of Secondary Data

3.3. 1

Printed Document

vii 9 10 I 11 II 12 12 13 14 14 15 15 16 16 17 17 18 19 20 21
21
22
22
23
23
24
24
25
25

3.3.2 Internet 25-26 �

3.4 Conclusion 26 �

CHAPTER 4: DATA ANALYSIS

4.0 Introduction 27 �

4.1 Seven Deadly Sins 27 �

4.2 Symbols of Seven Deadly Sins 27-28 �

4 .2 .1 Animals 28 � 4.2.2

Colours 28-29 �

4.3 Str

okes of Line 30 �

4.4 Artwork References

31 �

4.4.1 Pride 31 �

4.4.2 Greed 32 �

4.4.3 Envy 33 �

4.4.4 Wrath 34 �

4.4.5 Lust 35 �

4.4.6 Gluttony 36 �

4.4.7 Sloth 37 �

4.5

Conclusion 37 �

CHAPTER 5: CONCLUSION

5.0 Process of create artwork 38-41 �

5.1 Conclusion 41 �

5.2 Recommendation 42 �

5.3 Final remarks 42 �

REFERENCES 43-47

viii

LIST OF FIGURE

No. Title Pages

Figure I. Sin of Pride: Broken on the wheel. 17 �

2 Figure 2. Sin of Envy: Put in freezing water. 17 �

3 Figure 3. Se7n: Greed. 18 �

4 Figure 4. Se7n: Wrath. 18 �

5 Figure 5. Bestiario: Lion. 19 �

Figure 6. Bestiario: Cow. 19 �

Figure 7. Dog and rabbit. 19 �

Figure 8. Seahorse man. 20 �

Figure

9. Chicken woman. 20 �

10 Figure 10. Painting on mirror. 21 �

II Figure II . Pride. 31 �

12 Figure 12. We close our eyes . 31 �

13 Figure 13. Longing. 32 �

14 Figure 14. That don ' t exist. 32 �

15 Figure 15. Jealousy. 33 �

16 Figure 16. Fever. 33 �

17 Figure 17. Anger. 34 �

18 Figure 18. Rage. 34 �

19 Figure 19. Lust. 35 �

20 Figure 20. Quanta sporco disordine. 35 �

21 Figure 21. Eagemess . 36 �

22 Figure 22. Gluttony. 36 �

23 Figure 23. Sluggish. 37 �

24 Figure 24. L'assenza. 37 �

24 Figure 25. Final presentation. 41 �

LIST OF TABLE