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Tous droits r€serv€s Revue musicale OICRM, 2018 This document is protected by copyright law. Use of the services of 'rudit (including reproduction) is subject to its terms and conditions, which can be viewed online. This article is disseminated and preserved by 'rudit. 'rudit is a non-profit inter-university consortium of the Universit€ de Montr€al, promote and disseminate research. https://www.erudit.org/en/Document generated on 06/05/2023 6:53 p.m.Revue musicale OICRM

Interstellar

de Hans Zimmer : plong€e musicale au coeur des drames humains, par-dell'infiniment grand. Pour une autre approche de l'esth€tique zimmerienne

Chlo€ Huvet

Volume 5, Number 2, 2018Cr€ation musicale et sonore dans les blockbusters de Remote ControlURI: https://id.erudit.org/iderudit/1054149arDOI: https://doi.org/10.7202/1054149arSee table of contentsPublisher(s)Observatoire interdisciplinaire de cr€ation et recherche en musique (OICRM)ISSN2368-7061 (digital)Explore this journalCite this article

Huvet, C. (2018).

Interstellar

de Hans Zimmer : plong€e musicale au coeur des l"esth€tique zimmerienne.

Revue musicale OICRM

5 (2), 103...124. https://doi.org/10.7202/1054149ar

Article abstract

The model often relayed in the mainstream literature about Hans Zimmer, highlighting the masculinity and epic character of Zimmer"s music, the massive and powerful sound of his scores, and the omnipresence of a marked rhythmic pulsation tends to neglect an important part of Zimmer"s approach to film scoring, and proves to be inadequate for analyzing the composer"s most recent scores that do not correspond to this schema. This is the case, in particular, of

Interstellar

, which soundtrack largely exceeds this predefined general framework. I show how the treatment of the music places the human at the heart of the film, and in what ways Zimmer focuses his score on the relationship between Cooper and his daughter Murph. From the example of this film, my study also offers another approach of the composer"s aesthetics, which is complementary to the dominant model, inviting to rethink Zimmer"s filmography ... including its epic side ... under a rich and open angle.

Revue musicale OICRM, volume 5, n

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