Music by Antonio Vivaldi Libretto by Giacomo Cassetti
Juditha Triumphanswas commissioned by and first performed at the Ospedale della Pietà in Venice in November 1716 Juditha Triumphansis being recorded live for CD release by ABC Classics, and is being broadcast live on ABC Classic FM on Monday 10 December Any microphones you observe in the Hall are solely for the purposes of recording Major
Juditha Triumphans - TACTUS
Antonio Vivaldi (1671-1748) Juditha Triumphans RV 644 Devicta Holofernis barbarie Sacrum Militare Oratorium Libretto: Cav Jacopo Cassetti Venezia, 1716 Modo Antiquo Strumenti Originali / Historical Instruments Barbara Di Castri, Juditha Lucia Sciannimanico, Holofernes Nicki Kennedy, Vagaus Alessandra Rossi, Abra Rowena Anketell, Ozias Coro da
Written by bluesever Sunday, 11 December 2011 00:24 - Last
Juditha Triumphans devicta Holofernes barbarie (RV 644) is the only one of Vivaldi's four cantatas to survive It was written in 1716 while he was acting choirmaster of the Ospedale della Pietà, the girls' foundling home in Venice with which he was associated in one capacity or another for most of his life
DOCTOR OF MUSICAL ARTS - UNT Digital Library
Juditha Triumphans (1716) 4 SOLVING THE MYSTERY: VIVALDI’S CONTINUED “Vivaldi is one of a select group of composers to have written for both chalumeau and
JUDITHA TRIUMPHANS, DE VIVALDI - LAuditori
ANTONIO VIVALDI Venècia 1678 ~ Viena 1741 Juditha triumphans devicta Holofernis barbarie Judit triomfa sobre la barbàrie d’Holofernes (Venècia, 1716) Sacrum militare oratorium, RV 644 Llibret de Iacopo Cassetti basat en el llibre de Judit PRIMERA PART 1 Cor dels soldats assiris: Arma, cædes, vindictæ, furores 2
VIVALDI - Idagio
Juditha triumphans is one of the few works to in-clude parts for both a clarinet and a chalumeau Vivaldi wrote it for the Ospedale della Pietà in Venice, a charitable organization with which he was connected for much of his life The institution took in orphaned and abandoned girls Music figured prominently in its curriculum
ANALYSIS AND REHEARSAL CONSIDERATION ON ANTONIO VIVALDI’S
Vivaldi convinced the censor to accept the opera the following year, and it was a resounding success At this period, the Pietà commissioned several liturgical works He composed two oratorios: “Moyses Deus Pharaonis”(RV 643) and “Juditha triumphans”(RV 644) “Juditha triumphans”, composed in 1716, celebrates the victory of the
A Clarinet Players Companion
clarinet was in Vivaldi's oratorio "Juditha Triumphans” in 1716 1800 The earliest (1712-1715) known works calling for the clarinet was an anonymous set of duets for chalumeau, trumpets, oboes, violins, flutes, clarinets,
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