Ancient or Modern? Alexander G Baumgarten and the Coming of
When Baumgarten introduces for the first time the term “aesthetica” in 1735 (Baumgarten 1954), his main purpose is to confer a systematic status to the philosophy of poetry, although he seems to be well aware of the more general potentialities of this project In § 9 of his Meditationes
La estética de Baumgarten
Baumgarten es el primer filósofo que emplea el término como disciplina independiente (Aesthetica de 1750) En este período y hasta Hegel la estética se concibe de manera esencial como la conjunción entre la belleza y el arte Después de Hegel se procederá a separar el arte de la belleza
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LA «AESTHETICA» DE BAUMGARTEN es, tratará de ver cómo usar adecuadamente las facultades inferiores para conseguir su máxima perfección Es en definitiva una ciencia que se ocupa de una actividad concreta del pensamiento humano: el conocimiento inferior 14 El adelanto de BAUMGARTEN sobre LEIB-
ALEXANDER GOTTLIEB BAUMGARTEN AND CURRENT REFLECTIONS ON HIS
Baumgarten In 2007, the Aesthetica was finally translated in full into Baumgarten’s native language, German, and a more intensive research into his aesthetic and philosophical thoughts and their place within the history of these disciplines followed This resurgence of interest was in 2014 further aided by efforts to mark 300 years since his
The Invention of Modern Aesthetics: From Leibniz to Kant
the utmost importance for Alexander Baumgarten’s conception of the new science of aesthetics, the science of the lower cognitive faculty (gnoseologia inferior) As Jeffrey Barnouw remarks, Baumgarten’s »launching of aesthetics as a formal discipline was important because it provided a frame for a rich group of ideas that had been diffused
Introduction - unibasch
the Latin original, “AESTHETICA (theoria liberalium artium, gnoseologia inferior, ars pulchre cogitandi, ars analogi rationis) est scientia cognitionis sensitivae ” Baumgarten, Aesthetica, §1, I:10 14 See Constanze Peres, “Cognitio sensitiva: Zum Verhältnis von Empfindung
Somaesthetics: A Disciplinary Proposal Richard Shusterman The
aesthetica) is a program of practical exercise or training Here, through repetitive drill of certain kinds of actions, one learns to instill harmony of mind with respect to a given theme or thought ($47) Contrasting such aesthetic drill to the me- chanical drill of soldiers, Baumgarten defines it as including also the systematic practicing of im-
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