The Rake’s Progress - Pittsburgh Opera
The Rake’s Progress is Stravinsky’s only full-length opera It’s described as an opera in the “Neo-classical” style, which was a trend largely seen in the time between the two World Wars as a way to project order and balance amid modern life’s uncertainties and as a reaction to the emotions of the “Romantic” style And
NEOCLASSICISM The Rake’s Progress
NEOCLASSICISM: The Rake’s Progress 1 NEOCLASSICISM: AN EXPLORATION OF THESE ELEMENTS IN STRAVINSKY’S “THE RAKE’S PROGRESS” The neoclassical movement can be attributed partly to the work of Igor Stravinsky and Bella Bartok (Scholes, 1964, p 491), as a direct response to the increasing trends towards romanticism in western classical music
Pittsburgh Opera presents THE RAKE’S PROGRESS The Pittsburgh
Hockney production of Stravinsky’s THE RAKE’S PROGRESS The plot follows Tom Rakewell, who squanders his large inheritance on women, drinking and gambling Tom’s journey from fortunate heir, to gambler, to inmate at Bedlam is based on a famous series of engravings by William Hogarth from 1732
a Rake’s Progress - Portland Art Museum
A Rake’s Progress Hogarth’s rake informed Hockney’s own groundbreaking set of prints, and later led to his first commis-sion for the opera—The Rake’s Progress, which igor stravinsky composed in 1951, himself inspired by Hogarth’s visual tale David Hockney: A Rake’s Progress offers a rare glimpse into
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