gustave Caillebotte - National Gallery of Art
Throughout Caillebotte’s oeuvre the theme of vision and looking persists Figures are seen gazing across cafés and from balconies, bridges, and over-stuffed sofas Caillebotte often implied the presence of a voyeur by position-ing us, the viewers, as though we were in the midst of the scene — looking
Gustave Caillebotte: The Painter’s Eye
National Gallery of Art Press Office Gustave Caillebotte: The Painter’s Eye: Cat No 5 / File Name: 3769-003 jpg Gustave Caillebotte On the Pont de l’Europe, 1876-1877 oil on canvas overall: 105 7 × 130 8 cm (41 5/8 × 51 1/2 in ) Kimbell Art Museum, Fort Worth Cat No 6 / File Name: 3769-021 jpg Gustave Caillebotte At a Café, 1880
Gustave Caillebotte, French Impressionism, and mere exposure
Gustave Caillebotte, French Impressionism, and mere exposure JAMES E CUTTING Cornell University, Ithaca, New York Gustave Caillebotte was a painter, a collector of some of his colleagues’ most renowned works, and a major force in the creation of the late 19th century French Impressionist canon Six studies are presented
Gustave Caillebotte, French Impressionism, and mere exposure
Caillebotte himself that were eventuallyincluded in the legacywere also used Thus, 66 images from the Caillebotte collectionwere used as stimuli: 2 Caillebottes, 5 Cézannes, 8 Degas, 4 Manets, 16 Monets, 14 Pissarros, 9 Renoirs, and 8 Sis-leys These images are listed in the left column of the Appendix with their French titles and the most
Gustave Caillebotte, French Impressionism, and mere exposure
Title: Gustave Caillebotte, French Impressionism, and mere exposure Created Date: 9/9/2003 7:57:58 PM
THREAD COUNT REPORT Calf’s Head and Ox Tongue Gustave
Thread Count Report Gustave Caillebotte: B244 Comments The appearance of strong cusping only along the painting’s bottom edge and the fact that the horizontal threads are the warp threads suggests that the canvas was probably commercially pre-pared The average spacing between attachment points along the bottom edge is about 8 5 cm
The Unknown Impressionist
Caillebotte's early life did not seem to point to a heady artistic career His father had a lucrative contract to supply heavy textiles to the French army, and Caillebotte dutifully earned a law degree in his native Paris, presumably with plans to carry on in the family enterprise He then studied with a lesser-known
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