christian boltanski the storehouse

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christian boltanski (1944) The Storehouse 1988 Sette fotografie con sette lampadine elettriche e centonovantadue scatole di biscotti di stagno contenenti frammenti di stoffe, totale 211,2×375,8×21,6 cm Il tempo, la morte, la memoria costituiscono da sempre i nuclei tematici attorno a cui gravita l’ope-ra del francese Christian Boltanski

MoMA press Releases 2000 The Museum of Modern Art to

such recent works as Christian Boltanski’s evocation of Holocaust victims in The Storehouse (1988) The exhibition considers work ranging from Lee Friedlander’s photographs of small-town American monuments to Anselm Kiefer’s provocative confrontations with the Nazi era Organized by

Triennale d’art contemporain d’Echigo-Tsumari 2003

Christian Boltanski et Jean Kalman (France) ont recueilli des vêtements d'enfants et de s draps Storehouse of Names, 2003 Cèdre, métal, corde, céramique

ABSALON: THE MAN WITHOUT A HOME IS A POTENTIAL CRIMINAL

art: revelation École des Beaux-Arts, where his mentor was Christian Boltanski, that artist of personal mythologies His chosen name: Absalon, synonymous with revolt The young artist: galleries, the art world, institutions, exhibitions A fast life, very fast At the time of his death in

Engl 5380/History 5348: Archive/Database/Interface

and conceptual modeling, and the affect of the database as a storehouse and source for digital art We will look at critical theory, historical writings, technologies, interfaces, and analog and digital art, to get a sense of the role of the archive, and its descendant the database, in the 21st century

Álbum de família ilustrado: comentário crítico às relações

5 Resumo Este projecto de investigação de natureza teórico-prática centra-se na ideia de família examinada como um reflexo da sociedade e do meio cultural em que me insiro