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Dirk Bouts Last Supper, 1464-7, oil on panel This work, also known as the Altarpiece of the Holy Sacrament, painted between 1464-7 and located in St Peters Church, Louvain, is one of the key works of Northern Renaissance art The central panel represents The Last Supper and it is surrounded by

Mary Anointing the Feet of Jesus - Clover Sites

Dirk Bouts on the left thus has the evangelist pointing out Mary to the contemporary patron Luke sees her as the ultimate example of penitence, almost as a parable James Tissot depicts this well in his famous illustrative interpretation below But, it is only John who names her, “Mary,” and in her, John sees

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duced in Dirk Bouts’s workshop or by a close follower c 1460–70 Guido Messling already noted in 2010 that the fine landscape in the window of the Metropolitan’s panel is entirely in the style of the Nuremberg artist Hans Traut, and that the Virgin’s face can also be compared to works in Traut’s œuvre,

Northern Europe 1400 to 1500 - Franklin Township Public

Figure 20-12 DIRK BOUTS, Last Supper central panel of the Altarpiece of the Holy Sacrament, Saint Peter’s, Louvain, Belgium, 1464–1468 Oil on wood, 6’ X

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The Last Supper by Dirk Bouts A vibrant student city with a rich beer culture • Over 57 000 students • Home to Stella Artois • 240 pubs to choose from 8 WhyLeuven?

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Campin, Rogier Van der Weyden, Hans Memlinc, Dirk Bouts, Hugo Van der Goes, Hieronymus Bosch, etc , though one might cavil that they reflect an imaginary ideal rather than reality 1 Yet the essence of these artistic repres entations is in no way contradicted by the meticulous details on the composition of the luxury woollens

Historia de siete conquistas - contentcdnpradonet

Dirk Bouts, Tríptico de la vida de la Virgen (detalle) ca 1445 Petrus Christus, La Virgen con el Niño (detalle) ca 1450 Rogier van der Weyden, La Virgen con el Niño (detalle) 1435-1438 Robert Campin, Santa Bárbara (detalle) 1438 ETIQUETAS ROGIER VAN DER WEYDEN, DESCENDIMIENTO, COLOR, LAPISLÁZULI, TÉCNICAS