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Alexandre Dumas - Ange Pitou

Image de couverture : Jean-Pierre Houël. Prise de la Bastille. 3. Page 4. Ange Pitou. I. 4 



Ange Pitou 2

Image de couverture : Jean-Pierre Houël. Prise de la Bastille. 3. Page 4. Ange Pitou. II. 4 



Ange Pitou 2

Image de couverture : Jean-Pierre Houël. Prise de la Bastille. 3. Page 4. Ange Pitou. II. 4 



Entrée artistique Entrée patrimoniale

Revisiter les couleurs du tableau Jean-Jacques François Le Barbier La ... Jean-Pierre HOUEL



Histoire REVOLUTION FRANCAISE.cdr

4 La prise de la Bastille. 14 juillet 1789. Wikipédia. • Titre du tableau : La Prise de la Bastille. • Nom du peintre : Jean-Pierre Houël.



GRANDES IMAGES DE LHISTOIRE

Voici un aperçu des gravures estampes et autres tableaux de la pé- La prise de la Bastille



La Révolution française 20

25 juin 2021 1 – Jean-Pierre-Louis-Laurent Houel Prise de la Bastille



Présentation de la France

http://www.insee.fr/fr/themes/tableau.asp?reg_id=98&ref_id=CMPTEF01105. Le Brésil est La prise de la Bastille par Jean-Pierre Houël



2021

25 juin 2021 1 – Jean-Pierre-Louis-Laurent Houel Prise de la Bastille



Communauté de Communes

16 janv. 2014 présidence de Monsieur Jean-Pierre LHONNEUR avec comme secrétaire de ... Monsieur HOUEL approuve la proposition des 12 vice-présidents ...



Jean Pierre Houël’s painting Prise de la Bastille portrays

Jean?Pierre Houël’s painting Prise de la Bastille portrays the important event The painting depicts the tumultuous day July 14 1789 when a mob appeared at the prison and set its captives free

What is the meaning of the painting Prise de la Bastille?

Jean?Pierre Houël’s painting, Prise de la Bastille, portrays the important event. The painting depicts the tumultuous day, July 14, 1789, when a mob appeared at the prison and set its captives free. Although there were only seven men imprisoned there at the time, the symbolic notion of this act is what really struck the nation.

Was the Bastille a prison?

In 1789, the Bastille was not just a prison but also served as an archive holding the documents of the Parlement de Paris, of the King’s household, and of the Parisian police.

Did Louis XVI want to erase the Bastille?

Simon-Nicolas-Henri Linguet, Mémoires sur la Bastille (1783). Frontispiece. The palace of the Bastille, that old symbol of despotism, is taken by the statue of the benevolent king Louis XVI in this engraving. Louis XVI was indeed planning to erase the gothic—and thus un-enlightened—and expensive prison, but the Revolution moved faster than him.

Was the storming of the Bastille intended?

Like many other iconic revolutionary acts, the storming of the Bastille was not intended as such.