Rrose Sélavy est une photographie de Man Ray
RROSE OF WASHINGTON. SQUARE: MARCEL. DUCHAMP. FANNY BRICE
Marcel Duchamp se travestie pour s'inventer un double féminin. Sélavy » pour sa sonorité juive. ... Marcel Duchamp en Rrose Selavy 1920.
Dans cet article Breton relate les expériences qui se déroulent dans le groupe de. Littérature et constate la succession des créations de Duchamp et Desnos. Il
https://www.jstor.org/stable/40650735
Dans cet article Breton relate les expériences qui se déroulent dans le groupe de. Littérature et constate la succession des créations de Duchamp et Desnos. Il
littéraires (notes aphorismes) de Marcel Duchamp
Comparison with Marcel Duchamp and his creation Rrose Sélavy also shows that the complex relationships of each of the artists to their female fantasies and
Marcel Duchamp (en guise d'homme rationnel) et son alter ego Rrose. Sélavy (en guise de corps de femme subversif). Elle explique comment.
In 1920 Marcel Duchamp duplicated choosing feminine features: those of Rose Sélavy. With this name indicates the copyright of Fresh Widow (Fig. 1) ready made
Born into an artistic family on July 28 1887 Duchamp was a pioneer in object and kinetic art; his participation in dada surrealism and pop art had an influence that continued far beyond his death in 1968 The retrospective exhibition in Pasadena affirmed his long-term contribution to the art world
The Marcel Duchamp The Marcel Duchamp Retrospective Exhibition at the Pasadena Art Museum in 1963 captured the flow of Duchamp’s works and ideas from his early oil canvas paintings to his famous ready- mades.
Here Rrose/Duchamp peers out slyly from under her/his hat, snug in her/his coat and fur collar. The character of Rrose was part of Duchamp's project to destabilize both the viewer's expectations and the very premises of art itself.
Marcel Duchamp, “Corolles,” Rotorelief (Optical Disc) , 1953. Color offset lithography on cardboard disc, diameter 7 7/8 in. Marcel Duchamp Pasadena, PAGE?, fig. 77.
"Rrose Sélavy" was artist Marcel Duchamp's female alter ego. Here Rrose/Duchamp peers out slyly from under her/his hat, snug in her/his coat and fur collar. The character of Rrose was part of Duchamp's project to destabilize both the viewer's expectations and the very premises of art itself.