des jeux de Rrose Sélavy ; quatre termes exprimés dans le texte sont liés par des rapports phoniques qui tiennent à la permutation de deux lettres
Selon Murat le recueil de Desnos exploite les ressources de la combinatoire dans une faible mesure. Le texte non seulement ne refuse pas le sens
http://oreetashery.net/site/wp-content/uploads/2000/03/Marcus-and-Rrose-2008.pdf
Three characteristics stand out in Rrose Sélavy Duchamp's short book of puns We would like to thank the following for permission to include text ...
Duchamp's invention Rrose Sélavy and thus explore a common thread in the works decorates the cover of a text on Duchamp's famous cryptic major work La ...
In 1920 Marcel Duchamp duplicated choosing feminine features: those of Rose Sélavy. With this name indicates the copyright of Fresh Widow (Fig. 1) ready made
The key text here is Geography and Plays published in 1922. Af- 1.4
Paris (ca. 1920– 21). © Man Ray 2015.
first collective automatic text (Les Champs magnitiques authored by Breton and. Philippe Soupault
The full-text may be used and/or reproduced and given to third parties in any different origin to Rrose in another interview: “Rose Sélavy
As Duchamp does in Rrose Sélavy Dalí makes a photographic appearance in this painting by including a childhood portrait of himself
Rrose Sélavy's Ghosts: Life Death and Desnos by Katharine Conley When Robert Desnos was nineteen years old in 1919 not long after beginning his first job in a local store in the Marais where he used his high school English to translate pharmaceutical prospectuses he wrote a collection of poems humorously entitled Prospectus He discovered Dada
Rrose Sélavy peut revêtir la bure du bagne, elle a une monture qui franchit les montagnes. 23. Rrose Sélavy décerne la palme sans l’éclat du martyre à Lakmé bergère en Beauce figée dans le calme plat du métal appelé beauté.
Distinguishing features: In choosing Man Ray to take a portrait of Rrose Sélavy, Duchamp co-opted the most adept photographer of glamour on behalf of the 20th century's most celebrated conceptual art. Man Ray gives Rrose the lighting, the sultry look, that made him so in demand in magazines such as Vogue.
The sneeze, it should be said, is a euphemism for an orgasm. Rrose Sélavy first appeared in 1920, but the second ‘r’ in her name wasn’t added until 1921 when she added her signature to Francis Picabia’s collage L’Oeil Cacodylate.