Véronique Müller Assistante à la conception et à la réalisation. années 60 par l'artiste Allan Kaprow ainsi ... France en 1978 par Alain Minc et Simon.
3 mars 2016 Pour Allan Kaprow l?art comme jeu signifie jouer comme celui qui n?a que faire de l'art : « le jeu apporte à l'art
7 mai 2011 Rauchenberg Allan Kaprow
Dan Flavin Joseph Kosuth
Herring Oliver Janssens Ann-Veronica
prolongement au texte d'Allan Kaprow qui après le choc esthétique ressenti face 11 Voir l'article de Véronique Ribordy sur l'intervention de F. Varini ...
À professora Verônica Fabrini pela contribuição preciosa. Allan Kaprow foi um artista americano que se destacou no painel de.
14 nov. 2011 los angeles the getty resarch institute. allan kaprow ... 17. véronique Fabbri
d'artistes comme Richard Schechner et Allan Kaprow mais surtout en relation avec Véronique Fabbri: «l'espace y devient un milieu sonore et visuel et le ...
10a-c. Sophie Krier avec Stéphane Verlet-Bottéro
Kaprow’s work is managed by the Allan Kaprow Estate and represented by Hauser & Wirth allankaprow com MUSEUM HOURS + ADMISSIONS USFCAM Hours: CAM’s galleries are closed to the public throughout the summer of 2019 for construction The Kaprow events are free and open to the public; however a USF parking permit ($5 00 daily) or pay-per-space
height of the Happenings craze and illuminated Kaprow’s early views on the performance of Happenings which would change later in his career Judith Rodenbeck’s Radical Prototypes: Allan Kaprow and the Invention of Happenings (2011) provided a comprehensive look at Kaprow’s Happenings and their evolution from a contemporary perspective
Descriptive Summary Title:Allan Kaprow papers Date (inclusive):1940-1997 Number:980063 Creator/Collector:Kaprow Allan Physical Description:63 5 linear feet(119 boxes 16 flat file folders 2 rolls) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive Suite 1100 Los Angeles California 90049-1688 (310) 440-7390
ALLAN KAPROW 9 Kaprow's choice of structure in arranging the mechanics of Activity scenarios creates much of the power that individual action units lack What appears to be ordinary behavior—breathing deferring at a door—is isolated and focused upon so intensely that it looses its ordinariness becomes distorted confused ominous Repetition