https://dumas.ccsd.cnrs.fr/dumas-02393150/document
18 sept. 2018 préparée au sein du Laboratoire ILCEA4 ... mm et celui de William Wordsworth
Lyrical Ballads – was its guiding force In this lesson students will explore a number of poems from Lyrical Ballads in the light of Wordsworth’s key philosophies considering the extent to which Wordsworth and Coleridge s?ded in putting these philosophies into practice
Wordsworth through Coleridge seem unable to inquire into what the Preface is about without finding something wrong with it 4 From time to time critics have questioned Coleridge’s interpretation of the Preface but none has tested its accuracy in detail perhaps because Coleridge made that task unusually diffi-
WordsworthWilliam 1770-1850 Lyrical ballads : 1798 and 1800 / William Wordsworth and Samuel Coleridge ; edited by Michael Gamer and Dahlia Porter Includes bibliographical references ISBN 978-1-55111-600-6 1 English poetry—18th century 2 English poetry—19th century I Coleridge Samuel Taylor 1772–1834 II Gamer Michael III
Appendix A: Additions to the 1802 Edition of Lyrical Ballads • 419 1 William Wordsworth Preface to Lyrical Ballads with Pastoral and other Poems (1802) • 419 2 William Wordsworth "Appendix:—by what is usually called Poetic Diction" (1802) • 425 Appendix B: Poems by Coleridge Originally Intended for Lyrical Ballads • 430 1
In the “Advertisement” to the 1798 edition of Lyrical Ballads Wordsworth and Coleridge state that the poems in the collection were intended as a deliberate experiment in style and subject matter Wordsworth elaborated on this idea in the “Preface” to the 1800 and 1802 editions which outline his main ideas of a new theory of poetry
SKLF OKI NOTE EXCEPTthattheErrataof1798havebeenincorporated inthetextandthelinesnumberedthisisverbatimet literatimareprintoftheoriginaleditionoftheLyrical Ballads
Lyrical Ballads can be considered as Wordsworth’s “book” not in order to complete the process of removing Coleridge from it begun by Wordsworth himself in its later editions but to suggest that the questions we encounter there and witness as a part of narrative exper-iment constitute a peculiarly Wordsworthian “book of questions”