Cultural background of andaman and nicobar islands

  • People of Andaman and Nicobar Islands

    The history of the Andaman and Nicobar Starts from the Ramayana period.In the Ramayana period it was called as Handuman, As time passes away this place was renamed.
    In the 1st Century this place was called as Agadaemon Angademan according to Ptolemy.
    Travellers from different parts of the world visited this place.Oct 6, 2023.

  • People of Andaman and Nicobar Islands

    The local crafts of Andaman and Nicobar Islands include woodwork and carpentry.
    Several wooden articles and furniture are sold here.
    Items made from ornamental wood like chui, paduk and marblewood are quite popular.
    Paduk burr is mostly used to make table tops that are a beautiful piece of work..

  • What is the civilization of Andaman and Nicobar Islands?

    The People of Andaman can be broadly categorized into two groups viz.
    Indigenous or Aborigines and Immigrants or Settlers.
    Prior to 1858, the Andaman Islands were inhabited by Autochthons only and with the founding of Penal Settlement at Port Blair after Indian Mutiny, Non-autochthons came to inhabit these Islands..

  • What is the traditional art of Andaman and Nicobar Islands?

    The local crafts of Andaman and Nicobar Islands include woodwork and carpentry.
    Several wooden articles and furniture are sold here.
    Items made from ornamental wood like chui, paduk and marblewood are quite popular.
    Paduk burr is mostly used to make table tops that are a beautiful piece of work..

Andaman and Nicobar islands have a unique culture. The island have a mixed culture characterised by the two distinct native populations. They are the Negroid and the Mongoloid settlers of the island. Along with these the mainstream culture was brought about by the early settlers from Indian mainland.
Maldivian mythology or Maldivian folklore is the body of myths, tales and anecdotes belonging to the oral tradition of Maldivians.
Even though some of the Maldivian myths were already mentioned briefly by British commissioner in Ceylon HCP Bell towards the end of the 19th century, their study and publication were carried out only quite recently by Spanish writer and artist Xavier Romero-Frias, at a time when that ancestral worldview was quickly disappearing.

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