Glossary of dramatic and theatrical terms
The theatrical equipment used in a dramatic production to communicate environment or represent a real place Examples of scenery include curtains flats backdrops or platforms Scenography The art of creating performance environments using one or more components including light costume set space and sound |
Theatre Theory and Performance
It was felt that theatre like the other forms of art should disturb should initiate thinking rather than give the audience a release from pity and fear Satisfaction is not what art should give Steering clear of theatre-history for the most part the aim of this book is to raise certain issues This is not designed to be a textbook of theatre- |
Part 1 A guide to dramatic conventions
The definitions of theatre offered above have stressed a broad unity across a range of activities that have the imaginative and fictional use of time space and presence as their common feature Theatre is not seen as a narrow or exclusive set of culturally bound forms The definitions are chosen in order to fix the book in contexts where theatre i |
Introduction: theatre and theatre studies
Today the concept of ‘theatre’ can refer to: (1) a building; (2) an activity (‘going to’ or ‘doing’ theatre); (3) an institution; and (4) more narrowly an art form In the past theatre was often used as a synonym for drama a usage that can be still be found in the names of some university departments |
The basis of dramatic activity and performance; a written script produced by a playwright or agreed by a group through the process of devising. The physical building where plays are performed, and the associated business of staging plays involving actors, producers, directors, stage management, designers and marketing.
The auditorium is designed to sit within the massive stone hall, independent of the historic structure. The architects devised a seven-sided ‘theatre module’, with a diameter of 21.3m and a height of 13.7m, Audience seated within the constructed of steel and glass. The seating rises all theatre ‘module’ around a central acting area.
The word theatre is used to embrace a range of performing arts spaces, including drama theatres, opera houses, dance spaces, recital rooms, educational theatres and concert halls. f2 Preliminary planning 1.2 u0007Two case studies – Copenhagen lively animated area known as Vestbanen.
An essential feature of theatre is that the dramatic experience develops and accumulates, so that responses to a convention used at one stage in the experience have to be taken within the context of the responses generated by the previous convention and the responses offered by the convention that follows.
The definitions of theatre offered above have stressed a broad unity across a range of activities that have the imaginative and fictional use of time, space and presence as their common feature. Theatre is not seen as a narrow or exclusive set of culturally bound forms. The definitions are chosen in order to fix the book in contexts where theatre i
The conventions have been organised into groups that represent four varieties of dramatic action: assets.cambridge.org
Conventions that either ‘set the scene’, or add information to the context of the drama as it unfolds. assets.cambridge.org
Conventions that tend to emphasise the ‘story’ or ‘what-happens-next’ dimension of the drama. assets.cambridge.org
Conventions that emphasise or create the symbolic potential of the drama through highly selective use of language and gesture. assets.cambridge.org
Conventions that emphasise ‘soliloquy’ or ‘inner-thinking’ in the drama, or allow groups to review the drama from within the dramatic context. This classification is not intended to be hierarchical or sequential. A convention achieves value through being appropriate to the moment for which it has been selected, and the dynamic nature of theatre req
The entry for each convention is necessarily brief and practically orientated. An entry does not aim to represent a convention fully in its complexity. Indeed, an understanding of the particularity or essential qualities of a convention is seen as growing, in part, from the participants’ active experimentation with form. It also develops through a
An explanation of how the convention is operated, and the different forms it might take. There will be many other variations of each convention that are not identified. Cultural connections The purpose of this section is to recognise and raise the status of theatre as a cultural resource that taps people’s shared understanding of media/story conv
Circle of life Circular drama Collective character Collective drawing Commission Defining space Diaries, letters, journals, messages First impressions Making maps/diagrams Objects of character Role-on-the-wall Simulations Soundtracking Still-image Theory-building The iceberg Games Guided tour The ripple Unfinished materials assets.cambridge.org
These conventions enable a group to create or engage with the dramatic context: the concrete particulars of the situation, characters or roles that will inform and drive the action. They are helpful when there is a need to: clarify the context through fixing time, place and people involved create atmosphere through use of space, light and sound dra
Life experience of building dens, designing rooms, arranging furniture; expectations created by different settings – dark woods, high-tech rooms, and so on. Conventions are drawn from theatre/ film, e.g. soundtracking and defining space (set-building), and from psychotherapy, e.g. games, simulations and still-image. assets.cambridge.org
Because the work is to do with setting up the context, rather than acting within it, there is little threat or personal risk involved. The work is indirect and involves groups contributing to a context that will be shared. Commitment to dramatic action is gained through the small-group work and the sense of ownership generated, as well as through t
A large sheet of paper is divided into five sections with a circle in the centre of the page where the name and age of a character are written. The surrounding paper is then divided into four sections that will represent areas of that character’s life and the people they interact with at those times. These sections are labelled: Home, Family, Play
1 As the starting point for an exploratory drama the group are shown the following brief performance with the organiser in the role as Sunita. My name is Sunita. I am fourteen. That is my mother. (She points to another actor standing with her back to Sunita (prepared roles).) She is in the kitchen washing the dishes. In the sitting room I can see h
This convention is essentially a more manageable form of teacher-in-role for the less experienced and less confident. The group is organised into a series of subgroups, each of which has a specific relationship with a central character. The group decide on their individual roles and the physical location of their group. The organiser takes on the r
A character is improvised by a group, any one of whom can speak as that character. Alternatively, an individual opts to take on the role and the remainder of the group whisper advice and offer lines of dialogue to be spoken by the volunteer. In this way a large group can be involved in the creation of a dialogue with, for instance, subgroups taking
Requires participants to work sensitively and collectively; sharing a role through alternative portrayals; tests out character responses in action; helps provide a more complex character for further exploration. assets.cambridge.org
In a play-building drama based on an advert in a corner shop placed by a woman selling her wedding dress, wedding and engagement rings, small groups have built up a series of scenes to show why the marriage might have gone wrong. At the end of the drama a dialogue is held between the ‘woman who sells the dress’ (the voice of experience) and ‘the wo
In this variation of a basic convention called ‘Echoes’, two volunteers, each supported by other group members, play characters involved in a dialogue. These individuals provide this dialogue through short sentences and phrases, which are echoed by the subgroups supporting them. assets.cambridge.org
Le théâtre une question de vocabulaire_Mise en page 1
Les dessous du théâtre Gabrielle Dorziat Rampe : galerie lumineuse qui borde la scène ou l'avant-scène. D'où l'expression « être sous les feux de la ... |
Le théâtre une question de vocabulaire_Mise en page 1
Les dessous du théâtre Gabrielle Dorziat Rampe : galerie lumineuse qui borde la scène ou l'avant-scène. D'où l'expression « être sous les feux de la ... |
Sans titre 3
chandelles pour mettre au-devant du théâtre) et les rampes |
Vocabulaire : aller au théâtre… 1. Recopie la définition qui va avec
Recopie la définition qui va avec chaque endroit d'un théâtre. la scène (n°1) les balcons (n°2) les coulisses (n°3) la rampe (lumineuse) (n°7). |
Petit Pierre
Compagnie La Rampe Tio Annoncer la sortie au spectacle « Nous allons au théâtre ! » ... Rampe ? Une métaphore ? À partir des définitions suivantes ... |
— GUIDE ILLUSTRÉ ACCESSIBILITÉ DES ÉTABLISSEMENTS
Définitions des établissements recevant du public (ERP) et des installations ouvertes R Le long des rampes de pente supérieure à 4 % une main courante. |
Théâtre à litalienne
Les architectes de la Renaissance pour concevoir les salles de théâtre s'inspirent de rampe loges balcon trou du souffleur avant-scène orchestre parterre. |
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Dans sa définition la plus courante la lu- paux : la rampe |
Lycée Fresnel Caen Seconde 9 2015-2016 Abécédaire franco
Rampe (feux de la -). 33. Rejeu. 34. Théâtre. 35. Théâtre à l'italienne Définition : au théâtre un aparté est une réplique qu'un personnage sur scène ... |
GUIDE PRATIQUE - Matériels et Ensembles Démontables
Article 1 - Définition des matériels et ensembles démontables . Escaliers et rampes dont la hauteur de chute est supérieure ou égale à 120 mètre et ... |
Vocabulaire aller au théâtre… |
Lexique du lieu théâtral
Sont accessibles aux professionnels du théâtre : - les loges ( pièces Vers le public, l'avant-scène s'arrête à la rampe et au nez de scène Il est possible de la |
De la lumière au théâtre
La lumière au théâtre, d'abord une question de lieu de représentation : chandelles, pour mettre au-devant du théâtre) et les rampes, rangées forme depuis une lueur douce, sans définition particulière, jusqu'à un rayon aux contours nets |
Vocabulaire : aller au théâtre 1 Recopie la définition qui va avec
Recopie la définition qui va avec chaque endroit d'un théâtre la scène (n°1) les balcons (n°2) l'orchestre (n°5) le poulailler (n°6) la rampe (lumineuse) (n°7) |
Lespace vide Ecrits sur le théâtre Peter Brook - Enseigner et partager
Théâtre de l'illusion avec le rideau rouge, la rampe Gordon Craig a passé sa vie à dénigré ce théâtre de l'illusion - L'acteur cherche en vain la trace d'une |
Réflexions sur la réflexivité théâtrale - Érudit
abouti de métathéâtralité, le « théâtre dans le théâtre » est loin de constituer la mesure nous retrouvons ici le dénominateur commun à toutes les définitions propo - correspondre la scène, le « quatrième mur » et, plutôt que la rampe stricto |
Être sous les feux de la rampe Durer (à propos d'une pièce) Brûler les planches Annoncer le début de la représentation Jouer au pied levé Jouer la comédie avec talent et verve L'envers du décor Chose que l'on ne peut pas voir au premier abord
and between the theatre stage and the exhibition space Taking the form of a performing and visual art production platform, Techne is realised between Theater Rampe and Künstlerhaus Stuttgart from November 2016 to December 2017 International in remit, the
La rampe Rangée de lumières en bord de scène Les planches Espace où les comédiens sont en scène, sol sur lequel marchent les acteurs Synonyme de scène II Le théâtre : un genre littéraire
CHOIX ARTISTIQUES de la compagnie La Rampe TIO - partenariats - petites biographies : - Claude ALRANQ - dramaturge, - André DION - compositeur, - PIGET PROD - vidéo I / CATHARSIS SOUND MAQUINA 1 / La pièce – Synopsis, – Note d’écriture, – Note de mise en scène, – Parti pris esthétique (le plateau, le décor, les costumes, les
Rampe Annex Einfahrt 4 Tramhaltestelle theatre, design, commercial space and social Living Museum is by its own definition an art - asylum for people with
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Merci de nous envoyer votre plan de pose des trappes et rampe d’accès PMR Plancher technique incluant une rampe d’accès PMR : Hauteur 12cm avec 10 de trappes pour le passage des fluides Résistance : 350 kg/m²
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Petit Pierre - La Vista, Théâtre de la Méditerranée
Annoncer la sortie au spectacle « Nous allons au théâtre » Rampe ? Une métaphore ? À partir des définitions suivantes, quels liens métaphoriques ? |
Source: Act'in Théâtre
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