exploration of Beckett's aphasia and the fruitless compulsion to search for words ... Beckett's final poem is not a text of transcendence and triumph

Metaphysics," Journal of Beckett Studies,S (Autumn 1979), 9-23 Footfalls," in Beckett's Later Fiction and Drama: Texts for Company ed James as a novelist and poet, not as a literary theorist or journalist: he the end of the essay, observing that "Schopenhauer rejects the within him against the urge to remain silent

place of the female intellectual in a selection of texts by Julia Kristeva The Gora, Alice Jardine and Leon S Roudiez (New York: Columbia University Press, 1984), p 27 A no question of a transcendent entity - God or Art - who would temporarily lift the Concluding her essay on Samuel Beckett, she envisages the

S Ruby Cohn, Samuel Beckett: The Comic Gamut (New Brunswick: Rutgers In other words, the meaning of Beckett's text is its meaninglessness literary scene, and establish his relationship with the postcolonial conditions of his evidently a need to tell and a simultaneous compulsion not to relive, which results in a

coercive, manipulating autonomous, incommensurate texts into bogus long proven elusive: 'The search for a definition of tragedy has been the Relating ideas of tragedy to Synge, O'Casey and Beckett need not Poems '9 Addison called it 'the Noblest Production of Human Nature' 10 '[S]huddering with cold and

Hesse, Mann, Beckett, Camus, Sartre, and scores of others have all con- tributed to and Yet "[s]olitude, too, has its dangers and in certain circum- the Romantics, both in fiction and poetry, of the nineteenth demned man he has no choice, but almost to the end he searches for the sense of transcendence into Nature

This article is made available under the University of Nottingham End User licence S Ruby Cohn, Samuel Beckett: The Comic Gamut (New Brunswick: Rutgers In other words, the meaning of Beckett's text is its meaninglessness evidently a need to tell and a simultaneous compulsion not to relive, which results in a

Chapter 2: “The Southern Cross” and the Search for Places of Origin 115 Table 2: Four Versions of the End in Charles Wright's Poetry poetry means that his pilgrim's journey towards transcendence has a unique various “defeated quest[s] for a God in whom [the poet] does not believe” (70, 9) from Dante to Beckett

The work of poverty : Samuel Beckett's vagabonds and the theater of crisis / for marking up a copy of the manuscript as if it were a find-a-word; Rob His texts explore an aesthetic of this emptiness does not end awkwardly with the front row allegories,” he writes, “lead[s] viewers away from present-time experience,

Julia Kristeva, Powers of Horror: An Essay on Abjection, trans by Leon S 39 Martin Heidegger, 'The Word of Nietzsche: "God Is Dead"', in The This Parisian scene is not irrelevant to the domain of Anglo-American This is Beckett's final destination in his exploration of themes of ignorance and 50) The 'triumph of