Japanese colour woodcuts from Osaka 1780


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History of Woodblock Printing

Introduced during China's Han Dynasty, which lasted from 206 BCE to 220 CE, the art of woodblock printing was not popularized in mainstream Japan until its Edo period, an era denoting 1603 through 1868. Initially, the woodblock printing process was used to reproduce traditional hand-scrolls as affordable books. Soon, however, it was adapted and ado

Technique

Much like western woodcut processes, the Japan-based method revolves around relief carvings and conscious color application. To create a woodblock print in the traditional Japanese style, an artist would first draw an image onto washi, a thin yet durable type of paper. The washiwould then be glued to a block of wood, and—using the drawing's outline

Stylistic Characteristics

Flat Compositions While most artists working with paper aim to achieve realistic senses of perspective, those specializing in woodblock prints were less concerned with depth and dimensionality. Instead, they favored strong shapes, graphic designs, and bold lines. This stylistic preference is evident in Kiyonaga's Bathhouse Women, where the artist's preference for pops of color, beautiful subject matter, and even compositional geometry dominate any interest in achieving accurate perspective. Bold Lines Given the nature of the printmaking process—especially when prints were monochromatic—thick, obvious outlines were both inevitable and embraced aesthetic features. These exquisite black lines contrasted the colorful, watercolor-like nature of the paints, giving the pieces an illustrative quality and emphasizing their flat nature. “The soft, water-soluble colors, which were until the late nineteenth century derived from plant and mineral sources, were applied in relatively large flat areas bor

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