dracula adaptations
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The Physical and Psychological Adaptations of Count Dracula
it in these two adaptations of Bram Stoker’s novel: Francis Ford Coppola’s Bram Stoker’s Dracula (1992) and Cole Haddon’s Dracula (2013) With both being modern adaptations for cinema and television there are very 1 BRUHN Dialogizing Adaptation Studies: From One-Way Transport to a Dialogic Two-Way Process p 1 |
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Keeping the Faith: Catholicism in Dracula and its Adaptations
cinematic adaptations The battle between Protestantism and Catholicism is perhaps not as furious today in popular culture as it was in Stoker’s social and political milieu But if the theatrical adaptor of Dracula aims for maximum faithfulness then this theme should not be overlooked |
What is the difference between Dracula and Bram Stoker?
With both being modern adaptations for cinema and television, there are very similar characteristics concerning the depiction of the main character, Count Dracula, especially taking into account that both were made by people and for audiences who were very diferent from the 19th century novelist Bram Stoker and his Victorian public.
Does Count Dracula have physical features?
Concerning Francis Ford Coppola’s movie Bram Stoker’s Dracula, from 1992, the establishment of Count Dracula’s physical and psychologi- cal features is set on the first minutes of the movie and in a very diver- gent way from Stoker’s.
Should Dracula be adapted?
The production of a stage or screen adaptation of Dracula that is faithful to this pro-Catholic theme might change forever the public’s understanding and reception of Bram Stoker’s most famous novel and ensure the author’s original intentions, in an anti-Catholic environment, are finally recognized.
How do retellings transform Dracula into a myth?
Its innumerable retellings transform the story of Dracula into a myth. Adaptation thus becomes both an interpretation of the source and a synthesis of previous transpositions. The three examples examined here have renewed the myth of Dracula, turning the character into an archetype of the crossing of forbidden borders.
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Fidelity in Dracula Adaptations - Jonathan Harker and Renfield
Title of document: Fidelity in Dracula Adaptations: In 1897 Bram Stoker wrote his Dracula |
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Keeping the Faith: Catholicism in Dracula and its Adaptations
Despite the fact that Irishman Bram Stoker's Dracula (1897) is arguably replete with Catholic allegory little critical attention has been paid to its |
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The Physical and Psychological Adaptations of Count Dracula in
Dracula Untold's is a tall imposing man in armor. So we can notice it in these two adaptations of Bram Stoker's novel: Francis Ford Coppola's. |
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The origins of Turkish Gothic: The adaptations of Stokers Dracula in
The adaptations of Bram Stoker's Dracula (1897) in Turkish literature and film are relatively unknown by Western academia and have been poorly discussed by |
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A taste of the gothic: film and television versions of Dracula
what is meant by the Gothic in literature then narrow my focus onto Dracula and adaptations of the novel in TV and especially film. |
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The Portrayal of Count Dracula in Kostovas The Historian Dacre
Dracula: The Un-Dead. Dacre Stoker. Ian Holt. The Historian. Elizabeth Kostova. Anno Dracula. Newman. Film adaptations (filmadaptaties) |
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To Want a Monster: Homoerotic Desire in Dracula on Screen
Key words: Homoeroticism Dracula |
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DRACULA 1..224
(adaptation filmique). Vampires |
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Three Adaptations of Dracula: Friedrich Murnau Tod Browning
adaptations make him a liminal figure: they express his position between Keywords: Bram Stoker Dracula myth |
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Fidelity in Dracula Adaptations
The noise from the fight attracted the attention of the group of vampire hunters led by Van Helsing, and Renfield was barely able to tell them his story The hunters, |
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The Dracula Film Adaptations - Home
Sheridan Le Fanu published “Carmilla” in In a Glass Darkly in 1872, introducing readers to an erotic lesbian vampire In 1897 Bram Stoker published Dracula, |
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Different Adaptations: The Power of the Vampire - CORE
Nosferatu (1922), and, one of the latest adaptations, Bram Stoker's Dracula by Francis Ford Coppola (1992) Some differences are noticeable between the |
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(M)other Dracula and its Adaptations - MP: An Online Feminist Journal
Earlier in the novel, Van Helsing tells Mina she should eventually be excluded from the group of men trying to exterminate Dracula because “she is young woman |
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Dracula Production History
Barry was startled by the way he cornered Mina in the prologue, tumbling around and jumping around Other Relevant Notes: McNulty made his adaptation to be |
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The origins of Turkish Gothic: The adaptations of Stokers Dracula in
The adaptations of Bram Stoker's Dracula (1897) in Turkish literature and film are relatively unknown by Western academia and have been poorly discussed by |
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DP Draculaindd - Anthéa
En imaginant le vampire comme un humain non-mort, un humain damné, Bram Stoker a introduit ce monstre dans la réalité ROMAN ÉPISTOLAIRE Dracula est |
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