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PDF Segregated water fountains photo by Elliot Erwitt USA 1950

KWL Photo Analysis Handout 3: Segregated water fountains TEACHING GUIDE Segregated water fountains photo by Elliot Erwitt USA 1950 Source: http://teachinghistory org/teaching-materials/teaching-guides/21806 TEACHINGHISTORY ORG is funded by the U S Department of Education (ED-07-CO-0088)

  • Did a water fountain stand side-by-side?

    BIRMINGHAM, Ala.-- Two water fountains stood side-by-side. One was a modern machine capable of delivering cool water. The other, nothing more than a sink with a water fountain attached to deliver tap water, its basin showing the stains of the hard water flowing through the plumbing.

  • Are segregated water fountains still a symbol of racism?

    Today, the segregated water fountains and most other visible symbols of racism are gone. American society has changed and is closing in on the dream, but some divides remain. "We are moving forward as one nation, treating people with dignity and respect," Simpson said. "Don't focus on our differences, whether that's the color of our skin, whatever.

  • What does a water fountain symbolize?

    The photograph seen here is of two water fountains: one marked “white” and one marked “colored.” Water fountains became symbols of the segregation that permeated all parts of life in the South.

  • Was a water fountain segregated in North Carolina in 1950?

    Elliott Erwin of Magnum Photos took a celebrated black-and-white photo of a segregated water fountain in North Carolina in 1950. The Civil Rights Act of 1964 outlawed segregation of public facilities — including water fountains and restrooms.

Alabama Bound …

When Life magazine sent the African American photographer Gordon Parksto create a photo essay, The Restraints Open and Hidden, exploring the impact of the Jim Crow laws in 1956 Alabama, he was well established as a pioneering voice. He had first made his mark at the magazine in 1948 capturing the secret world of a Harlem teen gang. theguardian.com

True Colours …

Parks’s two weeks in Alabama were not without drama, including being chased by a white supremacist gang. His photography’s subject, however, was purposefully ordinary: families going about their day-to-day routines. He also used a medium that was radical in its everydayness: colour photography. theguardian.com

The Other Side …

Whether it’s women window-shopping or kids playing, Parks reveals why these families are very different from the majority. “Colored” signs label them and direct their movement, be it at the ice-cream parlour or the department store. theguardian.com

Hiding in Plain Sight …

In this image of a shop front, to white onlookers unrestricted by segregation, the words “white only” could easily be camouflaged amid the clamour of adverts for delicacies such as banana split and “ice milk”. However, Parks forces the racially designated drinking fountain centre stage, unused while black children wait for water at the allotted spa

Warning Signs …

In 2017, Kendrick Lamar eulogised Parks in the video for Element, recreating his iconic shots of black Muslims, Muhammad Ali and this time in Alabama. The 1956 series forces us to reflect on what’s changed 60-plus years later, when the literal signs have been rendered invisible yet the inequalities persist. Gordon Parks: Part One, Alison Jacques Ga

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PDF NORMAN ROCKWELL - ac-lille.fr



Cette image de la fontaine est symbolique, elle nous montre que la ségrégation raciale est bien présente à cette époque aux Etats Unis. C'est le symbole d'une injustice, d'une ségrégation qui se traduit par de multiples oppressions. Nous pouvons conclure que les deux lavabos font référence à deux mondes opposés.




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