Jazz 2 - MusicEnsembles

Miles Davis ‘Birth of The Cool’

‘Birth Of The Cool’ was the title given to a series of recordings by trumpeter Miles Davis, released together on a 12-inch LP record in 1957. The sessions were in 1949 and 1950 and the tracks had been issued soon afterwards as singles and 78 discs. For this project, Miles was part of a nine-piece ensemble which used tuba and French horn. Gil Evans’

Charles Mingus ‘Mingus Dynasty’

Although he frequently performed with a smaller line-ups, Charles Mingussometimes recorded with eight or more players to bring his ambitious compositions to life. Mingus always featured some very distinctive soloists and he preferred to teach the music to his players. This was the early approach of Duke Ellington, one of his key influences and his

Carla Bley ‘Fleur Carnivore’

The composer and pianist Carla Bley is something of a large ensemble specialist. Like the great Duke Ellington, she has collected her favourite soloists to feature in her band. These include the trumpeter Lew Soloff, trombonist Gary Valente, tuba player Bob Stewartand her partner, the bass guitarist Steve Swallow. ‘Fleur Carnivore’ was recorded liv

Michael Brecker Quindectet ‘Wide Angles’

Michael Brecker’s ‘Wide Angles’ won the Grammy Award for Best Large Jazz Ensemble Albumin 2004. This also features a 15-piece group, with arrangements by Brecker and Gil Goldstein. Brecker’s large ensemble tour of the UK in 2002 laid the foundations for the recording. The ensemble, which includes string and woodwind sections, provides a lush landsc

Art Pepper ‘Art Pepper +11’

This album is one of the classics of West Coast jazz, a style which evolved in the 1950s in Los Angeles and San Francisco. It features the crisp alto saxophone of Art Pepperand a tight-sounding ‘mini’ big band with arrangements by Marty Paich. The material includes some of the compositions associated with this scene, including ‘Bernie’s Tune’ and ‘

David Murray Octet ‘Home’

David Murray emerged as a leading light on the New York jazz scenein the late 1970s. A virtuoso on tenor saxophone and bass clarinet, his main influences are John Coltrane and Albert Ayler. Murray’s music is rooted in the blues and incorporates free improvisation. ‘Home’ is the second recording of his octet group, made up of some of the more experi

Franco Ambrosetti ‘Tentets’

The Swiss trumpeter and flugelhorn playerFranco Ambrosetti assembled a 10-piece ensemble in New York to record this album in 1985. ‘Tentets’ features drummer and fellow Swiss national Daniel Humair alongside stars of the New York jazz scene, including pianist Tommy Flanagan, double bass legend Dave Holland and trumpeter Lew Soloff. Michael Breckera

Herbie Hancock ‘Fat Albert Rotunda’

The great jazz pianist and keyboardist Herbie Hancockexperimented with large ensembles in the late 1960s and early 1970s. His Mwandishi band was a sextet and he sometimes recorded with larger groups. ‘Fat Albert Rotunda’ was composed for a TV show but it is now rightly seen as a classic. It contains the funky opener ‘Wiggle Waggle’ and the haunting

Bill Bruford-Tim Garland ‘Earthworks Underground Orchestra’

British drummer Bill Bruford is a founder member of the progressive rock band Yes and he has many jazz-related side projects to his name. Earthworks Underground Orchestra was formed when Bruford’s Earthworks quartet combined with the Dean Street Underground Orchestra of Tim Garland, a saxophonist who has worked with Chick Corea. As the 20th anniver

Miho Hazama ‘Dancer in Nowhere’

The Tokyo-born composer and arranger Miho Hazama founded her 13-piece ensemble, m_unit, while studying at Manhattan School of Music. The ensemble’s third album, ‘Dancer In Nowhere’, features slowly building themes set to shifting grooves, in a style comparable to fellow composer/arranger, Maria Schneider. Hazama surprises the listener with her writ

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PDF	Sample Graduation Plan Bachelor of Music - Jazz Studies Music 146 Group Piano I. 2 Music 123 Small Ensemble I – Chamber Jazz. 1. Music 345 Jazz Ensemble. 1 Music 192 Jazz Improvisation I. 2.

PDF	Bachelor of Music: Jazz Performance Course Requirements 48 Principal Private Study. 6 6. 6 6. 6 6. 6 6. 16 Jazz Ensembles (JAZZ 700-703 803-805)1. 2 2. 2 2. 2 2. 2 2. 2 APST 110/111 Class Piano

PDF	Setnor School of Music Jazz Classes for the Fall 2021 Semester ENV 520 Section M001 (19548) Orange Collective Vocal Jazz Ensemble MTC 556 Section M001 (20836) Jazz Improvisation II

PDF	Bachelor of Music Jazz Studies Bachelor of Music Jazz Studies. Major Ensemble X 40 University Instrumental Ensembles (2 cr.) [instrumentalists] or. X 70 University Choral Ensembles (2 cr

PDF	Performance - Jazz Studies MUSP 160: Intro to Jazz Studies. 2. Elective: Ensemble (300 level) 2. MUTC 309: Jazz Arranging I. 2. MUHL 322: Music History II.

PDF	Shaheen College of Arts & Sciences - University of Indianapolis 2022-2023 Curriculum Guide for Music Majors in Jazz Studies (MUSJ). Bachelor of Music updated 05/22 Jazz Ensemble (1-2). Sophomore Year.

PDF	Music Ensemble-Degree Credit (MUDC) Groups: Music Ensembles for Elective C 2 Music Ensemble-Degree Credit (MUDC) ... Description: Jazz instrumental and/or vocal ensembles of standard.

PDF	Performance-jazz-studies.pdf MUSP 160: Intro to Jazz Studies. 2. Elective: Ensemble (300 level) 2. MUTC 309: Jazz Arranging I. 2. MUHL 322: Music History II.

PDF	Shaheen College of Arts & Sciences - University of Indianapolis Jazz Ensemble (.5-1). Semester II. ?. MUS. 221. Aural Skills II (2). ?. MUS. 222. Music Theory II (2). ? MUS 140/145. Major Applied Area (1) and.

PDF	Gender and Participation in High School and College Instrumental representing 15 programs offering degrees in music education were surveyed. Gender and jazz ensemble participation were found to be related at both levels;

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