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We grouped the identified innovations in two broad groups: (a) pre- production production and product; and (b) commercialization commu-nication and marketing

PDF Managing Cultural Festivals

The chapter is structured as follows: Section 1 provides an overview of festivals as events presented in the management literature; Section 2 offers a brief description of the selected festivals in France and Spain and Section 3 provides a discussion and some concluding remarks The literature on festivals: a brief overview

Innovation areas

We grouped the identified innovations in two broad groups: (a) pre- production, production and product; and (b) commercialization, commu-nication and marketing. library.oapen.org

Production, pre-production and product

Most festivals are themed: the theme or motto might commemorate the birth or death of a composer or poet, or be related to a local historical event, and is intended to increase the attractiveness of the festival to the public. Less than half of the festivals considered sponsors’ interests or local preferences, which is evidence of their considerabl

Commercialization, communication and marketing

Commercialization, communication and marketing innovations were identified in terms of ticket prices, discounts and sales outlets, and the mechanisms used to interact with audiences and to publicize the festival’s activities. Innovations in ticket pricing for regular audiences included packages pro-viding entry to several concerts or the whole fest

Innovation outcomes

Festival managers identified the following as possible benefits of the in-novations implemented: larger and more diversified audiences, increased ticket sales/revenue, new festival sponsors, larger amounts of sponsorship, increased involvement of local and new stakeholders in the development of the festival, reduced production and organization cost

Conclusions

This study contributes to current knowledge on innovation in the creative industries by shedding light on innovation types, strategies and benefits in the context of early music festivals, a sort of cultural festival, which usu-ally take place in historical places, aimed at generally local and specialized audiences. This is the first in-depth study

2.2.2 Are the concerts offered online or in an alternative place?

New spaces, On line (streaming), Cinemas, Screens in al-ternative places, Others (specify) library.oapen.org

Responding early music festivals

Source: Own elaboration from the survey about innovation in REMA early music festivals. Note: In type of entity, NGO means Non-profit Non-Governmental Organization. library.oapen.org

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