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PDF The conditions for learning musical interpretation in one-to

musical interpretation is learned Hence the focus is on the a musical interforming of-pretation which may include performance as an integrated aspect of such interpretation Thus this stance contrasts to the view that forming of a musical interpretation ends where the performance thereof starts The study is delimited to the context of one

  • What is a good example of a musical interpretation?

    The interpretation of a given musical work may differ substantially from one artist to another. Consider, for instance, three magnificent but distinct performances of Chopin's Prelude in E minor (Op. 28, no. 4) by pianists Sviatoslav Richter, Alfred Cortot, and Claudio Arrau.

  • Can musical performance evaluation be used in contemporary philosophy of music?

    This study addresses the need for methodologies that can be used on the comprehension of musical works, with special reference to musical performance. This paper explores the issue of musical performance evaluation, which has received very little attention in contemporary philosophy of music.

  • What is Musical Signification?

    The topic of musical signification has been implicit for a long time in writings on music. Only lately it has established itself as an explicit discipline, focusing mainly on sense-making as a major constituent of signification and meaning. Several questions are still pending.

  • What is a performative theory of musical utterance?

    Through the “performative” theory of musical utterance as efficacious action, it proposes a unified theory of musical meaning that eliminates the gap between musical reference, on the one hand, and musical effects, on the other.

What is interaction in music?

Interaction is an integral part of all music. Interaction is part of listening, of playing, of composing and even of thinking about music.

Who is responsible for the meaning of music?

Silverman (2007) asserts that if the role of performer is obliged to interpret and make music based on the score, then the meaning of the music is largely the responsibility of the performer. The performers need analysis and interpretation in music in order to give meaning to their performances. ... ...

What is the translation of the book 'Musica y lenguage'?

FUBINI, Enrico (1994) Música y Lenguage en la Estética Contemporánea, translation of Carlos G. Pérez de Aranda of Musica e Linguaggio nell’estetica Contemporanea - Einaudi, Torino, 1973, Alianza Editorial, Madrid. GABRIELSSON, Alf (1983) "Perception and the Performance of Musical Rhythme" in Music, Mind and Brain, (Ed.

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Dans un sens large, l'interprétation d'une œuvre écrite désigne non seulement l'exécution de la partition, c'est-à-dire la réalisation sonore fidèle des signes notés, mais aussi l'expression, le sentiment, la vie, les significations dont le ou les interprètes revêtent cette exécution, par une série d'actes et de ...

Comment interpréter un morceau de musique ?

On commence à interpréter un morceau dès lors que l'on sent qu'il est adressé à un auditoire, qu'il soit réel ou imaginaire.
. Il faut toujours se mettre en situation généreuse de donner aux autres.
. C'est le moment de s'exprimer en toute liberté, pour véhiculer les notes de toute son âme.










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