STREET ART

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Street Art Sweet Art? Reclaiming the “Public” in Public Place

Apr 7 2010 · particular public good public space Using the context of street art we document four main ideologies of public space consumption that result from the interaction both conﬂict and common intent of urban dwellers and street artists We show how public space can be contested as private and commercialized or offeredback

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STREET ART/GRAFFITI SELF-PORTRAITS

In this unit students will familarize themselves with street art/graffiti - style art culture the artists such as Banksy Keith Haring and Basquiat who were/are known for their street art and will discuss the implications of making this controversial art Students will look at political campaign posters of the past (Obama Hope

Is street art a manifesto?
As a manifesto contesting the market dom-ination and the exploitation of the consumer (Cova and Dalli2009), street art is interpreted as an indictment of consum-erism and the excesses of materialism in public space. AsJudy (dweller, Minneapolis) comments: “It’s just what Ithink art is about: freedom. Not commercialized. Individ-uality.”
Is street art subversive?
It argues that street art is essentially subversive in virtue of using public space as a technical resource. By hijacking a portion of the urban landscape with its colourful forms and witty designs, street art challenges familiar ways of practising the city, while creating a ‘temporary autonomous zone’ of free expression.
What is the difference between street art and graffiti?
This makes street art stand apart from official public art, while graffiti is at its very core .

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PDF	Curating street art precedent of street art. From the smallest tag or sticker to the biggest roller piece the artwork is not so much about what is being written

PDF	Street Art as Process and Performance: The Subversive Streetness This framing is grounded in the apparent lack of correspondence between decontextualized works of urban art and the siterspecific signification of street art

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