expanding the snare drum sounds les multiples sons de la caisse


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Take a drumhead the same size as your snare and cut out the center around the edge of the head’s rim I use an Evans G1 Coated for a thinner sound and an Evans G2 Coated for a lower pitch sound I just place the cut head on top of the snare drum head and bang! This is really practical when playing different genres of music during one gig

  • What is a dual-Ply snare head?

    A dual-ply head will give you an inherently pre-dampened sound with fewer overtones from the start. The tension of the top head of your snare is going to give you the biggest impact on the pitch and rebound of the drum. Unlike your toms, the bottom head has less of a bearing on this due to the muting that’s introduced by the snare wires.

  • What is a snare sound?

    Fundamentally, a snare sound consists of the impact tone of the drumstick against the skin resonating inside the drum itself plus the noisy sounds of the snare wires rattling underneath the drum. This can be emulated using two channels, one for the impact tone and one for the noise of the snares.

  • How do you mute a drum snare?

    Start with a head that’s the same size as your drum. Take a sharp craft knife and cut the edge where it’s formed to your drum’s bearing edge. Next, move in an inch or two and cut out a circle so that you’re left with a hoop. Now you can place your new mute on the snare quickly to go from open to dampened in a second.

  • Does a single Ply snare drum make a good sound?

    But if not, it’s a good idea to take a bit of time to understand how these elements interact and combine to create the entire sound of your snare drum. A thinner, single-ply head will resonate more freely with a brighter sound with the trade-off being more overtones present in the sound.

Start with The Tuning

You might have already got your snare dialled-in with the batter head choice, pitch, rebound, snare head and snare wire tension that feels and sounds right, and simply want to make it more staccato by killing the ring. But if not, it’s a good idea to take a bit of time to understand how these elements interact and combine to create the entire sound

Gaffer Tape

A roll of gaffer tape is the investment that keeps on giving. From temporary fixes, to health and safety precautions, to silencing your least favourite bandmate, it’s a versatile and cheap solution for most things, including sorting out your snare sound. While you could just tare off a strip of gaffer and place it like a band-aid on your snare head

Well, Gel

One of the most common pre-made dampening solutions is a gel. These little rectangles or dots are made by various brands - MoonGel, Remo Crown Control, Evans EQ Pods, SlapKatz, Meinl Drum Honey - there are plenty of options. They all work in the same way and achieve a similar result to gaffer tape fins, but gel is quicker to apply and remove, looks

Show Me The Money

Assuming you own a wallet, this is another free solution that was tried and tested by Motown greats, and can also get you out of an overtone bind if you find yourself on a house or rehearsal kit without tape or gels. Take your wallet, put it on the snare and you’re done. It’s that easy. Obviously there’s a lack of control (beyond adding/removing ca

Two Heads Are Better Than One

Next time you replace a drum head (it doesn’t even have to be from your snare), rather than frisbee-ing it trash-wards, put it to one side. Why? Because while you might think that the dimpled, played-out and possibly even split drum head has met the end of its useful life, you can still find a purpose for it Another well known trick for dampening

Recycle: Part Two

A number of drum head companies make a less exaggerated version of the Big Fat Snare Drum mutes, and the simplest way is to just buy some, but we're looking at tips that are free - or almost free. Essentially, these are single plies of drum head Mylar cut into a hoop shape, with a thickness around the perimeter of about an inch. So, once again, if

Time For Tees

There’s taming overtones, and then there’s going for the most dead, dry sounding snare possible. This is the way to achieve the latter - think Ringo Starr, Mick Fleetwood and pretty much anything from the mid-late 70s - it’ll also extend nicely to disco, dub and beyond To remove all of the ring from your snare, take some fabric (Ringo used tea-tow

Get Luggy

This final hack will have purists throwing drum keys at their computer screens, and while we wouldn’t endorse doing it all of the time, it is a quick way of dropping your snare in pitch and killing the overtones while you’re at it, and all you need is a drum key. An old studio trick to remove overtones from a snare drum involves detuning one or mor

5 Snare Sounds with Steve Pruitt Signature Snare  WTS Drums

5 Snare Sounds with Steve Pruitt Signature Snare WTS Drums

Choosing The Sound of Your Snare Drum  Season Six Episode 16

Choosing The Sound of Your Snare Drum Season Six Episode 16

Gated snare sound is ICONIC so heres a quick tutorial on how you can achieve this effect! 🥁

Gated snare sound is ICONIC so heres a quick tutorial on how you can achieve this effect! 🥁

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