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PDF 1 Lʼartiste : Gino Severini 2 Repères historiques

Très bon dessinateur il combine dans son œuvre la science et lʼart pour atteindre le plus complet bonheur d'expression lors- qu'il lance entre 1910 et 

PDF Gino SEVERINI Nature morte avec tasse et vase de tulipes vers 1916

Il utilise dans ses premières oeuvres futuristes l'expérimentation divisionniste par l'emploi de paillettes dans les formes de ses danseuses et par les 

PDF Gino Severini (1883-1966)

"Art et Liberté Programme de la matinée du 11 mars 1917" (1917) avec Gino Severini (1883-1966) comme Illustrateur [Recueil Oeuvre de Gino Severini]

PDF Gino Severini : un Italien à Paris

Paris la dernière exposition Severini eut lieu en 1967 l'année suivant la mort du peintre Ce fut Bernard Dorival alors directeur du musée d'Art moderne 

PDF Gino Severini

Très bon dessinateur il combine dans son œuvre la science et l'art la rigueur et l'imagination pour atteindre le plus complet bonheur d'expression lorsqu'il 

PDF Hida plan

L'influence du Cubisme évidente dans ses premières œuvres a marqué toute son évolution Signataire du Manifeste de la peinture futuriste en 1910 il assume 

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  • Childhood

    Gino Severini was born in the town of Cortona, a province of Arezzo, Tuscany. His mother earned a living as a dressmaker while his father worked as a steward at the Magistrate's District Court, a position the painter later described as "the lowest rung in the whole civil service system". His early years were scarred with tragedy when his younger si...

  • Early Training

    Following his expulsion from the school system, Severini rejoined his father whom he helped with his work, much of which involved traveling the length and breadth of Italy serving legal papers. The family moved to Radicofani, in the Province of Siena, where Severini began to paint, studying reproductions of Titian, or copying from postcards and mag...

  • Mature Period

    "Few have ever arrived in an unfamiliar city as penniless and helpless as I was", the artist wrote about his arrival in the French capital, "I had no friends, no money (barring the 50 francs I counted in my pocket that evening), only a scant knowledge of French, and most important of all, I had no profession; I was a nonentity". His fortunes took a...

  • Later Period

    In the early 1920s Severini divided his time between France and Italy. He received a commission to decorate the home of the Sitwell family at Castello di Montegufoni on the outskirts of Florence with his fresco, completed in 1922, featuring characters based on the theatrical tradition of commedia dell'arte. Coen observed that the Castello fresco "w...

How did Severini influence modern Italian art?

Severini's explorations into Cubism, Futurism, Neo-Impressionism, and later, mosaics, certainly made him one of the most significant Italian figures in modern art and he can take credit for showing the world that contemporary Italian art amounted to more than a fetishistic attachment to machinal structures.

How did Severini find the dynamism of modern life?

Severini's declared that one could locate the dynamism of modern life, not so much in the driving pistons of machines, but more in the "beautifully masked and under-dressed women", the "showers of confetti" and the "multicolored streamers" he encountered in the nightclubs of Paris.

When did Severini become a 'futurist'?

In February 1912, Severini took part in the first Futurist exhibition outside Italy at Galerie Bernheim-Jeune, Paris. The touring exhibition moved on to London (before Berlin and Brussels) where it was greeted with great public curiosity.

Where was Severini buried?

In his birthplace of Cortona, meanwhile, Severini left his lasting signature on its architecture with his Mosaic of San Marco (1961) which adorns the front-facade of the city's Church of St. Mark. Severini died in Paris on February 26, 1966, aged 82 but, according to his wishes, he was buried in Cortona.

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