Leonardo and sfumato - JStor
From Sfumato to Transarchitectures and Osmose: Leonardo Da
the physical Briefly comparing Leonardo's initial revisions to Renaissance perspective to those realized through digital technology this paper examines radical revisions of the notions of space and boundary and the ways in which those revisions challenge the traditional goal to aptly represent the physical world via linear perspective |
The Institute of Fine Arts New York University
Nagel: Leonardo and sfumato shown that by the time of MS D Leonardo had 9 conclusively rejected the optical theory that the rays of sight converge at a single point in the eye the theory that Leonardo associated with those \"perspectival painters\" whom he had come to oppose 19 He argued instead that the visual faculty extends across the entire |
Leonardo and sfumato
Leonardo and sfumato. ALEXANDER NAGEL. Le cas particulier de L?onard de Vinci nous propose une de ces co?ncidences remarquables qui exigent de nous un. |
From Sfumato to Transarchitectures and Osmose: Leonardo Da
Leonardo da Vinci was part of the Renaissance group that empirical observation and eventually developed sfumato the presentation of objects without ... |
The Mythical Nature of Leonardo da Vincis Mona Lisa
Leonardo and the^ "Mona Lisa" will discern that although many of the ideas ex stance of sfumato space and stirs with an uncanny ease and delicacy. |
Poussin and Leonardo: Evidence from the Zaccolini mss
rationel du peintre classique franCais et I'art empirique du peintre florentin avec son sfumato |
Leonardo da Vinci: Painter at the Court of Milan
of Leonardo's sfumato and thereby re-open an old debate: as Charles Hope reminds us in his re- view of the London exhibition the restoration of. |
Leonardos Geology: The Authenticity of the Virgin of the Rocks
Viewed from a geological perspective all of Leonardo's paintings and drawings reveal a Leonardo's use of sfumato and shading suggest the appear-. |
Luke Syson. Leonardo Da Vinci: Painter at the Court of Milan
32: Leonardo da Vinci: Pupil Painter |
Claire J. Farago ed. Leonardo da Vinci and the Ethics of Style.
perspicuous article on Leonardo's sfumato and its relation to optics is a slightly revised version of her German article (published in 2002; referenced in |
Theatre Reviews
Presented by Theatre Workshop Sfumato Sofia |
Der oszillierende Blick. Sfumato und die Optik des späten Leonardo
mann Leonardo's use of >sfumato< |