ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTERARIA ANGLICA 6, 2003 Paulina Mirowska THE AMBIGUOUS MOTHER-FIGURE IN IIAROLD PINTER’S THE ROOM In our present-day world, everything is uncertain and relative There is no fixed point; we are surrounded by the unknown Martin Esslin, The Theatre of the Absurd (1972)
held among different interlocutors, as well as of a monologue which is directed at a specific subject The dialogue sometimes takes a form of a conversation between fictional characters, as in the poem Dwaj w Rzymie (Two in Rome) It can also be a dialogue between anonymous rescuees from the war, like in Piosenka opor -celanie (Song on Porcelain)
ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTERARIA ANGLICA 8, 2009 Magdalena Wlodarczyk ALIENATION OF LANGUAGE IN THE WORKS OF SAMUEL BECKETT AND DAVID LYNCH The notion of linguistic autonomy undoubtedly defines Samuel Beckett and David Lynch’s conception of reality A declaration of linguistic in
Beans, in one of the initial paragraphs of this several-page-long monologue spo-ken in the presence of a mysterious visitor, the narrator quickly emphasizes his 3 S Wysłouch, Twórczość Wiesława Myśliwskiego wyzwaniem dla badacza literatury, in:
Dialogue, monologue, interactionA social network? service as an online ing local government communication channel Case study of the city of Kielce Today, social networking services are one of the most dynam ically developing network communication channels They are more and more often used by public institutions, including local governments
monologue Selon ce théoricien, les sujets parlant et écoutant sont à tour de rôle passifs et actifs Entre le «je» et le «tu» se joue au fond un véritable dialogue4 Le caractère dialogique de la lettre et du journal n’est pas de la même nature, car la lettre, au sens traditionnel du terme, suppose le transfert des