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Muwashah de tradition arabo-andalouse Muwashah of Arab-Andalusian chants Notation principalement ekphonétique, la notation byzantine a vu le jour
Des deux théories « modernes » de l'échelle pour le chant byzantin A Quelques particularités présumées du chant byzantin arabe, et singulièrement au
Byzantine Chant, Second Tone Three Divine Liturgies In Music, Brooklyn (1950) Adapted by Alice Hughes and Anne Schoepp Al-masih qam Arabic Pronunciation
Byzantine Chant, Plagal First Tone Traditional Antiochian melody Transcribed by Fr David Barr Al-masih qam Arabic Pronunciation Guide: qam = “kahm,”
openly admitted the assumption that “Byzantine music was diatonic before the Empire came under the overwhelm- ing influence of Arabic, and, even more,