Basic IntroductionThe Frequency Modulation The frequency modulation is a sub-type of the process for analogue oscillation modulation
PM: instantaneous phase deviation of the carrier phase is proportional to the amplitude of m(t) volt radians inD p •Modulation Constant
A frequency discriminator is a device that converts a received FM signal into a voltage that is proportional to the instantaneous frequency of its input without
A frequency discriminator is a device that converts a received FM signal into a voltage that is an estimate of the instantaneous frequency of its input without
to derive an expression for the instantaneous voltage of an FM signal in order to understand the basic principles The definition of angular frequency
As stated earlier, the input signal (analog or digital) changes the characteristics of the carrier waveform Therefore, there are two basic modulation schemes
Understanding Frequency Modulation (FM), Frequency Shift Keying (FSK), The basic idea behind a FM spectrum is that it is a superimposition of impulses
A process that causes a shift in the range of frequencies of a signal Analog: AM (DSB, SSB, VSB), FM, Delta modulation Basic Type of Modulation
FM – frequency modulation, used since 1920s to transmit by Means of Frequency Modulation” Operator is a basic building block of FM synthesis
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27319_304_FM.pdf
FREQUENCY
MODULATION (FM)
SYNTHESIS
+ phase distortion(PD)
Electronic musical instruments
Frequency modulation
(FM) FM ʹfrequency modulation, used since 1920s to transmit radio waves: ͻtransmitted signal (modulator) ʹe.g. radio broadcast ͻcarriersignal ʹhigh frequency sine (e.g. 99.8 MHz)
ͻamplitude of the transmitted signal modulates
instantaneous frequencyof the carrier
ͻmodulated signal is transmitted on air
ͻthe received signal is demodulated
ͻwe obtain the original signal
source: http://slidedeck.io/jsantell/dsp-with-web-audio-presentation FM in sound synthesis
1973 ʹJohn Chowningpublished a paper:
ͣThe Synthesisof ComplexAudio Spectra
by Meansof FrequencyModulation͘͟
ͻIf the two signals have specific frequencies,
a harmonic signal is obtained. ͻChanges in modulator amplitude modify the timbre.
ͻMultiple modulations may be performed.
ͻEasy and cheap method of digital sound synthesis.
ͻPatented in1975-1995by Chowningand Yamaha.
FM in sound synthesis
Ğƚ͛ƐƐŝŵƉůŝĨLJƚŚĞƉƌŽďůĞŵƚŽƚǁŽƐŝŶĞŽƐĐŝůůĂƚŽƌƐ:
ͻcarrier signal (C)
xc(t) = Asin(t)
ͻmodulating signal (M)
xm(t) = Isin(t)
The modulator changes (modulates)
the instantaneous frequency of the carrier signal: x(t) = Asin[t+ xm(t)] x(t) = Asin[t+ Isin(t)]
Frequency modulation in sound
What effect does FM produce?
ͻLow modulating frequency (<1 Hz): slow wobbling of the pitch (just like LFO in the subtractive synthesis).
ͻModulating frequency in 1 Hz ʹ20 Hz range:
an increasing vibrato effect.
ͻFrequency above 20 Hz: an inharmonic sound
is produced, it sounds very rough. ͻIn some configurations, e.g. if both frequencies are the same, we get a nice sounding harmonic signal!
Synthetic spectrum components
Peaks in the spectrum of a modulated sound:
fckfm(k= 0, 1, 2, ...) In FM terms: lower and upper band (below and above fc)
For example,fc= 500 Hz, fm= 100 Hz:
͙͕ϭϬϬ͕ϮϬϬ͕ϯϬϬ͕ϰϬϬ͕500͕ϲϬϬ͕ϳϬϬ͕ϴϬϬ͕ϵϬϬ͕͙
Reflection of spectral components
ͻWhat about components with negative frequencies?
For example, forfc= 400 Hz,fm= 100 Hz,we obtain:
fcʹ5fm= 400 ʹ500 = -100 Hz
ͻWe know that: sin(ʹx) = ʹsin(x)
ͻTherefore:
ʹĂ͞ŶĞŐĂƚŝǀĞ͟ĐŽŵƉŽŶĞŶƚŝƐƌĞĨůĞĐƚĞĚƚŽĂƉŽƐŝƚŝǀĞ
frequency (an absolute value is taken),
ʹphase of the reflected component is inversed,
ʹif another component is present at this frequency, amplitudes are summed up (with phase).
Reflection of spectral components
amplituda f f f f c
Spectrum with a
͞ŶĞŐĂƚŝǀĞ͟ĐŽŵƉŽŶĞŶƚ
The component is
reflected, its sign changes.
The components are
summed, taking their phase into account
Absolute values of
the amplitude are taken.
Modulation ratio
Modulation ratiowmʹa ratio ofmodulatingfrequency to thecarrierfrequency. ͻIn order to obtain a harmonic signal, the modulation ratio has to be expressed as a ratio of integers N2andN1. ͻIn practice, low integers are used, e.g.:1:1, 2:1, 3:1, 3:2. 1 2 N N f fw c m m
Modulation ratio
Typical values of the modulation ratio
(spectral frequencies are calculated forfc= 400 Hz):
ͻ1:1ʹall spectral components are present
ϰϬϬ͕ϴϬϬ͕ϭϮϬϬ͕ϭϲϬϬ͕ϮϬϬϬ͕͙ ͻ2:1ʹonly even numbered components(k = 0,2,4,...) ϰϬϬ͕ϭϮϬϬ͕ϮϬϬϬ͕ϮϴϬϬ͕͙
ͻ3:1ʹevery third component is missing
ϰϬϬ͕ϴϬϬ͕ϭϲϬϬ͕ϮϬϬϬ͕ϮϴϬϬ͕͙
Example of an inharmonic spectrum:
ͻwm= 2 : 1
Modulation ratio and fundamental frequency
Warning: this is a common mistake.
Carrier frequency does not have to be equal
to the fundamental frequency!The latter is determined by the first peak in the harmonic series.
ͻfc= 500 Hz, fm= 500 Hz f0= 500 Hz
(for modulation ratio1:1, both frequencies are the same)
ͻfc= 500 Hz, fm= 100 Hz f0= 100 Hz
(the first peak is at100 Hz: 500 ʹ4 x 100)
ͻfc= 200 Hz, fm= 300 Hz f0= 100 Hz (!!!)
͙͕-700, -400, -ϭϬϬ͕ϮϬϬ͕ϱϬϬ͕ϴϬϬ͕͙;reflection:)
ϭϬϬ͕ϮϬϬ͕ϰϬϬ͕ϱϬϬ͕ϳϬϬ͕ϴϬϬ͕͙
Modulation index
ͻModulation index(I) = modulator amplitude
(do not confuse with the modulation ratio). ͻDetermines the modulated frequency range (f= Ifm).
ͻInfluences the number of important components
in the spectrum. Larger index ʹa richer spectrum.
Carson rule:B= 2(f+ fm) = 2 fm(I+ 1)
ͻAlso influences amplitudesof spectral components and therefore, determines the timbreof the sound!
ͻPractical values: 10 to 100.
Influence of the modulation index
Carrier frequency:220 Hz, modulation:440 Hz
Time signalsSpectra
0.1 1 10 100
Amplitude of spectral components
Amplitudes of spectral components are given by:
}............................................................ ])3sin( )3sin([ )( ])2sin( )2sin([ )( ])sin( )sin([ )( )sin( )({ )( 3 2 1 0