[PDF] I saw something white being grabbed«. Sexuelle Gewalt in V-J DAY





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Capturing the Moment: A Rhetorical Analysis of World War II

The iconic image V-J Day in Times Square is na- tionally remembered for the celebration of the end of World War II. Focusing on the archival.



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“V-J Day in Times Square” is a photograph by Alfred Eisenstaedt that portrays an American sailor kissing a woman in a white dress on Victory over Japan Day 



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over Japan (VJ) Day although the signing of the official instrument of surrender was sign in Times Square would remain on continuously during the wait.



I saw something white being grabbed«. Sexuelle Gewalt in V-J DAY

The photograph V-J Day in Times Square by Alfred Eisenstaedt is a symbol of stitute the thesis that V-J Day in Times Square depicts an act of sexual vio ...



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PDF On Jun 1 2007 Robert Hariman and others published The Times Square Kiss: Iconic Photography and Civic a nurse in Times Square on V-J Day



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V-J Day in Times Square is a photograph by Alfred Eisenstaedt that portrays a U S Navy sailor grabbing and kissing a stranger a woman in a white dress 



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  • Why is V-J Day in Times Square famous?

    The V-J Day kiss, officially called V-J Day in Times Square, is by far the most iconic photograph taken during the V-J Day celebrations. It was taken in Times Square by a photographer named Alfred Eisenstaedt and shows a US Navy sailor kissing a dental assistant in the street on the day that the announcement was made.

  • What is the V-J Day in Times Square sculpture?

    Statue based on the V-J Day in Times Square photograph by Alfred Eisenstaedt that portrays an American sailor kissing a woman in a white dress on Victory over Japan Day in Times Square in New York City, on August 14, 1945.

  • What is the famous military kiss?

    V-J Day in Times Square is a photograph by Alfred Eisenstaedt that portrays a U.S. Navy sailor embracing and kissing a total stranger—a dental assistant—on Victory over Japan Day ("V-J Day") in New York City's Times Square on August 14, 1945.
  • Alfred Eisenstadt's photograph of a sailor and a nurse kissing in Times Square is an icon of V-J Day, August 14, 1945, the final end of World War II.
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This document is made available under a Deposit License (No Redistribution - no modifications). We grant a non-exclusive, non-transferable, individual, and limited right for using this document. This document is solely intended for your personal, non-commercial use. All copies of this documents must retain all copyright information and other information regarding legal protection. You are not allowed to alter this document in any way, to copy it for public or commercial purposes, to exhibit the document in public, to perform, distribute, or otherwise use the document in public. By using this particular document, you accept the conditions of use stated above. IMAGE | Ausgabe 25 | 01/2017 28 Jens Amschlinger/Lukas

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The photograph V-J Day in Times Square by Alfred Eisenstaedt is a symbol of the end of the Second World War for many people. This paper tries to prove that the reception of the picture lacks a critical reflection despite cognizable indications of sexual violence. To get a better understanding of the signifi- cance and the meaning of the photograph the first step will be a recapitula- tion of the conditions of the origin. The following analysis takes place within the framework of the visual semiotic according to Roland Barthes and bridges to a more precise explanation of the term x4CRG %PNVPTGk and the meaning of it in the context of GOUGPUVCGŃVoU photograph. The following critique of the previous reception of the photograph exhorts to a critical distance to both, the photograph and the presented situation. Overall this paper will try to con- stitute the thesis that V-J Day in Times Square depicts an act of sexual vio- lence within a x4CRG %PNVPTGk V-J Day in Times Square von Alfred Eisenstaedt ist für viele Personen ein Symbol für das Ende des Zweiten Weltkriegs. Diese Arbeit ver- sucht zu belegen, dass trotz erkennbarer Anzeichen von sexueller Gewalt eine genaue kritische Betrachtung in der Rezeption des Bildes bisher nicht statt- fand. Um den Stellenwert und die Bedeutung der Fotografie besser zu verste- hen, werden daher in einem ersten Schritt ihre Entstehungsbedingungen Jens Amschlinger/Lukas Flad/Jessica Sautter: »I saw something white being grabbed" IMAGE nachgezeichnet. x4CRG %PNVPTGk V x4CRG %PNVPTGk 1. Wir x8GTUVe- JGPUk xNGUGPk V von V V x4CRG %PNVPTGk V werden Jens Amschlinger/Lukas Flad/Jessica Sautter: »I saw something white being grabbed" IMAGE fassen V x4CRG %PNVPTGk 2.V

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