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Page 1. Advanced Piano Chords. D sus2. B m. 6. G sus2. F m. Fm. E sus2. E sus2. D sus2. C. 7/sus4. C sus4. B.



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Each track on the CDs that accompanies “Learn & Master Piano” is An advanced version of this intro would be to play the right-hand chords broken up as ...



Praise-and-Worship-Book-WITH-CHORDS.pdf

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https://archive.org/download/pdfy-QFjQChOFF0dsYVPr/57083652-Alfred-s-Basic-Piano-Library-The-Complete-Book-of-Scales-Chords-Arpeggios-Cadences.pdf



17-Chord-Progressions-That-Might-Just-Change-Your-Life-The

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1 For more articles, ideas and inspiration visit thesongfoundry.com

17 Chord Progressions That

Might just Change Your Life

(Plus 4 You might know about already)

Hello, Internet -

Here are 21 four-bar chord progressions you can use in songs in virtually every style and genre.

Will they actually change your life? Maybe. Maybe the connection we're sharing right now - you lovingly

reading a thing I lovingly crafted - is enough to count as life-changing. But either way - here are 21 varied but tried-and-tested chord progressions you can use. For each progression I've given you the chord's 'functional' names - roman numerals that show which degree of the scale the chord's root is, and also the type of chord it is.

If you're not sure what that means, don't worry. I've also given you the chords in three common keys - C,

G and E for major keys, A, D and E for minor keys - so you can use them right out of the box. Here are four quick, practical reminders, especially if you're just starting out: • Slash chords - like F/A - mean the first chord is the actual chord, the second note name indicates the bass note. • You can experiment with longer and more advanced progressions when you're ready, but repeating the same 4-bar progression throughout the verse and different one throughout the chorus - or even the same chord progression for both - is absolutely fine.

• The art of choosing a good chord progression is matching that chord progression to the mood or

vibe of your song. There's a real mix of vibes in these chord progressions - especially the last seventeen - so try them out, see what they sound like to you and choose from there. • If you want to be more adventurous, you can always play around with the progressions by changing the chords' order or replacing some of the chords with others. Lots of what you try might sound weird, and that's OK. Just keep playing around until you have something you like.

Enjoy!

2 For more articles, ideas and inspiration visit thesongfoundry.com

FOUR Chord Progressions You Might Know About Already Four simple but effective chord progressions you can use in virtually any style of songwriting.

1. Those Four Chords - Major Edition

I V vi IV

C major C G Am F

G major G D Em C

E major E B

C#m A

2. Those Four Chords - Minor Edition

i VI III VII

A minor Am F C G

D minor Dm

Bb F C

E minor Em C G D

3. Happy Days

I vi IV V

C major C Am F G

G major G Em C D

E major E

C#m A B

4. Sweet 'n' Cheerful

I IV V IV

C major C F G F

G major G C D C

E major E A B A

3 For more articles, ideas and inspiration visit thesongfoundry.com

17 Chord Progressions That Might Just Change Your Life

These progressions are a bit more adventurous and a bit more niche, but they'll all work in tons of different styles and situations.

5. Just Floatin' Around #1

IV V vi iii

C major F G Am Em

G major C D Em Bm

E major A B

C#m G#m

6. Poptastic

I IV bVII

IV

C major C F

Bb F

G major G C F C

E major E A D A

7. Mr Peppy

I IV ii V

C major C F Dm G

G major G C Am D

E major E A

F#m B Bonus tip: Adding a seventh to the ii chord is a nice touch.

8. Just Floatin' Around #2

Ib IV V vi

C major C/E F G Am

G major G/B C D Em

E major

E/G# A B C#m Bonus tip: You can substitute chord iii (Em in C major) for chord Ib.

4 For more articles, ideas and inspiration visit thesongfoundry.com

9. Those Four Chords (with a Kick)

I III vi IV

C major C E Am F

G major G B Em C

E major E

G# C#m

A Bonus tip: Add the seventh to the III chord to give the progression even more of a kick.

10. The Power Trip

I bIII

IV bIII

C major C

Eb F Eb

G major G

Bb C Bb

E major E G A G

11. Sittin' Pretty

I IV/1 V/1 I

C major C F/C G/C C

G major G C/G D/G G

E major E A/E B/E E

12. The Andalusian

i VII VI V7

A minor Am G F E7

D minor Dm C

Bb A7

E minor Em D C B7

13. The Epic Adventure

i III iv v

A minor Am C Dm Em

D minor Dm F Gm Am

E minor Em G Am Bm

5 For more articles, ideas and inspiration visit thesongfoundry.com

14. Todally Modal

i IV7 V7 i

A minor Am D7 E7 Am

D minor Dm G7 A7 Dm

E minor Em A7 B7 Em

Bonus tip: This also works without the sevenths, but has much less character.

15. Funky AF* (*and Fresh)

i VI7 IV7 V7

A minor Am F7 D7 E7

D minor Dm

Bb7 G7 A7

E minor Em C7 A7 B7

16. The Smooth Mover #1

I I/7 vi IV

C major C C/B Am F

G major G

D/F# Em C

E major E

B/D# C#m

A

17. Big-Ass Ballad

I vii° III7 vi IV V

C major C Bdim E7 Am F G

G major G

F#dim B7

Em C D

E major E

D#dim G#7

C#m A B

Bonus tips: The two chords in measures 2 and 4 work best with half a measure each. vii° is the

diminished chord on scale degree seven (B, D and F in C major). To vary the progression, substitute a

chord called the half-diminished seventh or minor seventh flat-fifth (B, D, F and A in C major) here.

6 For more articles, ideas and inspiration visit thesongfoundry.com

18. The Tearjerker

I I7d IVb ivb

C major C

C7/Bb F/A Fm/Ab

G major G G7/F C/E

Cm/Eb

E major E E7/D A/C# Am/C

Bonus tip: This progression also works with root position (non-slash) chords, but sounds quite different.

19. Moody Tuesdays

i VI ii° V7

A minor Am F Bdim E7

D minor Dm

Bb

Edim A7

E minor Em C

F#dim B7

Bonus tip: This progression also works with a half-diminished seventh instead of a regular diminished

chord in the second measure (add the note ten half steps above the root, e.g. A above a B root).

20. The Smooth Mover #2

vi Vb I V

C major Am G/B C G

G major Em D/F# G D

E major

C#m B/D#

E B

21. The Old Timer

I biii°

ii V

C major C

Ebdim Dm G

G major G

Bbdim Am D

E major E Gdim

F#m B

Bonus tip: This progression also works with a diminished seventh - almost a half-diminished seventh, but

different - instead of a regular diminished chord in the second measure (add the note nine half steps

above the root, e.g. C above an Eb root). If you add that note, it's also nice to use a ii7 chord instead of

regular ii.quotesdbs_dbs4.pdfusesText_8
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