Sherlock-The-Great-Game-final-shooting-script.pdf
2017. 1. 23. Three gunshots. SHERLOCK's letting fly at the wall with a revolver. He's drawn a 'smiley face' on the wall and it now has bullet holes ...
Sherlock III Ep3 FINAL Shooting Script - 09.09.13.fdx
2013. 9. 9. Lady Smallwood's POV. Seated opposite at a table at the other side of the room
a study in pink shooting script - green amended 18/04/10 1.
Three of them exactly the same. That's a bit funny
SDF2014
I came by the second yes you can have two. So sometimes it will be whether we can do something before it goes on the script. ??? ??? ??? ??? ??
From Benedict Cumberbatch to Sherlock Holmes: Character
supervision afforded by transcripts and subtitles we propose a new method Sherlock: All 3 episodes of the first season of the TV series “Sherlock”.
Sherlock The Reichenbach Fall - Season 2 episode 3 John Watson
Your transcriber is already nearing page three of this transcript and is only two and a half minutes into the episode so let's leave out the text of the article
TBB MASTER 18.02.10. Green Script
3. 3. SOO LIN alone in the gallery. Stoneware busts of Emperors and Guardians stare down. The SIKH WARRIOR kicks out and knocks SHERLOCK back on to the.
Figurative Language Used by Characters in the Sherlock Holmes 1
meaning. This movie script was purely from the Sherlock movie in season one. It is used in the movie script “The. Study in Pink”? 3. Aims of the Study.
Figurative Language Used by Characters in the Sherlock Holmes 1
meaning. This movie script was purely from the Sherlock movie in season one. It is used in the movie script “The. Study in Pink”? 3. Aims of the Study.
Euphemism in Sherlock Serial TV Season 3
After analyzing Sherlock serial TV season 3 the writer found three types of 3 Yohana Sari
SHERLOCK SERIES 3 His Last Vow Written by FINAL SHOOTING
5 INT APPLEDORE/MAGNUSSEN’S OFFICE - NIGHT 5 Stylish minimalist modern A bowl of fruit is a burst of colour Magnussen’s shadow passing over the walls
A STUDY IN PINK MASTERgreen220410 Script - Logo of the BBC
SHERLOCK phone in hand stands on the roof of Bart’s Below him PASSERS-BY a red phone-box a parked laundry EPISODE 1 BY MARK GATISS - FINAL SHOOTING SCRIPT - 23 05 13 3 7 EXT HIGH
A STUDY IN PINK MASTERgreen220410 Script - Logo of the BBC
3 INT THERAPIST’S CONSULTING ROOM - DAY (11 00 AM) 3 Ella - a therapist - sitting opposite John Watson her notepad out John sits stiffly in his chair Out of place A little embarrassed JOHN Oh fine Good Very good Ella looks at him knowingly A STUDY IN PINK SHOOTING SCRIPT - GREEN AMENDED 18/04/10 2
1 INT POLICE STATION ASSEMBLY ROOM BELARUS DAY 1
SHERLOCK Bored JOHN What? SHERLOCK Bored -Bang! SHERLOCK (CONT’D) Bored-Bang! SHERLOCK (CONT’D) Bored I don’t know what’s got into the criminal classes It’s a good job I’m not one of them JOHN So you take it out on the wall? SHERLOCK The wall had it coming CUT TO: 3 INT LUCY’S HOUSE NIGHT 3 A very tidy slightly beige house
THE SIGN OF THREE Written by Steve Thompson Draft 5 March
MARY JOHN SHERLOCK a few key relatives - all ready to greet the guests Lots of grip and grin First in the queue to say ‘Hello’ to them is a young man - ED Personable attractive 30s Shakes hands warmly with SHERLOCK USHER Ed SHERLOCK I know your name Mary’s Ex USHER (Laughs nervously) You were watching me in church I swear
Searches related to sherlock script season 3 filetype:pdf
1 INT GALLERY DAY 1 TIGHT IN on a painting A rich Romantic landscape - A cascading waterfall Camera pulls back - The painting on a easel in front of a (small) crowd
What does Sherlock do on John?
and Sherlock lunges straight into the traffic, cars swerving and braking round him, and races across the road. On John - a heartbeat, and he’s racing after him (although we don’t feature it, from now on he’s running without his stick.) Sherlock shoves past the man who is entering the apartment building, races into the hallway. John, pursuing -
Is Sherlock a doctor?
SHERLOCK(From off)You’re a doctor. John startles, turn. Sherlock is back, leaning in the doorway, looking at him thoughtfully. In fact, you’re an army doctor. Yes. Sherlock is moving into the room, look hard at John, speculating. Any good? Very good.
Can Sherlock wait?
Sherlock, wait. But he won’t wait. He dives over the fence fast and they’re left hanging there, one either side, face to face. We’re going to need to coordinate. They sink down in an alley, panting. A police car zooms past - searching for them. SHERLOCK(Whispers)Everyone wants to believe it.
What happened to 63 Sherlock?
63 Sherlock comes crashing out of a theatre, cannoningstraight into a man walking by the pavement. Just shoves past him races across the road. John’s now helping the man up. Sorry. The map: the red line, the black line.
Caption: Minsk, Belarus.
SHERLOCK - looking tired - sits opposite a shifty man in aGuantanamo-orange jumpsuit - BEZZA.
SHERLOCK
Just tell me what happened. From
the beginning. BEZZAWe'd been to a bar. Nice place. I
got chatting to one of the waitresses and Karen weren't happy.So when we got back to the hotel we
ended up having a ding-dong, didn't we? She was always getting at me.Saying I weren't a real man.
SHERLOCK
"I wasn't a real man". BEZZA What?SHERLOCK
It's not weren't, it's wasn't.
BEZZA Oh.SHERLOCK
(sighs)Go on.
BEZZAWell, I dunnohow but suddenly
there was a knife in me hands.Me Dad was a butcher so I know 'ow
to handle knives. He learned us how to cut up a beast -SHERLOCK
Taught.
BEZZA What?SHERLOCKHe taughtyouhow to cut up a
beast. BEZZAYeah. Well. Then I done it.
SHERLOCK
Did it.
BEZZADid it. Stabbed her! Over and over!
And I looked down and she weren't -
Sherlock frowns
BEZZA(CONT'D)
- wasn't moving no more -Bigger frown
BEZZA(CONT'D)
- any more?Sherlock nods.
BEZZA(CONT'D)
God help me. I don't know how it
happened but it was an accident. I swear it! He puts his head in his hands and sobs. Sherlock nods to a stocky BELARUS POLICEMAN and gets to his feet.BEZZA(CONT'D)
Look, you've gottahelp me, Mr
Holmes.Everyone says you're the
best. Without you, I'll get hung for this.SHERLOCK
No, no, noMrBewick.Not at all.
Bezzalooks reassured. Sherlock turns in the doorway.SHERLOCK (CONT'D)
Hanged,yes.
He smiles and goes out.
CUT TO:
TITLES
CUT TO:
INT. BAKER STREET. NIGHT.22
BANG! BANG! BANG!
2. Three gunshots. SHERLOCK's letting fly at the wall with a revolver. He's drawn a 'smiley face' on the wall and it now has bullet holes for eyes and a mouth. The door flies open and JOHN tumbles inside. Back from a night out. JOHNWhat the hell are you doing?!
SHERLOCK
Bored.
JOHN What?SHERLOCK
Bored -
Bang!SHERLOCK (CONT'D)
Bored-
Bang!SHERLOCK (CONT'D)
Bored. I don't know what's got into
the criminal classes. It's a good job I'm not one of them. JOHNSo you take it out on the wall?
SHERLOCK
The wall had it coming.
CUT TO:
INT. LUCY'S HOUSE. NIGHT.33
A very tidy, slightly beige house.
A young man, WESTIE, and his girlfriend LUCY are watching TV.Westielooks troubled, distracted,
LUCYIt's all right. Honestly. I know it
wasn't your thing. Next time we'll watch something with zombies.WESTIE
What? Oh. Yeah.
3. LUCYWhat is it, love? You've been funny
all - Westiegets up, goes to the window. Orange street light bleeds over his face.LUCY (CONT'D)
What's the matter? Westie?
WESTIE
Lucy, love. I've got to go out.
LUCY What?WESTIE
Got to see someone. It's important.
Dead important.
LUCYYou're kidding, aren't you? It's so
late -WESTIE
I'll get a cab. Won't be long.
LUCYWhat? Who are you going to see?
WESTIE
It can't wait. Sorry. Should've
sorted it (ages ago) -He shakes his head.
WESTIE (CONT'D)
Sorry.
He grabs his coat then dashes back and kisses her.WESTIE(CONT'D)
Love you.
LUCYWestie!
WESTIE
I won't be long.
And he's gone.
The front door slams. She's alone. The TV blares on.CUT TO:
4.INT. BAKER STREET. NIGHT.44
JOHN goes through into the kitchen.
JOHNWhat about that Russian case?
SHERLOCK (O.S.)
Belarus. Open and shut domestic
murder. Not worth my time. JOHNShame. Anything in? I'm starving.
He opens the fridge door.
Shoot through the back of the fridge to show -- the back of a bloodied head! John gawps and steps away.JOHN (CONT'D)
A head. A severed head.
SHERLOCK
Just tea for me, thanks.
JOHNThere's a head in the fridge!
SHERLOCK
Yes. JOHNA bloody head!
SHERLOCK
Had to put it somewhere. You don't
mind, do you? Got it from Bart's morgue. I'm measuring the coagulation of saliva after death. (nodsat laptop)I see you've written up the Taxi
Driver case.
JOHN (distracted)Um...yeah.
He slams shut the fridge door.
SHERLOCK
'A Study in Pink'. Nice. JOHNWell, you know. Pink lady, pink
case, pink phone.There was a lot of pink. Did you like it? 5.SHERLOCK
Er...no.
JOHNWhy not? I thought you'd
be...flattered.SHERLOCK
Flattered?
(readsfrom blog) "Sherlock sees right through everyone and everything in seconds.What's incredible, though is how
spectacularly ignorant he is about some things". JOHNHang on, I didn't mean -
SHERLOCK
What, you meant "spectacularly
ignorant" in a nice way? Look, it doesn't matter to me who's PrimeMinister. Or who's sleeping with
who - JOHNOr that the earth goes round the
Sun?SHERLOCK
Oh that again. It's not important.
JOHNNot important! It's primary school
stuff!Howcan you not know that?SHERLOCK
If I ever did, I've deleted it.
JOHNDeleted it?
SHERLOCK
Listen -
He jabs a bony finger to his temple.
SHERLOCK (CONT'D)
THIS is my hard drive. Only makes
sense to put stuff in there that's useful. Reallyuseful. Ordinary people fill their brains with all kinds of rubbish. 6. (MORE)And then it's impossible to get at
the stuff that matters. You follow? JOHNBut it's the Solar System - !
SHERLOCK
What the hell does that matter? So
we go around the Sun! If we went round the Moon or ...round and round the garden like a teddy bear it wouldn't make any difference.All that matters is the work.
Without it, my brain rots. Put that
in your blog.Or, better still, stop inflicting your opinions on the world.John glares at him - then heads for the door.
SHERLOCK (CONT'D)
Where are you going?
JOHN Out! (pointed)I need some air.
He makes to go, almost colliding with MRS HUDSON.
MRS HUDSON
Oh, sorry, love.
JOHNSorry -
And he's gone. Mrs Hudson looks after his retreating back and then over to Sherlock.MRS HUDSON
You two had a little...domestic?
Sherlock gets up and stares moodily out of the window. He watches John leave the house.SHERLOCK
Look at that, Mrs Hudson. Quiet.
Calm. Peaceful. Isn't it hateful?
MRS HUDSON
I'm sure something'llturn up,
Sherlock.
(brightly)A nice murder! That'llcheer you
up. 7.SHERLOCK (CONT'D)
SHERLOCK
Can't come too soon.
Mrs Hudson suddenly notices the bullet-pocked plaster.MRS HUDSON
Oi!What have you done to my bloody
wall!Smiling, Sherlock turns to her and --
BOOM! The empty house opposite explodes in a huge fireball! All the windows shatter, Sherlock throws himself onto MrsHudson and they dive to the floor!
CUT TO:
INT. SARAH'S FLAT. DAY.55
JOHN is asleep on a sofa. He blinks awake and tries to sit up. His neck is stiff and he groans in pain.SARAH (O.S.)
I told you to go with the li-lo.
John tries to turn but his neck won't let him.
JOHN Ow! SARAH is behind the sofa holding out a mug of coffee.JOHN (CONT'D)
No, no. It's fine. I slept fine. It
was very kind of you. SARAHNext time, maybe I'll let you sleep
on the end of the bed. JOHNAnd the time after that...?
Sarah smiles and snaps on the TV.
SARAHDo you want some breakfast?
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