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company of Azar and Jukka as I was lonely without du lien entre l'oeuvre d'art ancienne et la vérité formelle ... that hold the planets in orbit.”.
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23 Feb 2017 ou « brasse » de l'Ancien Régime qui correspond à l'envergure des bras ... Lonely Planet par Tony et Maureen Wheeler
THÈSE Félix Tréguer Pouvoir et résistance dans lespace public
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`` Rentrer dans le monde : parcours dune inquiétude chez les
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The World Through Picture Books (2nd Edition)
of IFLA 2012 and 2014 conferences and also in Japan
GAY CANADA:
21 Dec 2006 Luxembourg: Phi; Réunion: Grand Océan 1999. ... English translation of original French title
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© Lonely Planet Publications 354 Champagne
Champagne is dominated by an infertile chalk plain ‘branded for its pov-erty and sterility with the unseemly name La Champagne Pouilleuse (literally ‘flea-bitten Champagne’)’ to quote Sir Walter Scott in his The Life of Napoleon Buonaparte Emperor of the French (1827) Getting There & Around Champagne (www tourisme-champagne-ar
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Edited by
Annie Everall OBE and Viviana Quiñones
Librarians' favourite
books from their country fi?fl ??????Q ??č ???QExpanded
2 nd edition500 books
in 37 languages ?????Q Q QQ ??? ???Q fl? fl???fiflLibrarians' favourite books
from their country A programme of Section Libraries for Children and Young Adults, IFLA - International Federation of Library Associations and Institutions - in collaboration with IFLAfiSection Literacy and Reading andfiIBBYfi-fiInternational Boardfion Books for Young People.Programme co-ordination:
Annie Everall, in collaboration with Viviana QuiñonesEdited by
Annie Everall OBE and Viviana uiñones
Expanded 2
nd edition Illustrations by David Pintor, www.davidpintor.comDesign by Ursula Held, ursula@helddesign.com
The World through Picture Books
/ Edited by Annie Everall and Viviana Quiñones The Hague, IFLA Headquarters, 2015 - 218 p. 30 cm. (IFLA Professional Reports: 136)ISSN 0168-1931
Annie Everall and Viviana Quiñones, 2015.
This work (except book covers and other images) is licensed under the Creative Commons Attribution 3.0 (Unported) license. To view a copy of this license, visit: http://www.i?a.org/en/node/6718About the editors
Annie Everall
is a Director of пAuthors Aloud UK' and a children's books, libraries and reading consultant. During her career she has developed and managed a range of award winning innovative library services and reading initiatives in the UK including the Derbyshire Big Book B?ash for Children in Care, Derbyshire Book Pushers programme of teenage reading advocates, the Birmingham Centre for the Child, The Young Readers UK children's literature festival and the Stories from the Web online reader development initiative. She is a children's book review?er, serves on the CILIP School Libraries Group committee and theJournal
of Librarianship and Information Science editorial board. She has been Chair of the CILIP Youth Libraries Group and the Carnegie and Kate Greenaway Awards. She has been the UK representative on the Libraries for Childr?en and Young Adults section committee of IFLA and is currently Chair of the Literacy & Reading Section. In 2001 she was awarded the OBE (Order of the British Empire) for services to children's books and libraries.Viviana Quiñones
, from Argentina and France, has worked since 1985 at the French National Centre for Children's Literature - formerly known as La Joie par les livres - which became part of the Bibliothèque ?nationale de France in 2008. At its International Department, she has cooperated with African librarians and publishers since 1987. She has developed the? collection of African books for young people and promoted them through exhibitions. She was a founder of the journal for children's libraria?nsTakam Tikou
in 1989 and has been its editor and contributor since then. She has managed an African network for children's reading and taught ? many training sessions in diflerent countries. She edited the best-sel?ling handbookFaire vivre une bibliothèque jeunesse
: Guide de l'animateur (2005) and has published numerous articles and papers. She is a standing committee member of IFLA section Libraries for Children and Young Adults since 2007; she initiated its Sister Library programme in 2009 and is currently Chair of the section.Contents
QQQ fl ForewordQThe W orld through
Pic ture BooksQAims of the Programme
Q C riteria for Book Selection Q I nformation required for each titleŽ C
ountry ParticipationŽ I
nformation on the SelectionsŽ B
ook ExhibitionsŽ Pr
esentations at IFLA ConferencesŽ I
mpact of the Programmeć I
deas for usingThe World through
P icture Booksčč B
ook Purchasečč W
hat next?čČ Algeria
čđAr gentina
ž?Au stralia
ž?Be nin
žŽBr azil
ČČCam eroon
??Co lombiaČćCro atia
??De nmark ?ŽEs tonia flžFi nland flflFra nce flŽGe rmanyđčGre enland
đ?Gua deloupe (France)
đŽGu yane (France)
QžHa iti
QđHun gary
Ž?Ind ia
ŽČIta ly
ŽćIv ory Coast
ćČJapan
ćQKor ea (Republic of)
č?čLe banon
č??Ma dagascar
č?ŽMa li
čččMar tinique (France)
čč?Ma uritius
ččQNet herlands
čž?Ne w Zealand
čžČNige ria
čžđNorwa y
čČ?Ph ilippines
čČČPo land
čČćQat ar
č?ČQue bec (Canada)
č?QRe union Island (France)
čflČRo mania
čflQRu ssian Federation
čđčSe negal
čđ?Serb ia
čđQSin gapore
čQ?Sl ovenia
čŽčSo uth Africa
�Spai n
čŽćSwe den
čćžSwi tzerland
čćŽTog o
ž?žTu rkey
ž?ŽUn ited Arab Emirates
Un ited Kingdom
žčđUSA
Foreword
?????Q Q QQ ??č ???QBy Viviana Quiñones
Chair, IFLA Section Libraries
for Children and Young Adultsviviana.quinones@bnf.frWe are very happy to publish the second edition of The World through Picture Books, enriched
with sixteen new annotated lists. This new edition proves even more the ?very enthusiastic, skilled participation of librarians and the great success of this intern?ational programme. The programme deals with something we children's librarians must neve?r lose sight of, even?if?we are so busy with new technologies, budget restricti?ons, everyday work...: read?children's books and choose the best ones for our readers. An?d what does "best" mean? One?thing it surely means is very good books from the readers' own countr?y and from as?many other countries as possible... This is why, inspired by Kazuko Yoda's request to our Committee for?advice on the" top ten" picture books in Committee members' countries, we?launched "The?World through Picture Books" programme in?2011. Librarians from ?fty-two countries (or parts of countries) have made their choices which we publish here, with book presentations in the thirty-seven languages of p?ublication, together with the English translation. Papers on picture books in several countries were presented at IFLA conferences in Helsinki, Singapore and Lyon and are on-line. Thanks to publishers' generosity, two sets of touring book exhibitions were made, that have be?en shown in Finland, Japan, Korea, Italy, France, Reunion Island and Serbia. These collections are based in theNational Libraries of France and Japan
and are available to be booked by any country wishing to exhibit them. We wish to warmly thank all country co-ordinators and all children's l?ibrarians in all the countries that have worked for this programme: it is their participation that makes it?valuable. We also wish to thank Annie Everall for the hard co-ordination work she has done and ?nally, our thanks to all publishers, who made the exhibitions possible. The programme has allowed for librarians in each country to work togethe?r, to re?ect on their own book creation and to share it with the world and on the other hand, ?to discover other cultures through the in?nite richness of picture book publishing.The World through Picture
Books celebrates bibliodiversity and language diversity. Children's literat?ure is a treasure for young and not so young people. Some countries' best books are very we?ll known, but those from most countries are not... We hope these lists of?favourites from all continents will allow for many happy new readings all over the world.The World
throughPicture Books
?????Q Q QQ ??č ???QBy Annie Everall OBE
annie@alannie.demon.co.uk with Viviana Quiñonesviviana.quinones@bnf.frChildren's Librarians all over the world understand how important pic?ture books in both
traditional and digital formats are for children: for their development,? their cultural identity, as a springboard into learning to read for themselves; for their visual ?skills, and because of?the closeness of sharing them with an adult. It is then very important to pr?omote picture books and to ensure access to them. The idea behind the World Through Picture Books is to?create a?selection of picture books from around the world that have been rec?ommended by librarians, The programme is?led by IFLA Children's and Young Adults section with support from partners IFLA Literacy and Reading section and IBBY (International Board on Books for?Young People). All Information on the programme can be found on www.i?a.org/node/6718,? as well as the poster and this catalogue that can be downloaded without charge.Aims of the Programme
To create selections of picture books from around the world that have bee?n recommended by?librarians and which can then be used: - As a way of celebrating and promoting the languages, cultures and q?uality of children's publishing around the world - By countries wishing to purchase books from other countries and loo?king for 'favourite'?titles- By Sister Libraries as a way of exploring the children's literat?ure of their 'Sister Library' country
(for IFLA Sister Library Programme, see www.i?a.org/libraries-for-children-and-ya/projects)Criteria for Book Selection
Each country is asked to submit ten picture book titles: - Suitable for children aged between 0-11 - Books that are 'favourites', that have lasted or will last th?e test of time, and are seen as?classics, representing the best in picture books from that country? - Must have been published by the country submitting them - Are available in the original language - Are of a good quality and a high standard of publishing - Have text and illustrations that work very well together - Re?ect a positive message - Are excellent for reading aloud and sharing?with children - Are in print and therefore still available for?purchaseInformation required for each title
Each country is asked to provide the following information for each of the titles included in their list: - Name of the author - Name of the illustrator - Title of the book in the original language and its meaning in Engli?sh - Date of publication - ISBN - A colour image of the front cover - A brief review of the book (in English and in the original languag?e of the book)Country Participation
Fifty-two selections have been received, from countries or from parts offi countries which have asked for a separate selection, due to their specižc cultural identity afind publishing context. Each selection of ten titles was organised in the way that worked best for the country. InŽsome cases there was collaboration between IFLA members, IBBY, Library Associations and a range of national youth library organisations. A variety of methodfis were used from on- line surveys and national nominations and country wide voting to small gfiroups of librarians discussing and determining their list. The introductions to the country filists explain how the choices were made and sometimes, give information on the country's bofiok publishing for children. For additional Information, country co-ordinators' names anfid email addresses are given at the beginning of each selection.Information on the Selections
The books within each list are arranged in the order that the country sefint them to us. SomeŽare alphabetical and some have been arranged in order of votes received or pfiriority given toŽthem.The reviews are published in English and the original language ofŽthefi book. TheŽEnglishŽspellings
of words have also been left as they would beŽinŽeach individual cfiountry. ForŽmoreŽinformation
or comments about a particular list, the contact person for each countryfiŽis mentioned onits pages. If your country has not yet chosen its list of 'favourite'fiŽbooks but you would like to
become involved, please contact Annie Everall - email annie@alannie.demon.co.ukBook Exhibitions
Two touring exhibition collections of the books were created, thanks to dfionations by the publishers. These were exhibited in Finland (Joensuu and Helsinki) and France (Lyon) as part of IFLA 2012 and 2014 conferences, and also in Japan, Korea, Reunion Island and Serbia. Articles on these exhibitions were published In IFLA section Libraries for Children and Young Adults' Newsletter in its issues of June 2013, January and June 2014 and Januaryfi 2015, and can be read on line on http://www.ifia.org/publications/51 Some exhibitors translated the book presenfitations into their own language; a complete edition of the catalogue was publishfied inŽSerbian. The exhibition sets are based in the National Libraries of Japan and France and are available for loan to libraries in any country wishing to exhibit them - each cfiountry will be responsible for costs of transportation, insurance and security. All practical inforfimation on the exhibition loan can be found on www.ifia.org/node/6718Presentations at IFLA Conferences
Papers were presented at IFLA conferences, enabling participants to learn more about the project and focusing on picture books in diőerent countries. These fiillustrated presentations can be found on the IFLA site, on these pages: http://conference.ifia.org/past- wlic/2012/2012-08-13.htm and http://library.ifia.org/1057Impact of the Programme
This has been a wonderful project to be involved with and its impact confitinues to grow. Those librarians who have been involved have very much enjoyed organisinfig the list for their country and feel that they have learned a great deal. The programme has fiprovided a valuable opportunity to celebrate children's books and the particular richnessfi of children's picture book publishing around the world, as well as strengthening the partnership befitween librarians, publishers and authors. The publishers and authors feel honoured and profiud to be featured in these lists, especially as they have been nominated by librarians. Pefirhaps the most positiveimpact is that children are being enabled to share stories and pictures fifor all parts ofŽtheŽworld.
"It was so much fun to read books from various countries!", "It? was a great opportunity to find a library with so
many picture books from all over the world!"Comments from visitors to the exhibition at the International Library of fiChildren's Literature in Tokyo
We always talk about picture books bringing the whole world toQbothQfikids andQgrown-ups. Here,QweQhave picture
books from all around the world! The exhibition is such an amazing idea.fi ItQbeatsQeverything I've seen about
cultural exchange for kids."Amira A. Abed, Children's Editorial Advisor?and School Libraries S?pecialist, Bloomsbury Qatar Foundation Publishing
In fact this exhibition was a way to discover otherness, customs and behaviofiurs of di?erent countries, through
the stories and the pictures. On the other hand, children were also mostfi happy to nd that some of their heroes
were shared by other children from other countries - like in Where the Wild Things Are, The Very Hungry
Caterpillar
, G ood Night Moon... They found out that even though they came from di?erent cultures, thefiyenjoyed the same books as other children living elsewhere in the world. fiAdultsQwere interested and curious, and
thought about the exhibitiion as a window on the wide world. Because it fiwas children's books, it was very easy
to get into it and quite agreeable to look at. We were sorry that the exhibition could not stay with us for a longer
time: in fact, this could be a permanent exhibition, because there are many ways tfio discover it." Librarians of the Municipal Library of Saint-Pierre, Reunion IslandThe children were delighted with the books and illustrations; they were very engaged andQasked many interesting
questions. Educators and teachers who accompanied them believed that thefi exhibition wasQaQgreat way for
children to learn about other cultures, customs, myths, legends, alphabefits... InQaQway, it was an opportunity for
these children to travel around theQworld." Jelena Dragojlovił, Kreativni centar, co-organiser of the exhibition at Belgrade City Library It is astonishing enough for me that British librarians chose to includeDear Zoo
in this prestigious top ten for theIFLA project, but the knowledge that the book will then be part of an interfinational exhibition as well is extremely
humbling. I am quite overcome by this huge accolade, and can only thank fithose librarians nationwide who felt
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