[PDF] Le role de Sganarelle dans le theatre de Moliere

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RICE UNIVERSITY

IE ROLE DE

SGANARELLE

DANS IE

THEATRE

DE

MOLlSlRE

Susan Anne

Hofstetter

A

THESIS

SUBMITTED

IN

PARTIAL

FULFILLMENT

OF THE

REQUIREMENTS

FOR THE

DEGREE

OF

Master

of Arts 'k

Houston,

Texas May 1969
i ABSTRACT ! i IE ROLE DE

SGANARELLE

DANS LE

THEATRE

DE

MOLI&RE

i . by Suspn Anne

Hofstetter

i The goal of this thesis, after recalling the origins of

Moli&re's

comedy, is to formulate a general portrait of

Sganarelle

by examining the ideas of our critics about him, and by following him through the theatrical career of his creator.

Moli&re's

comedy, although quite varied, returns always to its origins in the

French

farce and the

Commedia

dell'Arte It was during the years in the provinces that the comedy of our author-actor was in part formed.

Poquelin

became

Molifcre

Molifere

became the director of the troupe, and he began to write some plays for his troupe, to create roles for himself also.

Arriving

in Paris in 1658,
his troupe was installed at the

Petit-Bourbon

Theater,

where

Moli&re

was then subjected to the influence of the

Commedia.

Mascarille

seems to have been a sketch of

Sganarelle.

He appears in three plays, in two of which

Moli&re

definitely played the role, in l'Etourdi ou les

Contretemps

and in les

Precieuses

ridicules. In all three,

Mascarille

is a valet, and probably masked. Moli&re then abandoned the masked valet and turned to the demasked

Sganarelle,

whom he introduced in le

Medecin

volant

Always

played by their creator, the

Sganarelles

all were related, and even today have some kinship in their nature.

Sganarelle

appears in six more plays, from 1660
to 1666:

Sganarelle

ou le Cocu imaginaire l'Ecole des maris, le

Mariage

force 1' A m o ur

Kedecin,

Pom Juan ou le

Festin

de pierre and in le^

Medecin

malgre lui In

Sganarelle

are united several of the marionettes of the ancient

French

farce, but, in bringing them closer toj reality,

Moli&re

allows them to become little by little more real and more alive. After 1666,

Sganarelle

disappears and individual names begin to represent characters even closer to life. Yet,

Moli&re

always keeps to a certainquotesdbs_dbs46.pdfusesText_46

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