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s NPI 7 frOM THe CAMOC CHA ir CAMOC is the C ommittee of Museums of Cities, on e of t he internation al committees of ICOM, the International Council of Museums. Every year, we organise and present one international conference, as well as other special events on occasion. CAMOC has been organising a conference out of Europe every other year, as we do think and act globally and city museums are clearly growing in number and relevance in the whole world, from Australia to the north of Europe, from East Asia to Latin America. !e experience of holding a conference in Brazil, in the context of the ICOM General conference in Rio de Janeiro, in 2013, was important and fruitful. However, we were still lacking the Latin America Spanish-speaking countries. Mexico City was one of the favourite options, not only for being an impressive megalopolis with amazing heritage but also for portraying some disturbing contrasts. !us, in 2017, CAMOC organised the annual conference and the second workshop of the ICOM Special Project "Migration:Cities / (Im)migration and arrival cities". !e conference was made p ossible throug h the partner ship between IC OM Mexico, the hosting Museo de las Culturas and a wonderful pool of speakers and collaborators. It must be stated that the CAMOC Mexico Conference was prepared under an especially adverse context: just a couple of weeks before the beginning of the conference, the country and district were terribly a"ected by a deadly earthquake. It took courage and perseverance from our partners, speakers and attendants to make it actually happen and be a success like it was. To all of them, I send my words of gratitude and admiration. One of our goals is to edit and release CAMOC conferences' proceedings regularly, and thus to give access to its participants and to a wider group of readers, to the texts related to the conference presentations, creating a resource to the future. I want to thank all those who contributed to this publication and to express my special gratitude to the editor, Jelena Savic, who is also Secretary of CAMOC.

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About this publication

In 2017, CAMO C dedicate d its annual conferen ce to r ethinking contest ed histories in the museum context, thus joining the international recognition of the topic's importance. Such importance was also re f ected on the theme of last year's

International Museum Day.

Within this thematic framework, and in line with its aim - to be at the centre of the current debate on cities and urban living, CAMOC focused on the discussion of museums of cities and contested urban histories. Our forum took place in Mexico City, an exceptional urban environment that deeply resonated with this issue. T is Book of Proceedings is the tangible outcome of our Mexico City meeting, containing 26 origin al texts which represent s tate-o f-the-art r e f ections on di ferent aspects of contested urban histories worldwide, from very Mexico City to a number of other cities across Europe, North and South America, Asia and

Africa.

In order to promote the crucial debate on contested and traumatic urban histories and to involve more of those interested in city-related matters, for each text in this publication abstracts are provided both in English and Spanish; also, all texts by Spanish-speaking authors are made available in both languages. T e structure and the main themes Te structure of this Book of Proceedings corresponds to the thematic subdivision of the conference, and unfolds through fve chapters. Te frst chapter centres on Museums, Migration and Arrival Cities. Marco Barrera Bassols and Jesús Antonio Machuca RamÍrez rethink the issues of migration, borders and displacement of people, as well as cultural rights, by promoting the perspective of critical museology and museography within the Mexican context. Marlen Mouliou's approach to the issue of migration is based on both scienti f c and personal reference points and how they materialised in a project aimed at empowering refugee communities through museum-like activities. Joan Roca I Albert draws attention to a theme ofen neglected and underrepresented in many large cities' histories - that of shanty towns, and shows how this matter has been addressed by Barcelona History Museum through the conversion of a former shanty town into one of the museum sites. Te theme of shanty towns has also been addressed as a part of an e fort to illuminate the social reality of 20 th -century Madrid, undertaken by the Museum of History of Madrid, and elaborated by

Hortensia Barderas Alvarez.

Te second chapter of this publication is dedicated to city museums' approaches to the matters of urban memory. In the text by Joana Sousa Monteiro, Daniela Araújo and Rui Coelho, diverse new participatory methodologies and partnership possibilities undertaken by the Museum of Lisbon are presented, as a part of the

Museum's e

forts to know the city's population better, to acknowledge and integrate diverse migrant populations. Contesting and con f icting aspects of urban history can be presented through sharing individual stories and displaying objects with 9 biographical narratives, allowing for the recognition of individual standpoints and a plurality of views. !is approach has long been established in the Museum of Amsterdam; it helps create empathy and resonates well with the city's super- diversity, as Annemarie de Wildt shows in her text on looking at Amsterdam lives. In Jennefer Nepinak and Clint Curle's article, acknowledgement of Indigenous Peoples' cultural memory is addressed as one of human rights. In their piece, the process of dialogue in the creation of the new Canadian Museum of Human

Rights has been illuminated.

Águeda Oliveira and Ana Gomes dedicate their text to the three city museums of Brasilia. !ese authors explore the origins and construction of a homogenous discourse on the city's history, and the paradox of existence of a city museum preceding o&cial est ablishment of the city itse lf. On t he other hand, L aura Acetta contemplates the relation of history and memory as a challenge for a newly established city museum and examines the possibilities of participatory methodologies as a base for the museum's activities. !e following, third chapter is focused on the cities and cultures in con#ict. Sarah Henry examines the concept of a museum as a neutral forum to contemplate the inherently contested and controversial nature of a contemporary city. !is author leads us through the logic of the new permanent exhibition in the Museum of the City of New York, which reveals con#icts that have shaped the city and gives visitors an opportunity to envision and debate the city's future. Cristina Miedico delves into the issues of the destruction of monuments as a strategic tool for wiping out urban memory and values, as well as re#ecting on the importance of museums as agents of peace. Aleksandra Salach and Katarzyna Jarosz also examine destruct ion by focusing on the conse quences of the rec ent ar med con #ict to the urban identity of Aleppo and the identity of a speci$c Armenian community. Bonginkosi Zuma looks at museums as potential agents of social cohesion in South Africa, pointing out, however, the critical issue of political interferences that impede acknowledgement of cultural di "erences, dialogue and genuine interculturality. !e chapter ends with Nayat Karakose's article on the signi $cance of the Hrant Dink Site of Memory, envisioned not only as a memorial site but also as a site of peaceful dialogue, truth and hope. !e fourth chapter, entitled Saying the Unspeakable in Museums, deals with the themes of (self) censorship, pressure and stereotypes in the museum discourse of today. !ese issues have all been touched in Jette Sandahl's critical re#ection on Contested Issues and Museum Activism, stemming from her rich and ground- breaking experience in the museum sector, and the belief that museums can contribute to changing the world for the better. Other articles in this chapter, featuring the case studies on the former Soviet resort city of Jurmala (Inga Sarma), hutongs in Beijing residential neighbourhoods (Mingquian Liu) and revisiting

1968 in the context of the post-con

ict Northern Ireland (Chris Reynolds and William Blair), show the diversity of manifestations of the unspeakable - and unspoken - in museums and the diversity of possible responses to the issues of con icting interpretations of the times gone by, consequences of the troubled past, oblivion and disappearance. !e $nal ch apter contains a s eries of recent or on go ing proj ects f rom four continents, re ecting some emerging approaches to the theme of contested urban histories. Within di "erent cultural contexts, Masagake Murano and Chao-Chieh 10 Wu pose the same, critical question - whose history is actually represented in a museum. Alina Saprykina and Lilia Krysina propose a dynamic model for cityquotesdbs_dbs26.pdfusesText_32

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