A Performance Guide to Liszts 12 Transcendental Etudes S. 139
this document in which each of the twelve etudes has been analyzed regarding compositionally and pedagogically
[Sample Title Page]
8 mag 2020 A COMPARATIVE ANALYSIS OF THREE ETUDES by. Justin G. P. Bird ... Transcendental Etude No. ... Franz Liszt Harmonies du Soir Etude No.
MUSICAL SOURCES FOR THE LISZT ETUDES D* EXECUTION
monic compositional
Music Performance in Action: Mathematical Interpretation of Liszts
Liszt's Transcendental Études are arduous and complex musical studies This paper presents a new method to analyze music interpretation in the.
Music Performance in Action: Mathematical Interpretation of Liszts
Liszt's Transcendental Études are arduous and complex musical studies This paper presents a new method to analyze music interpretation in the.
Pedagogical Thoughts on Liszts Six Concert Etudes
This research project presents a pedagogical analysis of Franz Liszt's etude as a genre or consider Liszt's Transcendental Etudes and Paganini Etudes.
An historical and analytical survey of the _Transcendental Etudes_
The Twelve Transcendental Etudes op. 11
University of Alberta
by Franz Liszt (1811–1886) and Clara Schumann (1819–1896). My analysis of Liszt's "Transcendental Etude No. 10” S.139 employs Freud's.
udc-78 - integration of schenkerian analysis and neo-riemannian
the significant analytical queries in harmony of the opening Transcendental étude. Keywords: Liszt; Neo-Riemannian analysis; Schenkerian theory.
FRANZ LISZT: A STUDY OF HIS LIFE AND PIANO MUSIC THESIS
Chapter III is devoted to an analysis of two of Liszt's definitive piano compositions--the Sonata in B minor and the. Transcendental Etudes.
FRANZ LISZT: A STUDY OF HIS LIFE
AND PIANO MUSIC
THESIS
Presented to the Graduate Council of the
North Texas State College in Partial
Fulfillment of the Requirements
For the Degree of
MASTER OF MUSIC
ByLarry Walz, B. N.
Denton, Texas
August, 1957
/AIRTABLE OF CONTENTS
PageLIST OF ILLUSTRATIONS. .................iv
Chapter
I. INTRODUCTION. .................01
II. LISZT: THE PRIMARY FORCES THAT MOLDED
HIS LIFE AND MUSIC. .0 ...... .....g3
Liszt: The Prodigy
Paris: Devil and Saint
The Years of Pilgrimage
The Weimar Years (1849-1861)
RomeIII. THE B MINOR SONATA. ..............34
The Transcendental Etudes
IV. THE IMPORTANT PREDECESSORS OF LISZT ......68
VO THE FINAL EVALUATION. .............73
BIBLIOGRAPIM .0.0.0.*.0.0.#.6.0.6 0 .0.0.0.0.0.*.0 .#.*.78 iiiLIST OF ILLUSTRATIONS
Figure
1.Measures 1-3 ........0 ...0 -
a ..a .....0 .S ..S .....2. Measures 83-88 .
3. Measures 229-230
4. Measures 563-565
5. Measures 778-779
6. Measures 8-10. .
7. Measure 32
8. Measures 55-57
9. Measures 126-128
10. Measures 162-163
11. Measures 180-181
12. Measures 198-200
13. Measures 206-207
14. Measure 222..*.*
15. Measure 240. ..
16. Measure 317. ..
17. Measures 321-323
18. Measures 466-471
19. Measure 787. ..
20. Measures 13-15 .
21. Measures 17-18 .
22. Measure 33 ..*.
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