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Objet d'étude : L'œuvre d'Art et le pouvoir. _ _ _. N°2 – Suojia Village Série « Hiding in the City ». 126 cm x 160 cm. 2006



GALERIE PARIS-BEIJING

La Galerie Paris-Beijing est heureuse d'accueillir Liu Bolin pour sa cinquième exposition personnelle Liu Bolin Supermarket Pyongyang



GALERIE PARIS-BEIJING

Gallery Paris-Beijing is pleased to welcome Liu Bolin for his fifth solo exhibition « Hiding on the supermarket filled with food products and toys is a.



Untitled

Difficile de définir un artiste comme Liu Bolin vu son Liu Bolin / Courtesy Galerie Paris-Beijing ... Hiding in the City n°83



Five ways to teach with real stories Final

his Beijing studio Chinese artist Liu Bolin blends. Into a background of a supermarket soft drinks display. When his assistants finished painting him.



Dans le regard de lautre

1 oct. 2016 p.4-5/ Liu Bolin p.6-7/ Houston Maludi p.8-9/ Philippe Ramette. P. 10/ Liste des artistes exposés. P.11/ Programmation autour de l' ...



ORAL BREVET : Lors de lépreuve orale le travail pourra être

3- Étude plus détaillée de l'oeuvre de Duane HANSON « Supermarket Lady ». B) le STREET ART : 1- Définition. Alexa MEADE



Parce que nous le valons bien.indd

Avec Supermarket I réalisé en 2009





Larte mimetica di Liu Bolin

L'arte mimetica di Liu Bolin. Al Vittoriano i sorprendenti autoritratti La monografica Liu Bolin - Hiding to ... Nella serie Supermarket (ini-.

62 rue de Turbigo - 75003 Paris I contact presse : Elisa Azzena elisa@galerieparisbeijing.com +33 (0) 6 47 06 14 17GALERIE PARIS-BEIJING

GALERIE PARIS-BEIJING

© Liu Bolin, North Korea, Four plays, 2018. Courtesy Galerie Paris Beijing

Gallery Paris-Beijing is pleased to welcome Liu Bolin for his fifth solo exhibition " Hiding on the 38th

Parallel North » which marks the artist's return to more politically engaged statements.

07.09.19 ܵ

Hiding on the 38

th Parallel NorthOpening on Saturday 7 September 2019 time, in order to carry out a series of 7 performances

on the theme of individual liberties. In North Korea, he once again experiences the disappearance of the individual resulting from the ambition of collective thinking.

B y hiding in front of the North Korean regime's omnipresent images of indoctrination, within a hyper-structured system that leaves no room for the unexpected, Liu Bolin once again puts his silent protest into action. A ccompanied by his guide, he visits schools and factories and watches parades: the population gives the impression of leading a calm and happy life. Liu Bolin plays the game of the propaganda department, while at the same time denouncing this absurd and the world. T perfect example of these paradoxes. The state displays a store "set" intended for foreign visitors as a symbol of the country's opulence. Let us recall that in Pyongyang, the only photographs authorised by the regime are

those which cast North Korea in a positive light. The last overtly totalitarian regime in history, North Korea is a world unto itself. Liu Bolin has witnessed the abnegation of a people who live immersed in within a centralized economy founded upon the ideology of juche: military, economic and political ѝ

minimal international humanitarian aid, and the few rare foreign products are imported from China, its main commercial partner. Fo r Liu Bolin, a son of the Cultural Revolution who has personal experience with censorship, this journey new photographs from Hiding in Pyongyang echo his famous performances from the early 2000s, in which the artist disappears in front of communist propaganda posters and slogans. The language

The Workers' Party praises the army, a blossoming

working class and devotion to the state. © Liu Bolin, Supermarket Pyongyang, 2018. Courtesy Galerie Paris Beijing

62 rue de Turbigo - 75003 Paris I contact presse : Elisa Azzena elisa@galerieparisbeijing.com +33 (0) 6 47 06 14 1

7GALERIE PARIS-BEIJING

" 38 th Parallel », a video-reportage of his experience, will also be presented within the exhibition. The title makes reference to the 38 th parallel of the northern hemisphere, the demarcation imposed at the end of the war with Japan in 1945, which would become the point of origin for the Korean dyad. Today, it is around this border, both physical and symbolic, that

the hope for change resides.The exhibition will also be an opportunity to discover Liu Bolin's latest drawing and sculpture works, and to take part in a live performance during the opening.

© Liu Bolin, North Korea, Theatre, 2018. Courtesy Galerie Paris Beijing © Liu Bolin, Untitled, 2018. Courtesy Galerie Paris Beijing © Liu Bolin, Drawing Milano 14.04.2019. Courtesy Galerie Paris Beijing

Liu Bolin was born in 1973 in the province of

Shandong in China. He studied at the Shandong

Academy of Fine Arts before graduating from Beijing Central Academy of Fine Arts in 2001. He lives and works in Beijing.

© Liu Bolin, 38

th Parallel, video screenshots, 2018. Courtesy Galerie Paris Beijingquotesdbs_dbs47.pdfusesText_47
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