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Exhibiting the Ivor Davies Archive of

Destruction in Art: an exploration of curating

historical performance art in the Museum

Judit Bodor

A thesis submitted in partial fulfilment of the

requirements of Aberystwyth University for the degree of Doctor of Philosophy

September 2-17

II

Declaration and Statements

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Mbstract

This thesis outlinesw documents and evaluates my Practice as Research contribution toward the curatorial process of addressing the specific material identity of Ivor PaviesÕ performance work and destruction art practice for exhibition in National Museum :ardiffc The thesis comprises a contextual review texploring the relationship between performancew curatorial practice and the MuseumTw exhibition case studiesw and an analysis of the histories of PaviesÕ destruction artRrelated veass performance practice as it has been disseminated through publicationsw archiving and exhibitionsc It introduces the strategies applied to the presentation of these artworks in the context of the artistÕs usvg solo retrospective exhibition Ð in

particularw strategies of ÔremediationÕ Ð and locates them in a differentiated understanding of

the nature of the work on the one handw and the needs of a museum exhibition on the otherc The research proposes ÔremediationÕ tas opposed to reconstructionw reRenactment and other reiterative strategies that are widespread in current curatorial practiceT as a suitable strategy for exhibiting historical performance art in the Museumw which bases curatorial decisions not on the similarity to the original thistoricalT eventw but on recovering and preserving key elements and performative qualities of the workw thus providing a continuum between historical and contemporary spectatorshipc Through documentation and discussion of the curatorial strategies and processes applied tincluding archivingw exhibition designw and approaches to presentationT the thesis encourages reflection on the reproducibility of PaviesÕ performance artworks and the influence that exhibition has on these worksÕ appearance and experiencec The thesis provides new insight into the materiality of PaviesÕ performance work texemplified in the exhibition particularly by the approach to the presentation of PaviesÕ veaC multimedia experimental theatre eventw Adam on St Agnes' Eve, and his performanceR lecture at the veaa Ravensbourne Symposium)w which throws new light upon the formal diversity of performance in the UK in the late veassc py doing sow the thesis aims to provide substantial new insight into curatorial practice with relevance to the further study of exhibitions of historical performance art in museum contexts more broadlyc IV

Mcknowledgments

This ambitious practiceRled research project was only possible with the support of several people who continuously supported my work and whose guidance and friendship helped me throughout the writing of this thesisc My supervisors Professor Heike Roms and Jacqueline Yallop at 2berystwyth Universityy my external supervisor Nicholas Thorntonw Head of Fine

2rt at 2mgueddfa :ymru Ð National Museum Walesy and Ivor Paviesw who opened his

unique archive for my researchc My research would not have come to a successful completion without help from staff at 2mgueddfa :ymru Ð National Museum Walesw particularly Rhodri Vineyw :hris Harwickw Smily OÕReillyw Rose Millerw Pip Pimentw :harlie Uptonw Lee Jonesw Simon Tozzow Heidi Svans and Sian LileRPastorec I also thank artist Mike Pearson and his collaborators 2nna Kelseyw Sam parnesw Richard Huw Morgan and John Rowleyw whose response to my invitation to reRperform veaC Adam on St Agnes' Eve exceeded all my expectationsc I am grateful to those artists and curators who I interviewed during my research documentation and provided access to artists and venues of historical performancesw including Ula Pajerling tP2 to GustavTw Pete Telfer t:ulture :olonyTw Iola paines tNational Sound and Screen 2rchive WalesTw and Schona VracRLee and Rhia :ullen tSwansea UniversityTc I would also like to thank my friends who provided feedback at various phases of my researchw :live Robertsonw peata Hockw Georgia Peardenw 2ndre Stittw Jenny prownriggw Smma polland and prian Lewisc I am indebted to my family who supported my work for four yearsw Sditw Zoliw pal‡zsw Sllenw and Robertc 2nd at last but most importantlyw I would like thank my husband and best friend Roddy Hunter for his continuous help and encouragement without which I would have never got to the endc V

Table of contents

Neclaration and ptatements 99

Mbstract PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP 999

Mcknowledgments PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP 9V

Table of contents PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP V

Table of figures PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP V99

J1MYTb] Am 9CT]WNUJT9WC PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP A

APA The ]esearch Jontext ..................................................................................................3

APh ]esearch Mimsn [uestions and Wbjectives ...................................................................5

APv ]esearch :actors .........................................................................................................7

APf ]esearch 0ethodologies and Wutcomes ...................................................................10

APD ]esearch Terminologies .............................................................................................12

APs Thesis ptructure .........................................................................................................15

J1MYTb] hm JWCTbXTUMô ]bV9bW PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP A.

hPA 9ntroduction ................................................................................................................18

hPh Yerformancen Nocumentation and the Mrchive ...........................................................21

hPv Yerformancen Jurating and the 0useum ....................................................................30

hPf Jonclusion .................................................................................................................50

J1MYTb] vm JMpb pTUN9bp PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Dv

vPA 9ntroduction ................................................................................................................53

vPh Jase study Am Partnersn 1aus der ,unstn 0Ÿnchenn hyyv ..........................................57

vPv Jase study hm The Ludapest Poïpoïdromen AQus t AQQ. ............................................64

vPf Jase ptudy vm Revisionsm Zen for Filmn Cew Yorkn hyAD .............................................77

vPD ]eflection ...................................................................................................................85

J1MYTb] fm JU]MTW]9Mô Y]MJT9Jb PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Ayh

fPA 9ntroduction to Silent Explosion: Ivor Davies and Destruction in Art ......................... 102

fPAPA Lackground to the research and exhibition PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Ayu

fPAPAPA 9vor Naviesn Nestruction in Mrtn AQssgAQs. PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Ayu

fPAPAPh Yrevious ]esearch PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AAD

fPAPAPhPA ,ristine ptilesn AQ.A and hyyD PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AAs

fPAPAPhPh 1eike ]omsn hyyfffP PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AAQ

fPAPAPv bxhibitions of NaviesÕ Nestruction in Mrt archival collectionn hyyh onwards PP Ahh VI fPAPAPf The M1]J Jollaborative Noctoral Mward with Mmgueddfa Jymru g Cational

0useum Wales PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Avf

fPAPAPD Yroposed curatorial and research strategies PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AvD

fPh Mrchiving BhyAfa ........................................................................................................ 137

fPhPA bstablishing the 9vor Navies Nestruction in Mrt MrchivePPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Avu

fPhPAPA The archival collection in hyAv PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Avu

fPhPAPh Jataloguing BhyAvghyADa PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AfA

fPvPh bxtended researchn site visits and oral history PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Aff

fPvPv ]eflection PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AfQ

fPv bxhibitiongmaking BhyADa .......................................................................................... 150

fPvPA Nesigning the Carrative bxhibition PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP ADy

fPvPh The 9vor Navies NiM Mrchive in the exhibition PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP ADf

fPvPhPv Gallery hhm N9Mp PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP ADf

fPvPhPv The ptairwellm ]avensbourne pymposium PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP ADQ

fPvPhPv Gallery hAm Adam on St. Agnes' Eve 1968/2015 PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Ash

fPvPv Ô]egmodellingÕm Mdam on ptP Mgnes bve at AmhD PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP AsQ

fPvPf bventgcuratingm Yublic seminars as extended research and evaluation PPPPPPPPPPPPP Auh

fPvPD ]eflection PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP Au.

J1MYTb] Dm JWCJôUp9WC PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP A.A

DPAP 9ntroduction PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hAv

DPhP ]esponse and ]eflection on [uestion Wnem Jurating 9vor Navies at Mmgueddfa

Jymru Ð Cational 0useum Jardiff PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hAf

DPvP ]esponse and ]eflection on [uestion Twom 9mplications for 0useological Yractice of

Jurating 1istorical Yerformance Mrt PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hAu

DPfP ]eflection on 0ethodology PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hhh

DPDP Jontribution to ,nowledge PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hhf

DPsP puggested :urther ]esearch PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hhs

]eferences PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hhu

ôist of exhibitions PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hfA

Mppendix PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP hfv

VII

Table of figures

:igP Am Ydessa 1endelesP bxhibition map for Partners, 1aus der ,unstn 0Ÿnchenn hyyvP QA :igP hm Ydessa 1endelesP (Partners) The Teddy Bear Project. hyyvP 9nstallation viewP Partners, 1aus der ,unstn 0Ÿnchenn hyyvP QA

:igP vm 0aurizio JattelanP Him, hyyAP 9nstallation viewP Partners, 1aus der ,unstn 0Ÿnchenn hyyvP Qh

:igP fm 0aurizio JattelanP Him, hyyAP 9nstallation viewP Partners, 1aus der ,unstn 0Ÿnchen, hyyvP Qv

:igP Dm ]obert :illiou and 2oachim YfeuferP Poïpoïdrome à Espace-Temps Réel No.1. AQusP

9nstallation at Young Mrtist s Jlubn LudapestP Qf

:igP sm ]obert :illiou and 2oachim YfeuferP Poïpoïdrome à Espace-Temps Réel No.1. AQusP Wbjectg

relic from installation at Young Mrtist s Jlubn LudapestP QD

:igP um ]obert :illiou and 2oachim YfeuferP Poïpoïdrome à Espace-Temps Réel No.1. AQusP Wbjectg

relic from installation at Young Mrtist s Jlubn LudapestP Qs

:igP .m ]obert :illiou and 2oachim YfeuferP Poïpoïdrome à Espace-Temps Réel No.1. AQusP Young

MrtistsÕ Jlubn LudapestP Yerformance by Zsigmond ,‡rolyiP Qu

Ludapestn AQQ.P Q.

Jentren Cew Yorkn hyADP QQ

:igP AAm Revisions: Zen for Filmn Lard Graduate Jentren Cew Yorkn hyADP QQ :igP ADm 9vor Naviesm Adam on St Agnes' Eve 1968/2015P 9nstallation viewP Gallery hAn Silent

Explosionn Cational 0useum Jardiffn hyADP A.A

:igP Asm 9vor Naviesm Adam on St Agnes' Eve 1968/2015P 9nstallation viewn Gallery hAn Silent

Explosionn Cational 0useum Jardiffn hyADP A.A

:igP Aum 9vor Naviesm Adam on St Agnes' Eve 1968/2015P 9nstallation viewn Gallery hAn Silent

Explosion, Cational 0useum Jardiffn hyADP A.h

:igP A.m 9vor Naviesm Adam on St Agnes' Eve 1968/2015P 9nstallation viewn Gallery hAn Silent

Explosionn Cational 0useum Jardiffn hyADP A.h

:igP AQm Ivor Davies Destruction in Art Archive. 9nstallation viewn ptairwelln Silent Explosion, Cational

0useum Jardiffn hyADP A.v

:igP hym Ivor Davies Destruction in Art Archive. 9nstallation viewn ptairwelln Silent Explosion, Cational

0useum Jardiffn hyADP A.v

:igP hAm Ivor Davies Destruction in Art Archive. 9nstallation viewn ptairwelln Silent Explosion, Cational

0useum Jardiffn hyADP A.f

:igP hhm Ivor Davies Destruction in Art ArchiveP 9nstallation viewn Gallery hhn Silent Explosion, Cational

0useum JardiffP A.f

:igP hvm Ivor Davies Destruction in Art Archive. 9nstallation viewn Gallery hhn Silent Explosion, Cational

0useum JardiffP A.D

VIII

:igP hfm Ivor Davies Destruction in Art Archive. 9nstallation viewn Gallery hhn Silent Explosion Cational

0useum JardiffP A.D

:igP hDm Ivor Davies Destruction in Art Archive. 9nstallation viewn Gallery hhn Silent Explosion: Cational

0useum JardiffP A.s

:igP hsm Ivor Davies Destruction in Art Archive. 9nstallation viewn Gallery hhn Silent Explosion, Cational

0useum JardiffP A.s

:igP hum Silent Explosion: Ivor Davies and Destruction in ArtP 9nstallation viewn Gallery hyn Cational

0useum JardiffP A.u

:igP h.m Silent Explosion: Ivor Davies and Destruction in ArtP 9nstallation viewn Gallery hyn Cational

0useum JardiffP A.u

:igP hQm Silent Explosion: Ivor Davies and Destruction in ArtP 9nstallation viewn Gallery hfn Cational

0useum JardiffP A..

:igP vym Silent Explosion: Ivor Davies and Destruction in ArtP 9nstallation viewn Gallery hfn Cational

0useum JardiffP A..

:igP vAm 9vor Navies prior to Prelude to Anatomic Explosions, A peptember AQssn bdinburghP A.Q :igP vhm Anatomic Explosionsn N9Mpn ôondonn Av peptember AQssn ôondonP AQy :igP vvm 9vor NaviesP Anatomic Explosionn Av peptember AQssn ôondonP AQA :igP vfm 9vor Naviesn Anatomic Explosionn Av peptember AQssn ôondonP AQh

:igP vDm :ilm documentation of 9vor NaviesÕ AQsys performancesn bxhibition viewn Ivor Daviesn hyysn

0oravsk‡ Galerien LrnoP AQh

:igP vsm 9vor Naviesm Adam on St Agnes' Even AQs.P bxhibition viewn Ni allaf ddianc rhag hon BI Cannot

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