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ACTES SUD

yArt nure oCieS At tS&

FOREIGN RIGHTS:

OCTOBER 2020 TO NOVEMBER 2021

YART NURE OCIES AT TS&

ForeiGn riGHt:

oCtoBer 2020 to novemBer 2021 ARTS A . D (new edition). Sophie Calle . T . by Najah Albukaï.

Collective work. Edited by Farouk Mardam-Bey

. L G M. Collective work. Edited by

Édouard de Laubrie

. L I . Jérémie Koering . L T N, conversation between

Jean-Michel Othoniel and Christophe Leribault

P . B. Photography by Jean-Michel André. Text by Wilfried N"Sondé . C . Julien Gester, with contribution from Jakuta Alikavazovic . HL. Introduction by Jean-François Chevrier

. S W. Introduction by Virginie Chardin

. JH E

. Introduction by Urs Stahel . R D . Introduction by Michel Guerrin

. H

Jean-Yves Mollier.

Edited by Olivier Deloignon

. D" .

Olivier Deloignon

C

. T A

Archimandritis

. MA - AS.

Edited by Franck Lhomeau

M

. N€H.

Conversation with Bertrand Dermoncourt. Preface by

Gidon Kremer

. F M Jérôme Bastianelli. Preface by Jean-François Heisser with Emmanuel Resche-Caserta . S

André Tubeuf P

. C " . Sophie Nauleau P

NATURE

. L"O Marc-André Selosse. Illustrations by Arnaud Rafaelian

Marc-André

Selosse. Illustrations by Arnaud Rafaelian

. P  (new edition).

Olivier Filippi

. L P (new edition).

Pierre Lieutaghi

. S .

Jean-Claude Foucard. Illustrations by Maxime Foucard.

Preface by Patrick Mioulane

Collective work.

Preface by Louis-Albert de Broglie

. L R C.

Dany Cleyet-Marrel,

Gilles Ebersolt, Francis Hallé and Olivier Pascal . P

Collective work.

Edited by Michel Audouy and Chiara Santini

M . A  .

Estelle Zhong Mengual

. A

Vinciane Despret

Laurent Tillon

Postface by Lionel Garnery

. J .

Jean-Philippe Pierron

. P .

Alexis Jenni

David Grémillet

E? ?

Cadence, légèreté, géométrie

(1951-1956)

Nuno Oliveira.

Texts translated and presented by Jean Magnan

de Bornier . O . Dominique Giniaux

SOCIETY

50procès -

50 ans de combats

. Corinne Lepage and Christian Huglo

Francis Hallé

. L T? G‚. de l"eondrement à l"émerveillement.

Pierre Rabhi

. H 24

24 h dans la vie d"une femme

A collection of

writings, based on an idea by Nathalie Masduraud and

Valérie Urréa

. L'A? T??-P?.

Cheminer avec

edgar morin.

Directed by Alfredo Pena-Vega

. V? ? ? ( new edition

Pierre Rabhi. Preface by Matthieu Ricard

. D, E? Se nourrir sans pesticides, faire revivre la biodiversité. Xavier Poux and Pierre-Marie Aubert. In collaboration with Marielle Court . L?? ??.

Pierre-Yves Antras.

Preface by Isaac Getz

. P

Penser et panser le territoire.

Pierre Leroy

repensons notre dépendance aux technologies digitales. Vincent Courboulay. Preface by Jacques-François

Marchandise

Alicia Vaïsse

Roland Feuillas and Jean-Philippe de Tonnac

. E? ???. enquête sur les projets solidaires et durables pour sortir de la précarité alimentaire.

Frédéric Denhez

and Alexis Jenni

Prenez les

commandes de votre vie.

Stéphanie Brillant

Chaque génération a son combat. voici le nôtre.

Cyril Dion

Puvaneswaran

. P??? ? ??.

Fleur Daugey.

Illustrations by Marie de Monti

Ferreux-Maeght. Illustrations by Le Cil Vert

. M?  ,  - .

Nathalie

Petit. Illustrations by Pauline Amelin

. C

Philippe Viard.

Illustrations by Ivan Loncle

. T? ? ? ?.

Frédéric

Bordage. Illustrated by Marie Morelle

. B?? ?.

Charlotte and Alexis

Champoiseau and Claire Sejournet. Illustrated by

Emmanuelle Teyras

Ernst Zürcher. Illustrated by

Caroline Attia

GRAPHIC NOVEL

Brecht Evens

. L F'A?. L J? 'A?. Nadja . R, ??,

Lorenzo Mattotti

. L D S?.

Script by Jacky Beneteaud.

Drawings by Fabrizio Dori

. L D? 'A.

Claire Malary and Mélanie

Trugeon.

. U '?.

Dav Guedin

. D ??.

vers une transition agroécologique.

Jacques Caplat and Laëtitia Rouxel

ÉDITIONS ERRANCE

. V third edition: revised and augmented ). Watercolors by Jean-Claude

Golvin. Texts by Aude Gros de Beler

. l"aaire valerius

Proculus

. David Djaoui. Preface by Jean-Paul Demoule . L H ??  ?? . de l"outil aux mythes . Pierre Didier. Preface by Pierre

Pétrequin

ÉDITIONS PICARD

Claire Ollagnier

François Héber-Su"rin and Christian Sapin

ÉDITIONS ROUERGUE

. B€ manuel du compost urbain à la japonaise

Antonin Padovani. Illustrations by Camille Debard

une préparation simple et économique pour des cultures vigoureuses , Terre & Humanisme P ublished for the first time in

1994 and regularly re-edited and

enhanced, True Stories returns again this year with eight unpublished narratives related in Sophie Calle's fami- liar precise sober prose and photography.

By turns serious, hilarious, dramatic or

cruel, these real-life tales represent a form of work in progress recounting fragments of her life. By the same author with Actes Sud: • Des histoires vraies, co-published with gale- rie Sollertis, 1994; Actes Sud, re-ed. 2002,

2011, 2012, 2013, 2016, 2018

• L'Erouv de Jérusalem, 1996, 2002

• Doubles-jeux (boxset of seven books), 1998

• L'Absence (boxset of three books), 2000

• Les Dormeurs, 2001

• Douleur exquise, 2003

• En finir, 2005

• Take care of yourself, 2007

• Où et quand ? (boxset of three books), 2009

• Blind, 2011

• Fantômes, 2013

• Voir la mer, 2013

• Tout, 2015

• Que faites-vous de vos morts ?, 2019

Sophie Calle

is the author, narrator and main protagonist of her stories and photographic works. She found fame in the 1990s in

France and the United States

in the wake of her rst lm,

No Sex Last Night

. She has published a number of works with Actes Sud. Today she is a key gure of the 21st century art scene.

Des histoires vraies

ACteS Sud

SOPHIE CALLE

DÉP. LÉG. : JANVIER 2021

ISBN : 978-2-330-09302-0

19,50 TTC F rance

SOPHIE CALLE

D es histoires vraies

9:HSMDNA=U^XUWU:

A

CteS Sud

DES HISTOIRES VRAIES

TRUE STORIES

Sophie Calle

93
de son passé, il lui arriva de beugler devant ma fenêtre qui donnait sur son pré pour quémander du pain. J'en pro?tais : je me déshabillais pour lui et Moïse, en quête du quignon coincé sous mon aisselle, léchait mes seins.moïse Moïse avait perdu sa mère lors d'inondations en Camargue. Il fut sauvé et nourri par les gardians. Plus tard, en taureau, il ne toléra au- cun intrus sur son territoire, mais, résurgence 9594

Cauchemar

J'aime mon lleul. Dans mon testament, je

l'ai désigné comme bénéciaire de ma maison dans notre village du Sud de la France. Je déteste le FN. Mon lleul a déjà voté FN. J'ai fait un cauchemar. Dans son testament, mon héritier léguait la maison au parti d'extrême droite et, en hommage à l'ancienne propriétaire, les convocations de son antenne locale indiquaient comme lieu de réunion : Chez Sophie Calle. J'ai déshérité mon lleul. 83

Plaquée en août

Il m'a plaquée en août. Après sept ans, il m'a quittée comme il avait quitté la précédente vite et par téléphone. Il lui fallait “une semaine de solitude pour ré?échir". (Songer à faire l'inventaire de ces mots qui annonçent le dénouement, les mots pour s'en aller.) Selon une rumeur, l'autre serait passagèrement devenue sourde de l'oreille par laquelle était arrivée la nouvelle. Pas moi. Pourtant j'ai écrit à P. pour lui demander s'il était certain de vouloir en finir. Désespoir ? Plutôt une tentative absurde et vaine pour continuer notre histoire et ainsi nous donner la possibilité de rejouer la n. Il n'a pas voulu jouer. 131

Coquard

Mon père, qui planifiait tout, m'avait enjoint

de ne pas verser de larmes à ses funérailles. Je les ai retenues. La nuit suivante, à moitié endormie, je me suis dirigée vers le jardin, mais j'ai omis d'ouvrir la verrière et j'ai pris sa mort en pleine figure. Je me suis réveillée avec un œil au beurre noir. Il avait la forme d'une larme.

New edition

4 - ARTS

touS tÉmoinS

Dessins de prison de Najah Albukaï

All WitneSSeS

Prison drawings by Najah Albukaï

Collective work. Edited by Farouk Mardam-Bey

I n Spring 2021 at the Fait et Cause gal lery in Paris, the Pour que l"esprit vive association exhibited works by the

Syrian illustrator Najah Albukaï, inspired

by the horrific torture he suffered and wit nessed in Bachar Al-Assad"s prisons. Some of his drawings were published in the newspaper, 12 August 2018, to a huge emotional response.

To accompany the exhibition, more than

30
writers were invited to express their indignation in the face of the horrors per petrated over the past ten years in Syria, a country that has become a metaphor for all that is wrong in the world: civilian mas- sacres, torture in prison, human abattoirs, forced population displacement, civil war, religious fanaticism, violence to women, and planetary destruction - everything that inspires outrage and despair.

This catalogue brings together Najah Albu

kaï"s drawings and the writer"s contribu- tions. Some provide a direct emotional response to the artist"s images, others pre fer to talk about their own very personal relationships to Syria. Some denounce the

Syria-isation of our complicit and indiffe

rent globalized world which despite the ple- thora of information available has let the country be destroyed, while others prefer to look at the more general theme of the violation of human rights and democra- tic freedoms.

Authors:

Habib Abdulrab Sarori

Santiago Alba Rico

Marijosé Alie

Amadou Amal Djaïli

Sinan Antoon

Mohamed Berrada

Jacques A. Bertrand

Philippe Claudel

Marie Desplechin

Dominique Eddé

Alaa El Aswany

Timothée de Fombelle

Laurent Gaudé

Nancy Huston

Souad Labbize

Farouk Mardam-Bey

Wajdi Mouawad

James Noël

Olivier Py

Atiq Rahimi

Alan Riding

Sebastião Salgado

Elias Sanbar

Samar Yazbek

5 - ARTS

le GrAnd meZZÉ tHe GreAt meZZÉ

Collective work. Edited by Édouard de Laubrie

W hat is the Mediterranean diet really? Five fruit and vegetables a day? All cooking in olive oil? Or more? What role did Ancel Keys, an Ame rican epidemiologist from the 1950s, play in its success? And the medical figures from

Antiquity who long knew about the rela

tionship between food and health. In an age where consumers are increasingly concerned about what they put in their plates, how can the paradoxes of a complex territory - the

Mediterranean basin - be reconciled with

the need for mass production?

The work looks at the

major historical, cultural, economic, ecological and religious issues of food in the Mediterranean, while retracing the history of this eternal crossroads for exchange and influences.

From the production of food's primary

resources, especially wheat, to the point it reaches the plate, how do people actually eat in the Mediterranean? An investiga- tion of several families around the Medi terranean basin offers a glimpse of the way wheat is transformed into couscous, breads and pastas, and the ancestral methods that have been passed down over generations. In parallel, food globalization and migrations since the 19th century have turned dishes like pizza and kebabs into standard inter national fare.

Another aspect of food identity in the Medi-

terranean is the dictates of the three mono theisms. Here they are studied according to what they have in common (especially the ritual consumption of lamb) as well individual dietary choices such as vegeta- rianism and veganism. As a key hub in the global process, the Mediterranean has also always been open to a great many culinary influences from beyond: spices from Asia, tomatoes imported by the Conquistadors, and sugar cane among many others. The book also tells the story of the circulation and uses of food since prehistory.

Finally the book asks questions of new

modes of production and consumption to emerge due to an increased awareness of issues as well as collective approaches to changing food habits. EVENT

LES ICONOPHAGES

une histoire de l"ingestion des images

ICONOVORES

A history of the ingestion of images

Jérémie Koering

"Eating images" might seem like a strange idea but since Antiquity people have constantly consumed frescoes, icons, sculptures, engravings, etched emblems, imprinted holy bread, embossed heraldry, marzipan models orquotesdbs_dbs27.pdfusesText_33

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