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SCHEHERAZADE REBORN IN THE CONTEMPORARY

in Scheherazade the legendary storyteller of Les Mille et Une myth that Scheherazade is nothing more than an exotic Arabian sexpot.



The Legacy of Ida Rubinstein: Mata Hari of the Ballets Russes

her to further efforts; and in December 1908 she staged Salome to the musi formances of Cleopatre and Sheherazade and immediately became an ad-.



Untitled

The “Queens and Empresses of the Orient” Festival unfolds in and her daughter Salomé. ... Ravel Shéhérazade



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01-Apr-2021 faire Salomé et Shéhérazade dans un article sur la danse du ventre au. XX e siècle ? Ces princesses de légende n'ont au demeurant rien à ...



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du mythe romantique de la femme fatale au cliché de lOrientale. Le

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Both the Salome and the Roussel and Flaubert p have cost twenty to thirty times more in film than in video. I wan cheaply to show that good work in 



SCHEHERAZADE AND HER SISTERS: REAL AND IDEAL WOMEN

During most of the Victorian era and the Gilded Age this ideal of the well—hence the overwhelming popularity of the image of Salome during this period.

2017

MEDIA PARTNERsMAIN sPONsORs

Ketevan Kemoklidze

anush hovhannisyan

OPENING OPERA GALA

Anush Hovhannisyan, soprano

Ketevan Kemoklidze, mezzo

Giulio Pelligra, tenor

Igor Golovatenko, baritone

Al Bustan Festival Orchestra

Gianluca Marcianò, conductor

- Massenet, Herodiade, Thaïs - Saint Saens, Samson et Dalila - Rossini, Semiramide - Gounod, La Reine de Saba

This concerT is sponsored by

wednesday 15 february The "Queens and Empresses of the Orient" Festival unfolds in the oriental palace of King Herod in Jerusalem with Hérodiade and her daughter Salomé. It is an Orient as seen by the French composers Massenet (1842-1912), Gounod (1818 -1893), Saint-Saens (1835-1921) and the Italian composer Rossini (1792-1868).

FiRst pRiZe WinneR saXophonistsQUa

t

UoR MoRp

h inG christophe grèzes, saxophone soprano eddy lopez, saxophone alto anthony malkoun-henrion, saxophone tenor matthieu delage,saxophone baritone - ravel, quartet - grieg, holberg suite - granados, spanish dances - glazunoz, excerpts quartet op. 109

The Morphing Quartet won the

first prize at the prestigious

Chamber Music Competition in

Osaka in 2011.

The French-Lebanese saxophonist

Anthony Malkoun is a member of

the quartet.

The brilliant saxophonists are in

Lebanon for the first time.

FRIDAY 17 FEBRUARY

sCHEHERAZADE is a leGendaRy peRsian QUeen and the stRonG Willed hiGhly intelliGent eldes t daUGh t eR oF t he viZieRoF t he s assanid KinG s hahRyaR she is t h e s t oRy t elleR oF o ne thoUsand and o ne n iGh t s, the s t oRy boo K t ha t inclUdes t he oRiGinal tales oF a laddin, a li b aba and Many MoRe

GianlUca MaRcianÓ

MUSIC DIRECTOR OF THE AL BUSTAN FESTIVAL

gianluca marcianò is the music and artistic director of the al bustan festival, artistic advisor of the Tokyo new city orchestra and in october 2016 he takes up the position of principal guest conductor of the armenian state opera in yerevan. previous posts have included the croatian national Theatre in zagreb and the Tbilisi state opera & ballet Theatre in georgia where he conducted la forza del destino, cavalleria rusticana, nabucco, attila, il Trovatore, mitridate, re di ponto and aida, as well as the new year's concert with andrea bocelli in batumi. marcianò also has strong ties with the lithuanian national opera and ballet in

Vilnius. much of marcianò's

operatic work in the uK has centred around eno, grange park opera and longborough festival.

SATURDAY 18 FEBRUARY

scheheRaZade

Victor Julien-Laferrière, cello

Al Bustan Festival Orchestra

Gianluca Marcianò, conductor

- Ravel, Shéhérazade, ouverture de féerie - Schumann cello concerto op. 129 - Rimsky Korsakov, Scheherazade as we were dazzled by Victor Julien laferrière last year, we invited him again. do not miss his concert! in the second part of the concert, you will enjoy the popular music of rimsky Korsakov, scheherazade, a symphonic suite based on "one

Thousand and one nights".

This concerT is sponsored by

JacaRanda enseMble

sebastian pietsch, saxophone richard mosthaf, didgeridoo, alpenhorn

Thomas hoffmann, alpenhorn, french horn

matthias dressler, marimba, percussion

Thomas ringleb, percussion

THIS CONCERT IS SPONSORED BY

SUNDAY 19 FEBRUARY AT 4:30 P.M.

five musicians, principals of the brandenburg symphony, have put together an unusual ensemble as a result of a desire to experiment with new sounds. Through its music, the Jacaranda ensemble builds a bridge between the cultures of the world. The positive response of the public as well as international respect has conflrmed the unusual concept of the Jacaranda ensemble. QUeen oF babylon, WiFe oF KinG niMRod sUcceeded hiM t o the thRoneoF t he a ssyRian e

MpiRe (811 -806

bce sEMIRAMIs seMiRaMis anna bonitatibus, mezzo-soprano nelson calzi, piano al bustan festival orchestra

Anna Bonitatibus

A concert dedicated to the

legendary Semiramis, wife of the

Biblical Nimrod, Queen of

the Assyrian Empire (reigned 811-806 BCE).

The majority of the pieces in the

program were unknown in modern times before being unearthed by

Anna Bonitatibus, a few years ago.

About this concert at Wigmore Hall:

“Altogether an exhilarating evening

of rarities and novelty, sung with full blooded rigor" Bachtrack. monday 20 february

THE FESTIVAL LECTURE

"UndeR the spell oF MaGic:the oRient al QUeen in R iM sKy- KoR s a K o v's s ch e h eRa Z ade dr nasser al Taee, advisor of the royal opera house of muscat (rohm)

Dr Nassr AL Taee

"Under the spell of magic: the

Oriental Queen in Rimsky-

Korsakov's Scheherazade"

This talk seeks to link Rimsky-

Korsakov"s Scheherazade to

Antoine Galland"s Les Mille et

Une Nuits as a continuation of

European fascination with the

Oriental tale, and in particular,

the Oriental woman.

Tuesday 21 february aT 6:30 p.m.

Bathich Auditorium, A.U.B

THIS CONCERT IS SPONSORED BY

Giulio pelligra

nestan Meboniya

Goderzi Janelidze

alessandra volpe

THIS CONCERT IS SPONSORED BY

The stabat mater describes the suffering of mary, mother of

Jesus, as her son is crucifled.

rossini's stabat mater combines two entirely different styles of composition: traditional church music in the renaissance manner of palestrina and pergolesi, and arias that would not sound out of place in a typical rossini opera. it was described as "noble, simple and severe."

STABAT MATER, ROSSINI

nestan meboniya, soprano alessandra Volpe, mezzo giulio pelligra, tenor goderzi Janelidze, bass al bustan festival orchestra choir of the serbian national Theatre gianluca marcianò, conductor

WEDNESDAY 22 FEBRUARY

saint Joseph Jesuit church MEDEA a FoRMeR pRincess oF the "baRbaRian" KinGdoM oF colchis (in pResent-day WesteRn GeoRGia)in an ancien t G Ree K t

RaGedy WRi

tt en by e

URipides, based Upon

t he My t h oF Jason and M edea ilona domnichsvetla vassileva

OPERA MEDEA, CHERUBINI

(italian version, in concert performance) svetla Vassileva, soprano (medea) ilona domnich, soprano (dirce) daniela pini, mezzo (néris) lorenzo decaro, tenor (giasone) goderzi Janelidze, bass (creon) al bustan festival orchestra choir of the serbian national Theatre gianluca marcianò, conductor daniela pini

SYNOPSIS

medea tells a portion of the classic tale of one of the great sorceresses of the ancient world of the same name, who falls in love with Jason.

s he uses her magic to help him obtain the g olden f leece (symbol of authority and kingship). s he even kills her own brother to ensure that Jason and her escape c olchis (ancient kingdom and region on the coast of the b lack s ea) with the fleece. c herubini's opera begins after Jason and m edea are married, after she bears him two children. Their past history together is important to understand why m edea becomes desperate for revenge against Jason. a s the opera opens, Jason has forsaken m edea to marry g lauce, the daughter of c reon. s he poisons g lauce on her wedding night. b ut g lauce's death does not slake her hunger for revenge, so then she murders her own children.

Jason is crushed with sorrow.

m edea returns to the temple and sets it on fire, and she escapes before both the temple and the palace go up in flames. Medea is an Opera that is rarely performed. It has been said that it requires a soprano with vocal cords of amalgamated steel to sing the title role of MEDEA and Svetla Vassileva has it.

SUNDAY 26 FEBRUARY AT 7 P.M.

This concerT is sponsored by

RachManinov and elGaR

renaud capuçon, violin

Khatia buniatishvili, piano

al bustan festival orchestra gianluca marcianò, conductor - elgar, Violin concerto op. 61 - rachmaninov, piano concerto no. 3

THIS CONCERT IS SPONSORED BY

It is Martha Argerich who played

musical matchmaker and brought these two brilliant performers together. Their concerts at

Lugano Festival in 2012 were a

resounding success.

Renaud has been praised for

his “intensely lyrical" tone and

“gloriously rich sound" (BBC Music

Magazine). Khatia was described

as the “fiery young star" and hailed by Argerich as “a young pianist of extraordinary talent." wednesday 1 march

RoMantic sonatas

renaud capuçon, violin

Khatia buniatishvili, piano

- a. dvorak, 4 romantic pieces - e. grieg, Violin sonata no. 3 - c. franck, Violin sonata in a major

THIS CONCERT IS SPONSORED BY

Khatia and I met over Franck"s

sonata," Capuçon recalls. “This is the sonata that sealed our musical partnership, the sheer joy of playing together."

Thursday 2 march

only beethoven 3 gloria campaner, piano al bustan festival orchestra beatrice Venezi, conductor - beethoven leonora overture - piano concerto no. 3 - symphony no 3 "eroica"

THIS CONCERT IS SPONSORED BY

Who else but Gloria Campaner to

play the Piano Concerto No. 3?

The" Eroica" Symphony, also No. 3,

is one of the major milestones in the development of Beethoven"s

style trademark.This new project of mixing classical and electronic music is a great success.Gloria Campaner is not only an amazing pianist but also a great DJ!

saTurday 4 march

Gloria Campaner

Beatrice Venezi

al bUstan Festival GiG dJ gloria campaner mixing classical music dJ giorgio cadamuro alias ceacus animi

Giorgio Cadamuro

sunday 5 march aT 9:30 p.m.

Gloria Campaner

Venue to be confirmed

JUlia doMna

(Theatre in arabic)

Mireille Maalouf, Julia Domna

Serena Chami, the servant

Cherif Khaznadar, director

Julia Domna ( about 170-217)

born in Emesa, today's Homs in Syria, daughter of the High

Priest Bassianus. She got married

to Emperor Septimius Severus.

Together they ruled a huge empire

at the turn of the second and third centuries ( 193- 211)

She was the mother of Emperors

Caracalla and Geta and was famous

for her quick learning as well as her extraordinary political inuence.

After the murder of her son

Emperor Caracalla, she chose to

commit suicide in 217.

MONDAY 6 MARCH

Two musicians playing with elegance and virtuosity. Lionel Cottet plays an 1852 Jean-Baptiste Guillaume cello

FRoM latin aMeRica

to paRis

Lionel Cottet, cello

Jorge Viladoms, piano

- Fauré, Elégie en do mineur op. 24 - Debussy, Sonate pour violoncelle et piano - Villa-Lobos, Chant du Cygne noir - Ravel, Pièce en forme de Habanera - Piazolla, Oblivion

Jorge Viladomslionel cottet

TUESDAY 7 MARCH

THIS CONCERT IS SPONSORED BY

CLEOPATRA

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