[PDF] HAUTE DENTELLE Jan 6 2019 “Haute Dentelle”





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HAUTE DENTELLE

Jan 6 2019 “Haute Dentelle” offers a unique insight ... fashion houses: Alberta Ferretti



the classical catwalk: fashioning the ancient world on the runway

For example Alberta Ferretti in 2008 had a collection that According to Alexander Fury (2017) in The New York Times



CHELSEA & KNIGHTSBRIDGE

International haute couture cutting edge directional or iconic British design; whatever www.albertaferretti.com ... Opening autumn 2017. Boggi Milano.



MILAN FASHION WEEK 20-25 settembre 2017 / 20th-25th

Sep 25 2017 CALENDARIO DEFINITIVO - Milano



DOSSIER DE PRESSE

Jun 9 2018 15 ALBERTA FERRETTI ... L'exposition Haute Dentelle illustre la place de la dentelle tissée ... collection haute couture printemps-été 2017.



INNOVATION - TECHNOLOGY & INTELLECTUAL PROPERTY

Jun 15 2017 PATENT & TRADEMARK ATTORNEYS P.269. LAW FIRMS P.284. 2017. EDITION. Alexander Ramsay. Unified Patent Court (UPC). P. 31. Joseph Ferretti.



FASHION DESIGN

Design and Interaction Design Schools - 2016 2017. • Listed by Domus Magazine as one 2014-2017 ... Tea Chakhnashvili: Senior Designer Alberta Ferretti.



Global Powers of Luxury Goods 2018 Shaping the future of the

market in 2017 less than half in 2018 while sales in Asia







HAUTE DENTELLE

Haute couture

and lace "Haute Dentelle" offers a unique insight into the contemporary uses by fashion designers of lace woven on Leavers looms.

Implicitly, exhibition curator Sylvie Marot

weaves a unique dialogue between lace houses and fashion houses, revealing behind these exchanges powerful creative propositions.

A material of great

creative potential

First inspired by and then liberated from

hand-made lace, mechanical laces have been marrying tradition with innovation for

200 years. Synonymous with delicacy, the

apparent fragility of the lace is an illusion: its woven texture makes it unravelable. A textile of high technicity, the subject of never-ending design research among lace-makers, lace embroideries, it may be transparent or opaque, three-dimensional... to the point of becoming

Fashion houses

VS lace houses

Presenting more than sixty dresses from

the latest haute couture and designer prêt-à-porter shows, the exhibition reveals houses. Each garment marks the meeting point between the best of hand techniques and the best of machine techniques, paying homage to this exceptional, familiar yet unknown material.

Dentelle de

Calais-Caudry®

a trademark registered by the French Federation of Lace and Embroidery, was awarded the 2016

9 June 2018 -

6 January 2019

After the success of the exhibitions

Hubert de Givenchy, Cristóbal Balenciaga,

Anne Valérie Hash and Iris van Herpen,

the Museum of Lace and Fashion in Calais, dedicated to hand-made and mechanical lace, presents the “Haute Dentelle" (Designer

Lace) exhibition.

de-France region, in which labelled Leavers laces are woven, export this exceptional textile worldwide.

Exceptional

pieces have been selected from fourteen prestigious fashion houses: Alberta Ferretti, Balenciaga,

Iris van Herpen, Louis Vuitton, Maison Margiela,

Ralph

Russo Schiaparelli, Valentino,

Viktor

Rolf, Yiqing Yin, Zuhair Murad.

Cité de la dentelle

et de la mode, Calais

Practical informations

et de la mode (Museum of Lace and Fashion) + 33 (0)3 21 00 42 30 www.cite-dentelle.fr

Press contact

Agence observatoire

www.observatoire.fr

68 rue Pernety,

75014 Paris

+33 (0)6 80 61 04 17
aureliecadot@observatoire.fr

Social networks

#HauteDentelle #citedentellemode @citedentelleExhibition curation

Sylvie Marot, independent

curator. The catalogue,

Anne Valérie Hash.

Décrayonner

, taking the eponymous title of the exhibition staged at the Museum of Lace and Fashion in 2016, was

Prix for Fashion Books.

Exhibition catalogue

200-page bilingual

publication with 110 illustrations, under the direction of Sylvie Marot.

Photos by Robin.

and Fashion and Snoeck

Editions, € 35.

Candidate for the Exhibition

of National Interest label

HAUTE DENTELLE

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