Fidelity in Dracula Adaptations - Jonathan Harker and Renfield
Title of document: Fidelity in Dracula Adaptations: In 1897 Bram Stoker wrote his Dracula
Keeping the Faith: Catholicism in Dracula and its Adaptations
Despite the fact that Irishman Bram Stoker's Dracula (1897) is arguably replete with Catholic allegory little critical attention has been paid to its
The Physical and Psychological Adaptations of Count Dracula in
Dracula Untold's is a tall imposing man in armor. So we can notice it in these two adaptations of Bram Stoker's novel: Francis Ford Coppola's.
The origins of Turkish Gothic: The adaptations of Stokers Dracula in
The adaptations of Bram Stoker's Dracula (1897) in Turkish literature and film are relatively unknown by Western academia and have been poorly discussed by
A taste of the gothic: film and television versions of Dracula
what is meant by the Gothic in literature then narrow my focus onto Dracula and adaptations of the novel in TV and especially film.
The Portrayal of Count Dracula in Kostovas The Historian Dacre
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Dracula la première rencontre avec Jonathan Harker
http://disciplines.ac-toulouse.fr/lettres-histoire-geographie/sites/lettres-histoire-geographie.disciplines.ac-toulouse.fr/files/clin_doeil_decembre2018.pdf
To Want a Monster: Homoerotic Desire in Dracula on Screen
Key words: Homoeroticism Dracula
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Journal of Dr
acula Studies Journal of Dr acula Studies V olume 6 Ar ticle 3 2004 K eeping the Faith: Catholicism in Dracula and its Adaptations K eeping the Faith: Catholicism in Dracula and its Adaptations D . Bruno Starrs F ollow this and additional works at: https:/ P art of the English Language and Liter ature Commons, F eminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies CommonsRecommended Citation Recommended Citation
Starrs, D
. Bruno (2004) "Keeping the Faith: Catholicism in Dracula and its Adaptations," Journal of DraculaStudies: V
ol. 6 , Article 3. A vailable at: https:/ /research.library.kutztown.edu/dracula-studies/vol6/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dr
acula Studies by an authorized editor of Research Commons at Kutztown Univ ersity. For more information, please contact czerny@kutztown.edu,. brought to you by COREView metadata, citation and similar papers at core.ac.ukprovided by Research Commons Kutztown University
Keeping the Faith: Catholicism in Dracula and its AdaptationsD. Bruno Starrs
Dracula (1897) is arguably replete with Catholic allegory, littlecritical attention has been paid to its pro-Catholic theme. Nor does any stage or screen adaptation faithfully
st basic of his manyperversions of Catholic lore, Count Dracula is the figurative anti-Christ who promises eternal life through the
ingestion not of sacramental wine representing the blood of Christ, but of actual human blood. cterization of his eponymous star, both Ken Gelder and Judith Halberstamargue the Count is anti-semitically modeled on stereotypical images of blood-sucking, baby-stealing Jews
(Gelder 13, Halberstam 248). Clive Leatherdale comments on its Catholic allegory and rationalizes it as a
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