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On the Road - JACK KEROUAC

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Balas 1

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Kerouac wrote to Neal Cassady his great friend and inspiration for On the Road saying the ”story deals with you and me and road' (Campbell 2000: 106)

  • What is the main summary of On the Road?

    SUMMARY: The free-form book describes a series of frenetic trips across the United States by a number of penniless young people who are in love with life, beauty, jazz, sex, drugs, speed, and mysticism and who have absolute contempt for alarm clocks, timetables, road maps, mortgages, pensions, and all traditional
  • What is the summary of Jack Kerouac On the Road?

    On the Road is a 1957 novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use.
  • What is the main message of On the Road?

    Freedom, Travel, and Wandering
    Each part of Kerouac's novel—until the short, concluding Part Five—tells the story of a journey, and its title emphasizes the importance of traveling, of being on the road whether riding, driving, or hitchhiking.
  • The Wrap-Up
    He would rather be with Dean, but Remi and his girlfriend don't like Dean, and in the end Sal drives off with his other friends, waving to Dean from the car window. That's about where the book ends.

Balas 1

Brandy Balas

15 March 2015

ENG 432: Dr. Harvey-Horning

American Dream Research Paper

American Dreams and Self-Reflection:

The Shared Flaws of Willy Loman in Death of a Salesman and Sal Paradise in On the Road Literature is not created within a vacuum. Instead it is both a reflection of and a commentary on

the culture in which it was created. Culture, of course, changes over time according the needs and values

of the period. It would be expected then, that literature would reflect these changes and offer readers a

glimpse into the pitfalls and follies of their given culture, as well as offering optimal models of behavior

that would best aid the reader in their own life. This is the didactic purpose of literature: to teach while it

entertains. In this way, boDeath of a Salesman On the Road, both

have revealing lessons for the reader in regards to an important, and often overlooked component of the

American Dream. Whereas it is often widely accepted that the protagonist, Willy Loman in Death of a

Salesman, is used as a critique of the consumer-

the protagonist in On the Road, is a character who resists those values, what is often overlooked is that

both characters shar-reflection is a necessary component to achieve their personal definition of the American Dream. To show how both Willy Loman and Sal Paradise exhibit aspects of the American Dream, it is important to show how this concept has been constructed in the American narrative and how that

Truslow Adams in 1931 in his book The Epic of America (Effing 127). Yet, as Mercé Mur Effing points

English promoters were attempting to persuade Englishmen to move to t was a message of hope and promise, that America was the land of opportunity. As Puritans travelled to America to escape religious prosecutios emphasis on hard work, education, ional values of American the values of hard work in his day and continues to be held up as -to-

riches characters of American history (Nuechterlein11). It is believed that through his Autobiography,

Franklin

association with Franklin, denote the connection of his memory in the American consciousness to material wealth and success. The American Dream, and the values associated with it, however, experienced a dramatic shift shift from a production based society to a consumption based one (Benziman 20). More and more, the American Dream was being equated with wealth and, morhe narrative surrounding the American Dream shifted away from moral values, the explosion of mass-consumer [was (Effing 131). This period of cultural transition is the setting of both the novels. The shift in economic practices, and subsequently in cultural values, plays a major role in the plots of both Death of a Salesman and On the Road. In Death of a Salesman, Willy Loman represents a character who had bought into the dominant cultural values of his time. in the :LOO\ERXJKWLQWRWKHIRUPXODIRUVXFFHVVWKDWKHOGquotesdbs_dbs42.pdfusesText_42
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