Chant and Its Origins PDF 14 avr. 2022 Gregorian chant

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Répertoire International de Littérature Musicale is a comprehensive bibliography of writings on music serving the global music research community.

Chant and Its Origins

14 avr. 2022 Gregorian chant is a redaction of the musical repertory (now called Old-Roman) ... ID. Bibliographie Gregorianischer Choral. Addenda I

Chant and its Origins

Titles in the Series:

Chant and its Origins

Thomas Forrest Kelly

Music in Medieval Europe

Series Editor: Thomas Forrest Kelly

Oral and Written Transmission in Chant

Thomas Forrest Kelly

Embellishing the Liturgy

Alejandro Enrique Planchart

Poets and Singers

Elizabeth Aubrey

Ars antiqua

Edward H. Roesner

Ars nova

John L. Nadas and Michael Scott Cuthbert

Instruments and their Music in the

Middle Ages

Timothy J. McGee

Chant and its Origins

Edited by

Thomas F arrest Kelly

Harvard University, USA

~~o~1~!n~f!~up

LONDON AND NEW YORK

First published2009 by Ashgate Publishing

Published2016 by Routledge

2 Park Square, Milton Park, Abingdon,

Oxon OX14 4RN

711 Third Avenue, New York, NY 10017, USA

Routledge is an imprint oft he Taylor & Francis Group. an informa bu.liness Copyright a Thomas Forrest Kell) 2009. For copyright of individual articles please refer to the

Acknowledgements.

All rights

reserved. No part of this publication may be reproduced, stored in a retrienl system or transmitted in any form or by any means. electronic, mechanicaL photocopying. recording or othenYise without the prior permission of the publisher.

Notice:

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infi·inge.

Wherever possible. these reprints are made from a copy ofthe original printing. but these can themselves

of\ er) variable quality. Whilst the publisher has made e\ ery effort to ensure the quality of the reprint,

some variability may inevitably remain.

British Library Cataloguing in Publication Data

Chant and its origins.-(Music in medieYal Europe)

I. Gregorian chants -History and criticism

I. Kelly. Thomas Forrest

782.3
'222'0902

Library of Congress Control Number: 2007943059

ISBN 9780754626329 (hbk)

Acknowledgements

Series Preface

Introduction

PART I GENERAL OVERVIEWS OF SCHOLARSHIP

Richard Crocker ( 1995), 'Gregorian Studies in the Twenty-first Century', vii ix xi

Plainsong and Medieval Music, 4, pp. 33-86. 3

2 David Hiley (1997), 'Writings

on Western Plainchant in the 1980s and 1990s',

Acta Musicologica, 69, pp. 53-93. 57

PART II EARLY HISTORY

3 Peter Jeffery (1992), 'Jerusalem and Rome (and Constantinople): The

Musical Heritage

of Two Great Cities in the Formation of the Medieval

Chant Traditions',

Cantus Planus: Papers Read at the Fourth Meeting Pees, Hungary, 3-8 September 1990, Budapest: Hungarian Academy of Sciences

Institute for Musicology, pp. 163-74. 101

4 Joseph Dyer (1989), 'The Singing of Psalms in the Early-Medieval Office',

Speculum, 64, pp. 535-78. 113

5 James McKinnon (1992), 'The Eighth-Century Frankish-Roman Communion

Cycle',

Journal of the American Musicological Society, 45, pp. 179-227. 157

PART Ill EDITIONS AND REPERTORIES

6 Jacques Froger (1978), 'The Critical Edition of the Roman Gradual by the

Monks of Solesmes', Journal of the Plainsong and Mediaeval Music Society,

1, pp. 81-97. 209

7 Hartmut Moller (1987), 'Research on the Antiphoner-Problems and

Perspectives', Journal of the Plainsong and Mediaeval Music Society, 10, pp. 1-14. 227

PART IV ANALYTICAL STUDIES

8 Laszlo Dobszay (1998), 'Some Remarks on Jean Claire's Octoechos', in

Laszlo Dobszay (ed.), Cantus Planus: Papers Read at the Seventh Meeting

Sopron, Hungary, 1995,

Budapest: Hungarian Academy of Sciences Institute

for Musicology, pp. 179-94. 243 vi Chant and its Origins

9 Joseph Dyer (1982), 'The Offertory Chant of the Roman Liturgy and its Musical

Form',

Studi Musicali, 11, pp. 3-30. 259

10 Edward Nowacki (1985), 'The Gregorian Office Antiphons and the Comparative

Method', Journal

of Musicology, 4, pp. 243-75. 287

PART V ROMAN AND FRANKISH CHANT

11 Willi A pel (1956), 'The Central Problem of Gregorian Chant', Journal of the

American Musicological Society,

9, pp. 118-27. 323

12 Bruno Stablein (1974), 'Die Entstehung des gregorianischen Chorals', Die

Musikforschung,

27, pp. 5-13. 333

13 Paul F. Cutter (1967), 'The Question of the "Old-Roman" Chant: A Reappraisal',

Acta Musicologica,

39, pp. 2-20. 347

14 S.J.P. van Dijk (1963), 'Papal Schola versus Charlemagne', in Pieter Fischer

(ed.), Organicae Voces: Festschrift Joseph.

Smits van Waesberghe, Amsterdam:

I.M.M. Instituut voor Middeleeuwse Muziekwetenschap, pp.

21-30. 367

15 Thomas H. Connolly (1972), 'Introits and Archetypes: Some Archaisms of

the Old Roman Chant', Journal of the American Musicological Society, 25, pp. 157-74. 377

16 Helmut Hucke (1980), 'Toward a New Historical View of Gregorian Chant',

Journal

of the American Musicological Society, 33, pp. 437-67. 395

17 Kenneth Levy (2003), 'Gregorian Chant and the Romans', Journal of the

American Musicological Society,

56, pp. 5-41. 427

18 Andreas Pfisterer (2005), 'Remarks on Roman and non-Roman Offertories',

Plainsong and Medieval Music,

14, pp. 169-81. 465

PART VI OTHER CHANT TRADITIONS

19 Terence Bailey (2000), 'The Development and Chronology of the Ambrosian

Sanctorale: The Evidence

of the Antiphon Texts', in Margot E. Fassler and

Rebecca

A. Baltzer (eds), The Divine Office in the Latin Middle Ages,

Oxford:

Oxford University Press, pp. 257-77. 481

20 Thomas Forrest Kelly (1988), 'The Beneventan Chant', Studia Musicologica

Academiae Scientiarum Hungaricae,

30, pp. 393-97. 503

21 Don M. Randel ( 1992), 'The Old Hispanic Rite as Evidence for the Earliest

Forms ofthe Western Christian Liturgies', International Musicological Society

Congress Report XV: Madrid 1992, pp.

491-6. 509

Index 515

Acknowledgements

The editor and publishers wish to thank the following for permission to use copyright material.

Cambridge University

Press for the essays: Richard Crocker (1995), 'Gregorian Studies in the Twenty-first Century', Plainsong and Medieval Music, 4, pp. 33-86; Jacques Froger (1978), 'The Critical Edition of the Roman Gradual by the Monks of Solesmes', Journal of the Plainsong and Mediaeval Music Society, 1, pp. 81-97; Hartmut Moller (1987), 'Research on the Antiphoner-Problems and Perspectives', Journal of the Plainsong and Mediaeval

Music Society,

10, pp. 1-14; Andreas Pfisterer (2005), 'Remarks on Roman and non-Roman

Offertories',

Plainsong and Medieval Music, 14, pp. 169-81.

International Musicological Society for the essays:

Peter Jeffery (1992), 'Jerusalem and

Rome (and Constantinople): The Musical Heritage

of Two Great Cities in the Formation of the Medieval Chant Traditions', Cantus Planus: Papers Read at the Fourth Meeting Pees, Hungary, 3-8 September 1990, Budapest: Hungarian Academy of Sciences Institute for Musicology, pp. 163-74; Laszlo Dobszay (1998), 'Some Remarks on Jean Claire's

Octoechos',

in Laszlo Dobszay (ed.), Cantus Planus: Papers Read at the Seventh Meeting

Sopron, Hungary, 1995,

Budapest: Hungarian Academy of Sciences Institute for Musicology, pp. 179-94; Don M. Randel (1992), 'The Old Hispanic Rite as Evidence for the Earliest Forms of the Western Christian Liturgies', International Musicological Society Congress

Report

XV: Madrid 1992, pp. 491-96.

Medieval Academy

of America for the essay: Joseph Dyer ( 1989), 'The Singing of Psalms in the Early-Medieval Office', Speculum, 64, pp. 535-78.

Oxford University

Press for the essay: Terence Bailey (2000), 'The Development and

Chronology

of the Ambrosian Sanctorale: The Evidence of the Antiphon Texts', in Margot E. Fassler and Rebecca A. Baltzer ( eds ), The Divine Office in the Latin Middle Ages, Oxford:

Oxford University

Press, pp. 257-77.

Studi Musicali for the essay: Joseph Dyer (1982), 'The Offertory Chant of the Roman Liturgy and its Musical Form',

Studi Musicali, 11, pp. 3-30.

Thomas Forrest Kelly.

University

of California Press for the essays: James McKinnon ( 1992), 'The Eighth-Century

Frankish-Roman Communion Cycle',

Journal of the American Musicological Society, 45, pp. 179-227. On behalf of the American Musicological Society; Edward Nowacki (1985), 'The Gregorian Office Antiphons and the Comparative Method',

Journal of Musicology, 4,

viii Chant and its Origins pp. 243-75; Thomas H. Connolly (1972), 'Introits and Archetypes: Some Archaisms of the Old Roman Chant', Journal of the American Musicological Society, 25, pp. 157-74. On behalf of the American Musicological Society; Helmut Hucke (1980), 'Toward a New Historical View of Gregorian Chant', Journal of the American Musicological Society, 33, pp. 437-67. On behalf of the American Musicological Society; Kenneth Levy (2003), 'Gregorian Chant and the Romans', Journal of the American Musicological Society, 56, pp. 5-41. On behalf of the American Musicological Society.

Every effort has been made to trace

all the copyright holders, but if any have been inadvertently overlooked the publishers will be pleased to make the necessary arrangement at the first opportunity.

Series Preface

This series of volumes provides an overview of the best current scholarship in the study ofquotesdbs_dbs27.pdfusesText_33

[PDF] Chant and Its Origins 14 avr. 2022 Gregorian chant

Chant and its Origins

Titles in the Series:

Chant and its Origins

Thomas Forrest Kelly

Music in Medieval Europe

Series Editor: Thomas Forrest Kelly

Oral and Written Transmission in Chant

Thomas Forrest Kelly

Embellishing the Liturgy

Alejandro Enrique Planchart

Poets and Singers

Elizabeth Aubrey

Ars antiqua

Edward H. Roesner

Ars nova

John L. Nadas and Michael Scott Cuthbert

Instruments and their Music in the

Middle Ages

Timothy J. McGee

Chant and its Origins

Edited by

Thomas F arrest Kelly

Harvard University, USA

LONDON AND NEW YORK

First published2009 by Ashgate Publishing

Published2016 by Routledge

2 Park Square, Milton Park, Abingdon,

Oxon OX14 4RN

711 Third Avenue, New York, NY 10017, USA

Acknowledgements.

All rights

Notice:

British Library Cataloguing in Publication Data

Chant and its origins.-(Music in medieYal Europe)

I. Gregorian chants -History and criticism

I. Kelly. Thomas Forrest

Library of Congress Control Number: 2007943059

ISBN 9780754626329 (hbk)

Contents

Acknowledgements

Series Preface

Introduction

PART I GENERAL OVERVIEWS OF SCHOLARSHIP

Plainsong and Medieval Music, 4, pp. 33-86. 3

2 David Hiley (1997), 'Writings

Acta Musicologica, 69, pp. 53-93. 57

PART II EARLY HISTORY

3 Peter Jeffery (1992), 'Jerusalem and Rome (and Constantinople): The

Musical Heritage

Chant Traditions',

Institute for Musicology, pp. 163-74. 101

4 Joseph Dyer (1989), 'The Singing of Psalms in the Early-Medieval Office',

Speculum, 64, pp. 535-78. 113

5 James McKinnon (1992), 'The Eighth-Century Frankish-Roman Communion

Cycle',

PART Ill EDITIONS AND REPERTORIES

6 Jacques Froger (1978), 'The Critical Edition of the Roman Gradual by the

1, pp. 81-97. 209

7 Hartmut Moller (1987), 'Research on the Antiphoner-Problems and

PART IV ANALYTICAL STUDIES

8 Laszlo Dobszay (1998), 'Some Remarks on Jean Claire's Octoechos', in

Sopron, Hungary, 1995,

Budapest: Hungarian Academy of Sciences Institute

9 Joseph Dyer (1982), 'The Offertory Chant of the Roman Liturgy and its Musical

Form',

Studi Musicali, 11, pp. 3-30. 259

10 Edward Nowacki (1985), 'The Gregorian Office Antiphons and the Comparative

Method', Journal

PART V ROMAN AND FRANKISH CHANT

11 Willi A pel (1956), 'The Central Problem of Gregorian Chant', Journal of the

American Musicological Society,

9, pp. 118-27. 323

12 Bruno Stablein (1974), 'Die Entstehung des gregorianischen Chorals', Die

Musikforschung,

27, pp. 5-13. 333

13 Paul F. Cutter (1967), 'The Question of the "Old-Roman" Chant: A Reappraisal',

Acta Musicologica,

39, pp. 2-20. 347

14 S.J.P. van Dijk (1963), 'Papal Schola versus Charlemagne', in Pieter Fischer