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Galerie dautoportraits Le statut de lartisteH

7- Artemisia GENTILESCHI Autoportrait en allégorie de la peinture



LES AUTOPORTRAITS DE PICASSO

huile sur toile 90x70cm collection Museum of art Philadelphie. 3. PICASSO : L'artiste devant sa toile



LISTE DES ŒUVRES POUR LORAL DU PEAC 2021

Pablo Picasso L'artiste face à sa toile



DORA MAAR (1907 – 1997) : PHOTOGRAPHE ET PEINTRE

l'œuvre a été éclipsée par son rôle à côté de Picasso. Biographie larmes elle-même réalise plusieurs autoportraits intitulés La Femme qui pleure.



DOSSIER PÉDAGOGIQUE

Pablo Picasso Autoportrait



Impression de la page entière

18 sept. 2020 Autoportraits déformés 501. Ludéric ... Pablo Picasso Autoportraits. 25 ans (1907). 56 ans (1938). 90 ans (1972). «L'image et son référent»>.



RUIZ-PICASSO

Michel Cot Profils de Pablo Picasso et de Maya à côté de la sculpture « Tête de Entre le 16 janvier 1938 et le 7 novembre 1939



HISTOIRE DES ARTS Liste des objets détude abordés : classe de

Autoportraits de Pablo. Picasso : - Autoportrait (1901). - Autoportrait (1938). - Autoportrait face à la mort (1972). La sensibilité artistique au.



PICASSO TABLEAUX MAGIQUES MuséePicassoP aris

31 mars 2020 The period that Christian Zervos identified in 1938 as that of Pablo. Picasso's "Magic Paintings" received immediate attention in ...



PICASSO TABLEAUX MAGIQUES MuséePicassoP aris

4 févr. 2020 preuve Pablo Picasso dans sa création. En 1938 un an après la création de Guernica



ARTIST’S WORK/ARTIST’S VOICE: PICASSO - MoMA

Picasso participated in this tradition not only by creating representations of himself at work but also by creating his own versions of another artist’s self-representation LESSON OBJECTIVES •Students will consider how an artist relates to other artists and artworks in the history of art

  • 15 Years Old

    Picasso's self-portrait from 1896 was made when the artist was just 15 years old. At this point, he represented himself in a realistic style with visible brushstrokes and a plain background.

  • 18 Years Old

    Just three years later, Picasso's style has already evolved significantly. His self-portrait from 1900 was made with charcoal on paper. Once again, he renders his face with anatomical correctness, but his lines have become looser and sketchier.

  • 20 Years Old

    Picasso's self-portrait from 1901 displays a more modern aesthetic. His likeness is still somewhat realistic, but the color palette is limited to whites and blues, with a less modeled appearance.

  • 24 Years Old

    In 1906, when Picasso was 24 years old, he created a self-portrait with a clear expressionist style. In this drawing, his face is stylized with simplified facial features that are clearly exaggerated and bold black lines.

  • 25 Years Old

    The following year, Picasso's art transformed again. His self-portrait from 1907 portrays the artist with a more stylized face, featuring his iconic almond eyes. Additionally, his use of black lines is sharper and bolder, clearly defining his portrait before the orange background.

  • 35 Years Old

    A decade later, Picasso created a self-portrait that resembles his realistic approach from his youth. Here, he captures a three-quarter view of his face that is realistic yet also simplified to just a pencil outline.

  • 56 Years Old

    When he was in his mid-50s, Picasso created a self-portrait that reflected his world-famous aesthetic. Created with charcoal on paper, this drawing shows him at his studio with a palette and brush in hand. His face is heavily abstracted, with his almond eyes nearly overlapping one another.

  • 83 Years Old

    At 83 years old, Picasso's creative output had not slowed down at all, and his energy clearly shows in his self-portrait from this time. He is portrayed in a seated position and rendered in blues, greens, and reds.

  • 85 Years Old

    At age 85, Picasso's self-portrait embodies many characteristics the world associates with his art. Though rendered with only line art and no color, this piece features a stylized version of his figure that overlaps with his own shadow. Most of his body and the furniture behind him is filled with distinct patterns and lines.

How old was Picasso when he made his self-portrait?

Picasso's self-portrait from 1896 was made when the artist was just 15 years old. At this point, he represented himself in a realistic style with visible brushstrokes and a plain background. Just three years later, Picasso's style has already evolved significantly. His self-portrait from 1900 was made with charcoal on paper.

Who was Pablo Picasso?

Known as one of the most prolific painters of Modern Art, Pablo Picasso (1881–1973) was undoubtedly a man of many talents. The Spanish artist experimented with and excelled in many mediums, from painting and drawing to sculpting and collaging.

What happened to Pablo Picasso in 1819?

In 1819, the Spanish painter was struck by sudden illness; years prior, he had fallen similarly ill with partial deafness, dizziness, and delirium, among more ailments, and the diagnosis of both sick bouts has been the subject of much historical investigation.

What color palette did Picasso use?

Following his blue period, Picasso’s work began to show Primitive influences. He also began to use a warmer color palette of pinks during his Rose Period, and, in 1907, his well-known Cubist stage began. As apparent in his self-portrait of the same year, this style incorporates geometry, fractured forms, and thick, black lines.

Collège les Martinets Brevet des collèges session 2015

HISTOIRE DES ARTS

Liste des objets d'étude abordés : classe de 3ème 3

Objets d'étude Thème Domaine Thématique

OBJETS D'ETUDE ABORDES EN COURS DE MUSIQUE :

La Chanson de Craonne

(1917) de M. Ogeret.

Première guerre mondiale.

- Arts du son - Arts, état et pouvoir

Les Poilus (1915)

d'Aristide Bruant et Michel

Carré.

Première guerre mondiale.

- Arts du son - Arts, état et pouvoir

Le Soldat (2013) de

Florent Pagny.

Première guerre mondiale.

- Arts du son - Arts, état et pouvoir

L'Affiche rouge (1959) de

Leo Ferré.

Seconde guerre mondiale.

- Arts du son - Arts, état et pouvoir

Nuit et brouillard (1963)

de Jean Ferrat.

Seconde guerre mondiale.

- Arts du son - Arts, état et pouvoir

Le Chant des partisans

(1943) d'Anna Marly,

Maurice Druon et Joseph

Kessel.

Seconde guerre mondiale.

- Arts du son - Arts, état et pouvoir OBJETS D'ETUDE ABORDES EN COURS D'ARTS PLASTIQUES :

Cabinet de curiosités

(1690) de Domenico

Remps ( Florence, Italie).

L'oeuvre d'art et l'influence

des techniques. - Arts du visuel - Arts, techniques et expressions

Park Avenue and 39th

Street, Manhattan (in

Changing New York, 1936)

de Berenice Abbott (New

York, Etats-Unis).

L'oeuvre d'art et la

mémoire.

Photographie

documentaire. - Arts du visuel - Arts, état et pouvoir

Wall explosion II, (1965)

de Roy Lichtenstein (Tate modern, Londres, Grande-

Bretagne)

L'oeuvre d'art et ses

formes populaires.

Détournements.

- Arts du visuel - Arts, créations et cultures

Musée Guggenheim (1997)

de Franck Gehry (Bilbao,

Espagne)

L'oeuvre d'art et la

tradition.

Ruptures.

- Arts de l'espace - Arts, ruptures et continuités

Plug in city (2000) d'Alain

Bublex (Centre Pompidou,

Paris, France)

L'oeuvre d'art et la place

du corps et de l'homme dans le monde et la nature.

La ville.

- Arts du visuel - Arts, espace, temps

San Diego (2007) de Jenny

Holzer (Qualcomm

Campus, San Diego,

Californie, Etats-Unis)

L'oeuvre d'art et

l'évocation du temps et de l'espace.

L'oeuvre et son espace.

- Arts du visuel - Arts de l'espace - Arts, espace, temps OBJETS D'ETUDE ABORDES EN COURS D'HISTOIRE-GEOGRAPHIE :

Un extrait des Sentiers de

la gloire de S. Kubrick (1957)

Cinéma.

- Arts du visuel - Arts, état et pouvoir.

Un extrait de

ombres de J.P. Melville (1969). littéraire au cinéma. - Arts du visuel - Arts, techniques et expressions

OBJETS D'ETUDE ABORDES EN COURS DE FRANCAIS :

Autoportraits de Pablo

Picasso :

- Autoportrait (1901) - Autoportrait (1938) - Autoportrait face à la mort (1972)

La sensibilité artistique au

fil d'une vie. - Arts du visuel - Arts, ruptures et continuités - Arts, techniques et expressions

Extraits des Temps

modernes ( 1936) de

Charlie Chaplin :

- Les engrenages. - Le travail à la chaîne. Le cinéma : un art engagé. - Arts du visuel - Arts, état et pouvoir - Arts, ruptures et continuités

Strophes pour se souvenir

de Louis Aragon (1955) et

L'Affiche rouge.

La poésie et le devoir de

mémoire. - Arts du langage - Arts du visuel - Arts, état et pouvoir - Arts, techniques et expressions - Extraits d'Antigone de

Sophocle (-441).

- Antigone de Jean Anouilh (1944) - Antigone, mise en scène de Nicolas Briançon (2002)

La tragédie à travers les

siècles. - Arts du langage - Arts du spectacle vivant. - Arts, état et pouvoir. - Arts, ruptures et continuités - Arts, techniques et expressions - Arts, mythes et religions

OBJETS D'ETUDE ABORDES EN COURS DE LATIN :

L'Ara Pacis Augustae (Ier

siècle ap. JC) Architecture et symboles. - Arts de l'espace. - Arts, état et pouvoir.

Une Métamorphose

d'Ovide (au choix) et sa postérité artistique (Ier siècle ap. JC.)

Le mythe à travers les

siècles. - Arts du langage - Arts visuels. - Arts, mythes et religionsquotesdbs_dbs44.pdfusesText_44
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