[PDF] Jules Saladins 1821 Translation of Frankenstein

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CHAPTER 9

ranslation of Frankenstein always limited by its address to specific audiences and by the cultural or 1 2

Frankenstein

Frankenstein

th 3

Frankenstein

1 , 2nd edn (1995; Abingdon:

2Comparative Literature Studies,

3Frankenstein

that since, in his view, there are hardly any diff

Frankenstein et autres romans gothiques

(Paris: Gallimard, Bibliothèque de la Pléiade, 2014), p. 1351. list compiled in Romantic Circles until 2009.4Frankenstein n Frankenstein

The Last Man (1826)

extracts

Le Dernier homme. (extrait),

translator unknown

Genève, bibliothèque

universelle des sciences, belles-lettres, et arts, vol.

XXXIV5

1827
(1832) lator unknown

Paris, Le Salmigondis, t. 3 1832

Matilda (1819-1820, 1st

pub. 1959)

Mathilda, trans. Marie-Françoise

Desmeuzes

Paris, éditions des Femmes 1984

The Last Man (1826) Le Dernier homme, trans. Paul

Couturiau

Paris, éditions du Rocher 1988,

rep. 1998
, trans.

Paris, José Corti 1993

st pub. 1976),

Gaulard

Anne-Sylvie Homassel

Meudon, Le Visage vert 1 1995

Valperga (1823) Valperga, trans. Nicole Berry 1997

La Jeune fille invisible, trans. Nicole

histoire de passions ou la mort de

Toulouse, éditions Ombres 1998,

rep. 20026
st pub. 2000)

Maurice ou le Cabanon du pêcheur,

trans. Anna Bellucci

Paris, Gallimard 2001

4 5th- 6

History of a Six

Tour (1817) and

Frankenstein (1818)

Frankenstein sur la Mer de Glace,

trans. Christophe Jacquet (contains excerpts from Frankenstein and from

Chamonix, Guérin 2007

The Fortunes of Perkin

Warbeck (1830)

Les Aventures de Perkin Warbeck,

trans. Anne Rouhette

Paris, Classiques Garnier 2014,

rep. 2016

Tour (1817)

trans. Anne Rouhette

Aix-en-Provence, Presses

Universitaires de Provence

2015
Journal (extracts) Que les étoiles contemplent mes larmes. trans.

Constance Lacroix

Paris, Finitude 2017

Table 9.1 Frankenstein

The Last Man n

twentiethThe Last and Lodore to foreground works writtenMathilda sic] in 1984. The

Valperga Perkin Warbeck

writing has drawn attention in the

Frankenstein sur la Mer de Glace

Jacquet interestingly combines excerpts from Frankenstein Tour Frankenstein and from the extract from The Last Man already nineteenth Le , a few weeks after its original publication in The Keepsake.

Le Fi Le Salmigondis, along with Alexan

suggesting that her reputation was then high enough in

Le Visage Vert

, at least for the basic the fantastic. Those stories were chos

Frankenstein

points to

Frankenstein in French.

At the time of its public7

particularly enthusiastic. Revue encyclopédique 9

Frankenstein

10

Frankenstein

Le Miroir des Spectacles

11 briefly the general cultural context in which English novels were t

Frankenstein appeared, because they

France, 72 were translated from another language, which represents 29.3%12 7 Bi. , by Mary Shelley, La Revue encyclopédique, 9 (1821), 191 9

10Histoire des traductions en langue française,

siècle, , p. 276.

11 Frankenstein, 1821English Language Notes,

12Histoire des traductions en langue française, siècle, ,

delays and low pay explained the poor quality of many translations at the time13 14

Udolpho The Monk 15

Bertram Frankenstein,

Melmoth came out, neither of which would be considered topic would let me the Romantic quality of the English author, whose style I have 16 13

14Histoire des traductions, pp. 169

see Histoire des traductions, pp.

15 , p. 544. Joëlle Prungnaud notes that the Gothic

TTR: , 7. 1 (1994), 11 popular in France in the early 1820s

Old Mortality

.17 practical and a theoretical point of view. In , Jean d

Lives Cabinet

between 1835 and 1839 and to the conception of translation which is occasionally 18

Frankenstein

went to jail several times and his com

Frankenstein,

a few translated nov

17 Histoire des traductions, pp. 273

demiRomantisme

18, pp. 523

528).

19 , p. 527, n. 227.

Kenilworth

translator than Defauconpret, which suggests that Corréard may well have paid careful :20

Don Carlos

21
sought the time, it seems that the 1821 French Frankenstein 20 - encouraged,

21Don Carlos

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