DJ KOOL HERC: THE MAN WITH THE MASTER PLAN
So like any good DJ
DLP - Historical Roots of Hip Hop
Many suggest a 1971 party DJ Kool. Herc threw in the lounge of 1520. Sedgwick Avenue in the South. Bronx was the first Hip Hop event and the “birth” of the
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Bongo Band's version of »Apache«. Brewster and Broughton provide a quote from an interview with DJ Kool Herc: Herc recalls the records he used that night.
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Three of the pioneers of the hip-hop culture DJ Kool Herc
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For the most part scholars and historians agree that DJ Kool Herc is one of the most notable founding figures of hip-hop culture.2?He DJ-ed some of the
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[PDF] DJ KOOL HERC: THE MAN WITH THE MASTER PLAN - WW Norton
THE MAN WITH THE MASTER PLAN by Jeff Chang When Cindy Campbell and her brother Clive “DJ Kool Herc” Campbell threw a party in 1973 they had no idea
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Les traditions afro-américaines de joutes verbales comme le Dirty Dozens L'écoute comparative de Sex Machine (James Brown) et de B-Boy Boogie (Dj Kool Herc)
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16 jui 2022 · NEW YORK — On August 11 1973 18-year-old Clive Campbell known as DJ Kool Herc and his younger sister Cindy decided to celebrate the end of
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18 août 2022 · The Birth of Hip Hop a selection of items from the collection of DJ Kool Herc the Father of Hip Hop The auction saw lively and spirited
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DJ Kool Herc Art by Danielle Mastrion photo taken from LargeUp DJ Kool Herc born as Clive Campbell was one of six children born to Keith and Nettie
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DJ d'origine jamaïcaine du nom de Kool Herc a été le premier à isoler le break- Le DJ Kool Herc découvre comment isoler des break beats et
[PDF] When the Beat Was Born: DJ Kool Herc and the Creation of Hip Hop
When the Beat Was Born: DJ Kool Herc and the Creation of Hip Hop Written by Laban Carrick Hill Script Adaptation by Gail Shipley TBA Committee Member
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Many suggest a 1971 party DJ Kool Herc threw in the lounge of 1520 Sedgwick Avenue in the South Bronx was the first Hip Hop event
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Dont stop the break ! ( lhistoire du rap et de la culture hip hop)
3 mai 2022 · 11 août 1973 : le jeune DJ Kool Herc organise la première block party de l'histoire livret_up_2021_2022_13x20cm_-17 pdf ( PDF - 2 Mo)
Word spread quickly about the
b ack- t o- s chool party, and the Campbells soon found themselves throwing par- ties in the rec room almost every month. By the following summer, the crowds were so big they had to move outside to Cedar Park, just up the block. For electricity, they tapped lampposts and work sheds. With the loudest sound sys- tem, the hottest records, and personality for days, Herc and the Herculords, his group of rappers, DJs, and danc- ers, became the n umber- o ne draw in the Bronx.Herc carefully studied his audiences. The moment
when the dancers went crazy was during a song's short instrumental break, when the band would drop out and the rhythm section would get elemental. Herc zeroed in on the break. He started searching for songs based on the sound of their break, songs that he would make into his signa- ture tunes: nonstop conga epics from the Incredible Bongo Band called "Apache" and "Bongo Rock," Johnny Pate's theme to "Shaft in Africa," Dennis Coffey's "Scorpio," black soul, Latin funk, and white rock records with an u p- t empo carnival- style backbeat.In a technique he called the "
M erry- G o- R ound," Herc worked two copies of the same record, b ack- c ueing one record to the beginning of the break as the other reached the end, extending a fi ve- s econd breakdown into a fi ve- m inute loop. Before long, he had tossed most of the songs, focusing on building excitement through the breaksWhat's That Sound?
An Introduction to Rock and Its History
by John Covach & Andrew Flory bDJ KOOL
HERC:THE MAN
WITH THE
MASTER
PLAN by Jeff Chang When Cindy Campbell and her brother Clive "DJ Kool Herc" Campbell threw a party in 1973, they had no idea what they were about to launch. At the end of the summer, they invited a hundred kids and kin to the modest rec room in their apartment building at 1520 Sedgwick Avenue in the Bronx. Kool Herc started off playing some reggae dancehall tunes on his turntables, similar to the music he had heard at sound system parties in Kingston, Jamaica, where he fi unrelenting white flight, and massive housing destruc tion, Herc's parties became a refuge for young Bronxites. He worked hard to make his audience feel welcome. He shouted out their names and kept the peace by taking a live- and- let- live policy and skillfully working the mic. Along with his friends Coke La Rock and Dickey, he rocked entertaining rhymes like: There's no story can't be told, there's no horse can't be rode, and no bull can't be stopped and ain't a disco we can't rock. Herc! Herc! Who's the man with a master plan from the land of Gracie Grace? Herc Herc!This adaptation of Jamaican
s ound- s ystem toasting, jazz poetry, and soul radio host patter was called "MCing," and it formed the foundation for what we now know as rap music. Herc became a hero in the devastated Bronx, a salve to the borough's many wounds. He and his fans were kids abandoned by America, left behind in the nation's prog- ress. But one can never underestimate the creative pow- ers of young people. In time, h ip- h op would inspire and redeem youths all around the world. And it all started with a small community party in the summer of 1973.Jeff Chang is the author of the American Book
A ward- winning Can't Stop Won't Stop: A History of the H ip- Hop Generation and editor of Total Chaos: The Art and Aesthetics of Hip- Hop.alone. His sets drove the dancers from climax to climax on waves of churning drums. In the c yphers - th e circles where they competed with each other for cheers from the c rowd - t he dancers became personalities in their own right. These kids had too much flavor to conform to the precision steps of group dances like the Hustle. They would simply jump in one after another to go off, take each other out, and just "break" wild on each other. Herc called them "break boys" - " b- boys" for short. Herc's audiences were full of visionary youths. Afrika Bambaataa, a former gang leader from the Bronx River projects, was inspired to return to his neighborhood and reach out to former enemy gangs and crews. Bambaataa's parties became common ground, and from them he cre- ated the Zulu Nation, h ip- h op's first official organization, and the Zulu Kings and Queens, two of h ip- h op's first dance crews.A teen from Fox Street in the South Bronx named
Joseph Saddler, who would come to be known as Grand master Flash, went up to Cedar Park to see Herc for himself.Based on Herc's "
M erry- G o- R ound," he refined turntable techniques until he had helped lay the foundation for the kind of seamless b eat- m ixing that every DJ learns today. Along with his rap crew, the Furious 5, he perfected the art of the h ip- h op musical performance. After a period of intense gang violence, amid ongo- ing deindustrialization and governmental disinvestment,quotesdbs_dbs6.pdfusesText_12[PDF] le mouvement hip hop histoire des arts
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