TECHNIQUES OF CHARACTERIZATION IN THE WORKS. OF PDF

Andre Gide LesFaux-Monnayeurs. I do not know how one would put it in Russian or in English

Andre Gides FAUX MONNAYEURS— an Introduction

André Gide is not a great writer in the sense that Dostoïevski or. Stendhal or even Malraux

The Relativization of Character in Les Faux-Monnayeurs

Les Faux-Monnayeurs that novel of forms

Gide and the Fantasts: The Nature of Reality and Freedom

Andre Gide was not a symbolist nor a dadaist

Les différents sens du faux dans Les Faux-Monnayeurs dAndré Gide

Un tiers du livre les Faux-Monnayeurs est constitué par le Journal des Faux-Monnayeurs journal d'Édouard

TECHNIQUES OF CHARACTERIZATION IN THE WORKS. OF

influence Albert Guerard

Revelation and Dissimulation in André Gides Autobiographical Space

in Andre Gide's. Autobiographical Space abound in the works of Andre Gide. ... Les Faux-Monnayeurs Lacan

Les Faux-Monnayeurs: remise en question dun nouveau roman

Joueur de cartes solitaire André Gide compose une oeuvre littéraire comme on ferait une réussite. Les cartes sont tout d'abord détournées.

Les Faux-Monnayeurs et la critique du roman

André Gide a eu le malheur de se lancer dans sa carrière de romancier à une époque où le roman était la forme littéraire la plus dépréciée.

André Gide and Blakes Marriage of Heaven and Hell

of the demonic Gide's second reading of The Marriage contributed nearly as much to Les Faux-Monnayeurs as Dostoievsky's psychological and fictional.

TECHNIQUES OF CHARACTERIZATION IN THE WORKS. OF ANDRE GIDE by Sara

Toenes

Submitted

as an

Honors

Paper in the

Department

Romance

Languages

Woman's

College

of the

University

of North

Carolina

Greensboro

I960 n

Approved

by (l^ IUJL-VOTK /L

Director

Examining

Committee

h O Wrl W ,Uy*v toil* Tut* jLc^TmQ

INTRODUCTION

Chapter

I. LA PORTE

ETROITE

7 II.

L'IMMORALISTE

21
III. LES

FAUX-MONNAYEUR3

CONCLUSION

BIBLIOGRAPHY

INTRODUCTION

In the year 2051,
which will be the one-hundredth anniversary of his death,

Andre"

Gide will perhaps not be hailed as the greatest novelist which

France

produced in the twentieth century. His im- portant works are few, and have certain flaws which are obvious to most students of literature.

However,

Gide's

contributions to the literary scene have been vastly more extensive than his own relat- ively few volumes would indicate. His power over the minds of youth horrified members of his own generation; young writers by the hun- dreds plagued him with pleas for advice. His spiritual influence on our century has undoubtedly been tremendous. As for his literary influence,

Albert

Guerard,

in his book Andre Gide summarizes the importance of Gide in contemporary

French

literature. Andre Gide has probably had a wider influence on the twen-

tieth-century French novel than any writer of his time ... He was at the start of the two roads which the contemporary French novel has taken.

Gide is credited both with reinvigorating the re'clt form, the most notable recent example of which has been

L'^tranger

Camus,

and with leading the novel away from realism, blending complexity with economy.

Although

Gide himself admitted to having written only one novel during his lifetime, the lengthy

Faux-Monnayeurs

his fame rests equally on several shorter works which he called recite

Albert

Guerard,

Andre Gide (Cambridge:

Harvard

University

Press,

1951),

p. 93.
Most American critics are willing to classify all of Gide's longer works as novels. There are, however, certain important distinctions between the two forms. Let us compare the recit and the novel as Gide used the terms. Thequotesdbs_dbs4.pdfusesText_7

[PDF] TECHNIQUES OF CHARACTERIZATION IN THE WORKS. OF

Toenes

Submitted

Honors

Department

Romance

Languages

Woman's

College

University

Carolina

Greensboro

Approved

Director

Examining

Committee

TABLE OF CONTENTS

INTRODUCTION

Chapter

ETROITE

L'IMMORALISTE

FAUX-MONNAYEUR3

CONCLUSION

BIBLIOGRAPHY

INTRODUCTION

Andre"

France

However,

Gide's

Albert

Guerard,

French

L'^tranger

Camus,

Although

Faux-Monnayeurs

Albert

Guerard,

Harvard

University

Press,

1951),