Roy Lichtenstein – Whaam!
époque. Whaam ! 1963 huile et acrylique sur toile
Nanorestart at Tate: collaborative solutions for the cleaning of
cleaning of modern and contemporary art. Dr. Bronwyn Ormsby Principal Scientist
100: Roy Lichtenstein WHAAM! poster (diptych) < Prints & Multiples
22 juin 2017 Each sheet measures: 24.75 h x 29 w inches. Printed manufacturer's mark to lower edge of each sheet 'Published by The Tate Gallery London.
Confinart onomatopée
Whaam ! Roy. Lichtenstein
148: Roy Lichtenstein WHAAM! poster (diptych) < Prints + Multiples
26 janv. 2017 Each sheet measures: 24.75 h x 29 w in. Printed manufacturer's mark to lower edge of each sheet 'Published by The Tate Gallery London. Roy.
Reviving WHAAM! a comparative evaluation of cleaning systems for
Roy Lichtenstein. The impact of modern paints. Lon- don: Tate Gallery Publishing Ltd; 2000. p. 112–25. 3. Bailey
Untitled
Chairman of the Trustees of the Tate Gallery. Tate St Ives from across Bridge and in Borough Market near to Tate Modern
PETITS OU GRAND BRUITS
Roy Lichtenstein Whaam
1. Tate Modern Level 5 Tate Modern
http://downloads.bbc.co.uk/modernmasters/pdf/modernmasters_south_bank.pdf
Roy Lichtenstein
To the right the original sketch for. “Whaam!” which was donated to. London's Tate Gallery. It shows the piece was originally going to be a single image
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Roy Lichtenstein (American 1923-1997) Modern Painting with Red Slant 1967 Oil and Magna on canvas Private Collection; L2020:118 2 The groundbreaking visual exploits of Roy Lichtenstein were rooted in a youth attending museums in New York where he was inspired by such artists as Rembrandt Daumier and Picasso Lichtenstein elaborated on his
What is Roy Lichtenstein's Whaam?
Roy Lichtenstein's serious comic-inspired canvas Whaam! disrupted the art world in the mid-1960s, delivering an enigmatic salvo at both the conventions of artistic expression and the post-war representation of conflict. By reworking a comic book image of an American jet destroying an enemy plane, Lichtenstein blows up audience expectations.
How did Roy Lichtenstein translate a painting?
ISBN 978-0-307-40652-1. He translated one of Roy Lichtenstein's most famous paintings by putting giant letters spelling "WHAAM!" on a yellow clevore evening gown. He adorned a silk halter-neck gown with Andy Warhol's celebrated images of Marilyn Monroe ... ^ Teachout, Terry (6 August 2003).
How did Lichtenstein adapt Whaam?
Lichtenstein adapted the image from several comic-book panels. He transformed his primary source, a panel from a 1962 war comic book, by presenting it as a diptych while altering the relationship of the graphical and narrative elements. Whaam! is regarded for the temporal, spatial and psychological integration of its two panels.
What is Lichtenstein's technique?
It shows the original plan was a single unified work. Lichtenstein's technique has been characterized by Ernst A. Busche as "tthe enlargement and unification of his source material ... on the basis of strict artistic principles". Extracted from a larger narrative, the resulting stylized image became in some cases a "virtual abstraction".
Roy Lichtenstein
Born: October 27. 1923
Active: ca. 1945 - 1997
Died: September 29, 1997
Interesting facts about Roy
Lichtenstein
Lichtenstein's work is often
characterized by his use ofBen-Day dots. These dots
were hand-painted inLichtenstein's' work, but he
also used stencils to maintain size and spacing.Ben-day and halftone dots
were mechanical effects meant to create art which looked more natural and hand-crafted. Lichtenstein's work, therefore, was the opposite; handcrafted art which tried to look mechanically created. Lichtenstein also worked in sculpture, some jewelry, and taught art at various points in his career. Lichtenstein's college education was interrupted by WWII. He volunteered for the Army Air Force,hoping to be a pilot. While waiting for training, he was assigned to latrine duty. However, his drawing
skills caught the eye of his commanding officer, to asked him to hand-enlarge the cartoons in the military paper Stars & Stripes. These drawings caught the eye of Irv Norwick, another officer at thecamp, who moved Lichtenstein from latrine duty to drafting and designs for the military. Years later,
Norwick himself would become a comic book artist, and their work paths would cross again. Lichtenstein
used Norwick's work as a base for many of Lichtenstein's large canvases. Norwick drew the original panel which inspired Lichtenstein's "Whaam!" Because most of Lichtenstein's most famous work was re-workings of comic panels, many peoplequestion whether or not Lichtenstein was an artist, or a copyist (copycat). If you copy, even on a grand
scale, another work, who is the actual artist? Lichtenstein himself never credited the artists who created
the panels he copied (though to be fair, at the time, neither did the comics credit the artists who created
them). With the advent of the internet, more people are putting the clues together, linking some of Lichtenstein's works with their comic inspirations. As you look at his work, and the panels which inspired it, what do you think? Liechtenstein standing in front of his most well-known work, "Whaam!" Note the size of the work. The original inspiration was only a couple inches tall and wide.Ben-Day Dots:
Named for American illustrator and printer
Benjamin Henry Day Jr., (1838 - 1916), Ben Day
dots are a means of using evenly spaced dots in a field to create extra colors in the four color process. Dots may be large or small, closely spaced or more distant, but they are the same size in the area in which they are used. Because the dots don't change their size or spacing, they give the impression of a flat plane of color.Halftone Dots:
Half-tone dots are different from Ben Day
Dots because Half Tone Dots often change
sizes and spacing to give the impression of increasing or decreasing shadows and highlights.Pop Art:
A contraction of the phrase, "popular art", as opposed to fine art. Popular comes, via French, from the Latin word Popularis, meaning, "of the people, general, common." Popular art drew inspiration from common, everyday objects and media, including advertisements, comic books, and items one might find around the home. Sometimes, these items were created with a twist: blown up or shrunk down, unusual color schemes, or created on an unusual "canvas" (e.g. the walls of buildings, or on a second piece of art). Andy Warhol's Campbell's Soup series (right) is one of the more well-known Pop Art series."Ohhh...Alright" Roy Lichtenstein, 1964, Oil on Canvas; 36 in x 38 in. Photo from Christie's website.
This piece, formerly owned by actor Steve Martin and CEO Steve Wynn, sold in 2005 at Christie's for $42.6 million, a record for Lichtenstein's work at that time. You can see three different ways to use "red" in this piece to create red hair, dark pink lips, and pale pink skin. (See Details) Lichtenstein drew inspiration for this piece from the comic to the right, ("Secrets of the Heart" Issue #88, June, 1963-image from Wikipedia.) Many claimed Lichtenstein didn't create works- just copied directly form the source material without crediting the original artists. Since Lichtenstein was blowing a 2-inch square original to three feet-plus square, he responded that his work required many touches and refinements to translate to a large canvas, making it art.Details from "Ohh...alright" show
how Lichtenstein used different dot sizes and layers to create color differences. The dark pink of the lips isn't created by white dots on a red background. It's created by two red dots nearly overlapping each other, an open space (where the white paper shows through) and then two overlapping red dots again. Here, you can see the same double pattern as above. Single Dot patterns, like this one, allow for "lighter" colors from distance viewing Spreading the same size dots out even more will make the red seem even paler from a distance. "Whaam!" Roy Lichtenstein, 1964, oil on canvas. 67 x 160 inches. By Source, Fair use,This is arguably Lichtenstein's
best known work, based on a comic panel originally drawn byLichtenstein's former military
officer, Irv Novick, in DC ComicsAll-American Men of War Comic
#89 ( Feb. 1962.) The resulting diptych1 is huge: almost six-feet
high and over thirteen feet long. (Above: the original panelLichtenstein used as inspiration.
Note some of the differences
between it and the final piece. To the right, the original sketch for "Whaam!" which was donated toLondon's Tate Gallery. It shows the
piece was originally going to be a single image, not a diptych.)1 Diptych: From a Greek word meaning "two-fold" a diptych is a two-paneled work, joined in the center. The
finished piece is often meant to be opened and viewed as a singular work. In the ancient world, a diptych was a
wooden cover, joined at the hinge and covered with a thin piece of wax inside. This allowed a writer to write,
erase, and write again. It was also the ancient world's school and notebook. The format of a diptych book
eventually evolved to the art world's two-paneled piece, which could be closed and safely moved from place to
place. "Bedroom at Arles" On the left, by Vincent Van Gogh, (1888); on the right, by Lichtenstein (1992)Lichtenstein also copied Monet's Cathedral series, using his dots and bright colors. Some ask whether
this was just a variation on Lichtenstein's earlier works, or an update on Van Gogh's original work (note
the modern chairs in Lichtenstein's piece, and there are a couple other differences.) This leads to the
question, is this art, or just a copy? (Which also asks, 'what is "art"?') "Magnifying Glass" 1963.40.6 x 40.6 cm
Kunstmuseum
Liechtenstein, Vaduz,
Liechtenstein
This piece has no comic
inspiration; it appearsLichtenstein was poking
fun at his own use of BenDay dots.
Take Home:
Ben Day Dots are a way to make combinations of colors (red dots over solid yellow will appear orangefrom a distance, blue drawn over yellow will appear green, and blue over red will appear purple.) Fifty
years earlier, another artist, Georges Seurat, also experimented with this type of visual blending.Look at some high quality images of Georges Seurat's work, and Lichtenstein's, and see what similarities
and differences there are between them. How do both artists use this type of dot to create their art?
Books:
Getting to know the World's Great Artists: Lichtenstein by Mike Venezia Getting to know the World's Great Artists: Seurat (for comparison to Lichtenstein)Online Gallery:
The Roy Lichtenstein foundation keeps a database of his art at their online gallery: http://www.imageduplicator.com/Podcast:
NPR did a podcast about Lichtenstein's art, called "One Dot at a Time, Lichtenstein Made Art Pop"Videos:
London's Tate Gallery has a YouTube Channel. The name of the channel is "Tate", and they did a 10-minute retrospective of Lichtenstein's art entitled: 'Roy Lichtenstein: Diagram of an Artist". (Published 1
Feb 2013)
The new re-boot of
Ducktales by Disney
features Ben Day dots in the backgrounds as an homage to the comic- book era and the kind of adventures which characterizes Ducktales. (Promotional image fromDisney, contrast and color
enhanced to best showBen Day dots in lower left,
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