Keep it Simple Make it Fast! An approach to underground music PDF

Cuba Rebelión: Underground Music in Havana

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Keep it Simple Make it Fast! An approach to underground music

Underground music scenes and DIY cultures PART 6

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15 mai 2021 An approach to underground music scenes (vol. 3) pp.49-54

The Underground Music Scene in Belgrade Serbia: A

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Keep it Simple, Make it Fast! An approach

to underground music scenes

Volume 1

Paula Guerra and Tânia Moreira

(editors)

First Published May 2015

by Universidade do Porto. Faculdade de Letras [University of Porto. Faculty of Arts and Humanities]

Porto, Portugal

Cover image: Júlio Dolbeth

Design: Rita Araújo and Tânia Moreira

Credits Photos (Part 1-7): Ana da Silva, Hugo Ramone, Bárbara Cabral, Cristina Sousa, Frágil, Nito Gonçalves, Nito Gonçalves e Víctor Torpedo

ISBN 978-989-8648-49-5

All the content presented in texts are solely the responsibility of the authors. The ideas presented do not necessarily represent the opinion of the editors.

INTRODUCTION _______________________________________________________________ 9 Underground music scenes and DIY cultures ______________________________________ 11

Paula Guerra

Tânia Moreira

PART 1 | MUSIC AND DIY CULTURES: DIY OR DIE! _________________________________ 15

1.1. Circuit-bending and DIY culture _____________________________________________ 17

Alexandre Marino Fernandez

Fernando Iazzetta

1.2. DIY culture and youth struggles for autonomy in Switzerland: distortion of the punk scene

________________________________________________________________________ 29

Pierre Raboud

1.3. The street as canvas: street art and the construction of artistic careers _____________ 37

Ágata Dourado Sequeira

1.4. ͆Do it yourself͇: Daniel Johnston̓s demon _________________________________ 49

Fabrício Silveira

Marcelo Bergamin Conter

1.5. Empowerment through design-doing experiences: workshops on nurturing creative

makers for sustainability ___________________________________________________ 59

Nicholas Torretta

Hessam Pakbeen

PART 2 | PORTO CALLING: MEANINGS, DYNAMICS, ARTIFACTS AND IDENTITIES IN TODAY'S PUNK SCENES ________________________________________________________________ 77

2.1. Punk comix: a journey through the ͆flirting͇ of BD and punk in Portugal _________ 79

Marcos Farrajota

2.2. What does the Balaclava stand for? Pussy Riot: just some stupid girls or punk with

substance?_______________________________________________________________ 91

Alexandre M. da Fonseca

2.3. Aesthetics, anti-aesthetics and ͆bad taste͇: a brief journey through Portuguese punk

record covers (1977-1998) ________________________________________________ 103 Afonso Cortez Pinto _______________________________________________________________ 103

2.4. I̓ve got straight edge: discussions on aging and gender in an underground musical

scene __________________________________________________________________ 125

Jhessica Reia

2.5. Between drums and drones: the urban experience in São Paulo's punk music ______ 135

Débora Gomes dos Santos

2.6. What is punk rock? What is DIY? Masculinities and politics between l'art pour l'art and

l'art pour la révolution ____________________________________________________ 147

Martin Winter

2.7. ͆Fallen fallen is Babylon͇. Polish punk rock scene in the 1980s ________________ 159

Piotr Zanko

PART 3 | MUSIC SCENES, POLITICS AND IDEOLOGY: SOCIAL-HISTORICAL MEMORIES AND CONTEMPORARY PRACTICES __________________________________________________ 167

3.1. Independence or death: alternative music in the Brazilian 80's ___________________ 169

Tereza Virginia de Almeida

3.2. Underground politics: ͆I am sure they know we are not the devil̓s son and that metal

is against corruption͇ ̽ heavy metal as (sub-) cultural expressions in authoritarian regimes ________________________________________________________________ 177

André Epp

3.3. Before the DIY: Jovem Guarda and youth culture in Brazil (65-68) ________________ 187

Marcelo Garson

3.4. Rock in Portugal: effects of the rock music in the Portuguese youth (1960 vs. 2014) 201

Ana Martins

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[PDF] Keep it Simple Make it Fast! An approach to underground music